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SHE’S JUST MAGIC: TAKE CHARGE LADY

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Mother Nature has out when great thoroughbreds go to the breeding shed, often with disheartening results. But Take Charge Lady is one case where what Mother Nature had to say is absolutely fitting.

TAKE CHARGE LADY routs them all at Keeneland to win the Spinster. Photo and copyright, AP.

TAKE CHARGE LADY routs them all at Keeneland to win the Ashland Stakes. Photo and copyright, AP.

For those of us who remember her on the track, Take Charge Lady (1999) was a valiant and relentless campaigner, taking on the much-adored Azeri (1998), as well as You (1999), Bobby Frankel’s champion, Sightseek (1999), Canadian HOF Dancethruthedawn (1998) and the talented Farda Amiga (1999) in a career that spanned three seasons.

The determination Take Charge Lady showed here in 2002 was characteristic of her. She was what the industry calls an “honest” thoroughbred, meaning that she always did her absolute best, no matter who was at her throat latch. By Dehere (1991) whose BM sire was Secretariat (1970), out of the Rubiano (1987) mare, Felicita (1994), the lean, dark bay filly was destined to be one of her sire’s most outstanding offspring. Trained by Kenny McPeek, who had purchased her for the modest sum of $175,000 USD for Jerry and Faye Bach’s Select Stable, Take Charge Lady took the Alcibiades Stakes as a 2 year-old and then, at 3, won the Silverbulletday, Ashland, Dogwood and Spinster Stakes (which she would win again in 2003), as well as the Fairground Oaks.

Take Charge Lady took the Silverbulletday by 8 1/2 lengths, setting a track record; three weeks later, over the slop, she won again by a comfortable 5 lengths. In April, she met up again with Beltera, a very good filly who’d beaten her the year before, to annex the Ashland Stakes (G1):

After the Ashland, McPeek seriously considered running Take Charge Lady against the colts in the Kentucky Derby, opting instead for the Kentucky Oaks. But her front-running ways got the better of her and Farda Amiga (1999) took full advantage of it. Take Charge Lady finished in second place. The loss likely cost her the Eclipse that year in the 3 year-old filly division, which went to the Oaks winner. But horses don’t know about Eclipse Awards — they only exist for us two-legged folk.

Illness beset Take Charge Lady throughout her 3 year-old season. First it was a lung infection and then she started to lose weight. So she was given a longish break, returning in the G1 Gazelle, where she ran a game second. Then, under the great hands of Edgar Prado, she took on older fillies and mares in the 2002 Spinster. It was a dazzling performance — the kind that gives you goosebumps:

Then came the BC Distaff at Arlington Park, where the brilliant daughter of Dehere was beaten by thirteen lengths. But Take Charge Lady had a good reason for the loss: shortly after the race, she was diagnosed with still another lung infection.

TAKE CHARGE LADY ran her heart out as a 3 year-old and racing fans would never forget her for it.

TAKE CHARGE LADY ran her heart out as a 3 year-old and racing fans would never forget her for it. She is shown here in the first of two consecutive wins in the Spinster — only the fourth thoroughbred to accomplish this feat.

 

McPeek’s most gallant of ladies was back as a 4 year-old and again, she delighted her connections. The filly began her autumn campaign in the Grade III Arlington Matron Handicap on September 1. Ridden by Shane Sellers, the champion conceded at least six pounds to her opponents. After tracking the leader, Sellers moved her into the lead a quarter of a mile from the finish and Take Charge Lady drew away to win by eleven lengths. Sellers commented “She’s something else. She’s a joy to ride. She’s been the highlight of my comeback.” (Sellers had been sidelined in 2003 with injuries.)

On October 5 at Keeneland — arguably her favourite track — Take Charge Lady attempted to become only the fourth horse to ever win the Spinster Stakes for a second time. She was made the 1/2 favorite ahead of You. Edgar Prado was in the irons again and he sent Take Charge Lady into the lead on the final turn, opening up a clear advantage in the homestretch and enabling his filly to hold off a late charge from You. After the race Prado explained, “She got a little tired the last seventy yards but these kind of horses give you everything to the wire.”

By the time she retired, late in her 4 year-old season, Take Charge Lady was a millionaire twice over. And even though she had been one of those greats that racing fans never forget, her second career has been equally brilliant.

TAKE CHARGE LADY brought the best of herself to her new career -- with stunning results!

TAKE CHARGE LADY brought the best of herself to her new career — with stunning results!

The young mare began her broodmare days at Three Chimneys, but in November 2004 she was consigned by Eaton Sales and sold, in foal to Seeking The Gold, for 4.2 million to a consortium of Kentucky breeders. That 2004 foal was Take Charge Lady’s first, a filly named Charming. Trained by Todd Pletcher, Charming raced three times before suffering a career-ending injury. Usually, a thoroughbred who appears on the track this briefly is easy to forget. But Charming had a little something up her sleeve: Take Charge Brandi, the juvenile filly superstar of 2014 and Charming’s second foal. Trained by the iconic G. Wayne Lukas, here’s Take Charge Brandi winning the 2014 BC Juvenile Fillies in the same style as her grandam:

With a final win in the Starlet Stakes, Take Charge Brandi closed out her juvenile season a millionaire.

Nor is Brandi Lukas’ first experience with Take Charge Lady’s family: just as Take Charge Brandi was making her presence felt in 2014, Will Take Charge (2010), his dam’s fifth foal, was retiring. And, like so many great racing stories, Will Take Charge had one of his very own:

Well, the big colt with the white face didn’t win the Derby, but by the summer at Saratoga, having had the chance to grow into that body and without blinkers, he began to turn into a force to be reckoned with:

The colt went on from the Travers to win the Pennsylvania Derby and the Clark and Oaklawn Handicaps. But it was in the BC Classic that Will Take Charge ran his best race of 2013, showing that he was, indeed, his mama’s son:

Take Charge Lady’s other notable son to race to date was the regally-bred Take Charge Indy (2009), sired by A.P. Indy. As a runner, the colt clearly had potential but not a whole lot of luck: after the Kentucky Derby he underwent surgery for a chipped bone in his left front ankle and then, racing as a 4 year-old in the Monmouth Cup, he sustained a condylar fracture. Once healed, Take Charge Indy was retired to stud at Winstar. Here he is, under the seasoned guidance of the great Calvin Borel, winning the Florida Derby as a 3 year-old:

Take Charge Lady has two other offspring waiting in the wings, an indian Charlie  filly named I’ll Take Charge (2012) and Conquering, her 2013 War Front filly. I’ll Take Charge was purchased by Mandy Pope and Whisper Hill Farm in 2013 and has yet to race.

Voted the 2013 Broodmare of the Year, Take Charge Lady is now fifteen and awaiting the arrival of a second War Front foal in 2015. She is dappled and fit and seems to enjoy her second career enormously.

Take Charge Lady is remarkable for her stamina, courage and heart, qualities she has passed on to her young. But a Great One — a lady who only knows how to do her very best and does it with class every time — has a way of bringing language to heel.

 

TAKE CHARGE LADY in April 2014 looking dappled and gorgeous. Photo and copyright, Anne Eberhardt for The Blood-Horse.

TAKE CHARGE LADY in April 2014 looking dappled and gorgeous. Photo and copyright, Anne Eberhardt for The Blood-Horse.

 

A SPECIAL NOTE:

It seems hard to believe, but THE VAULT will enter its fourth year in 2015 and its success is the result of readers like you. From Hong Kong to South Africa, from Romania and the Arab Emirates to Australia, and from Alaska to Argentina, you have come here to learn and be entertained. Often, you take the time to share stories from your own lives, as well as ideas, great books and so much more with myself and other VAULT readers. Every message is a treasure, and your support is the energy that powers THE VAULT. I thank each one of you from the bottom of my heart. I wish each of you all the joy of this holiday season and a New Year filled with laughter, the love of family and friends and more great horses like Take Charge Lady to fill your heart with magic. Abigail Anderson, Montreal, Canada

patience-brewster-maisy-horse-christmas-ornament-8

 



ANTICIPATION……

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Twitter and Facebook are already in a flutter at the prospect of these famous babies making their first start. And, because we’re human, we’re inclined to think that this anticipation — which feels like a chronic twitch deep in the equine lover’s soul — is absolutely unique.

COZMIC ONE, the first born out of champion Zenyatta, shown working out at Santa Anita under his regular exercise rider, Kevlyn            . Photo and copyright, Jane Wade.

COZMIC ONE, the first born out of champion Zenyatta, shown working out at Santa Anita under his regular exercise rider, veteran Kevlan Henry. Photo and copyright, Jane Wade.

Except that it isn’t.

Down through the years, the arrival of the first progeny of great thoroughbreds has been greeted with the same kind of feeling. Today, however, the Frankels and Rachels and Nellys and Zenyattas are public figures — and that means we can witness every detail of the development of their sons and daughters as though we were actually right there. Now that really is unique.

Even though televised coverage made Native Dancer a public hero, social media today allows fans, punters and journalists worldwide a degree of involvement with thoroughbreds that is immediate and unprecedented. In the case of two of America’s great mares, Rachel Alexandra and Zenyatta, a devoted community have followed Jess’s Dream (2011) aka Taco and Cozmic One (2011) aka Coz from their first steps right up to their training towards a first start. In the UK, many are following the progress of baby Frankels, born in 2014 to mares like Danedream and More Joyous, while in Australia, Black Caviar’s first born is now six months old and already has her own “Nelly groupies.”.

RACHEL ALEXANDRA'S first born, JESS'S DREAM (on outside) is also working towards a first start which is likely to come in Florida.

RACHEL ALEXANDRA’S first born, JESS’S DREAM (on outside) is also working towards a first start which is likely to come in Florida.

Seventy or more years ago, even though the expectations for the offspring of champions like Man O’ War was probably as great, the general public didn’t have the kind of access to them that we have today. And the down-side of our real-time relationship to these royally-bred babies may well be that our expectations for them are weighty enough to crush an elephant.

Happily, horses are oblivious to tidal waves that arise in virtual space.

The magnificent EBLOUISSANTE, half-sister to champion ZENYATTA is very much her own person, as trainer John Shirreffs understands. Photo and copyright, Jane Wade.

The magnificent EBLOUISSANTE, a 17h half-sister to champion ZENYATTA is very much her own person, as trainer John Shirreffs understands. Thank goodness for that, because it leaves her fans lots of room to appreciate her for exactly who she is. Photo and copyright, Jane Wade.

When Great Britain’s lavishly-spotted The Tetrarch (1911) — arguably the best two year-old ever produced in that part of the world — retired, there can be little doubt that his progeny were eagerly anticipated. As a sire, The Tetrarch was able to pass some of his special qualities on, notably to a son, Tetratema (1917), but he principally inscribed himself in breeding history through his Blue Hen daughter, Mumtaz Mahal, the “Flying Filly.” She was “The One” of all of the Tetrarch’s comparatively small number of progeny who most ignited memories of her sire when she appeared on the turf, and the sprightly grey filly had her own fan club because of it. In the breeding shed, Mumtaz Mahal became the ancestress of the sire lines of Nasrullah, Royal Charger, Tudor Minstrel and Mahmoud, making her influence on the breed in the last century one of the most important. The narrative of The Tetrarch and his brilliant daughter is one of those rare cases when a direct offspring caught the genes of a brilliant parent in spades.

THE TETRARCH.

THE TETRARCH

TETRATEMA, pictured here by W.A. Roach, a champion son of THE TETRARCH

TETRATEMA, pictured here by W.A. Roach, a champion son of THE TETRARCH, was best over short distances but he won 5 races in 1919 and the King’s Stand, King George and 2000 Guineas the following year. As a sire he was very good, producing excellent fillies and colts like ROYAL MINSTREL(1925) and FORAY (1934). In their book A Century of Champions, Randall and Morris rated TETRATEMA as the third best 2 year-old of the century, just behind THE TETRARCH and TUDOR MINSTREL.

MUMTAZ MAHAL, his daughter, is one of the most important of all thoroughbred broodmares.

MUMTAZ MAHAL is one of the most important of all thoroughbred broodmares.

On the other hand, it was anything but “in the cards” that one of the world’s greatest thoroughbred sires, Hyperion, as well as his descendant, Canada’s Northern Dancer, would amount to much at stud. For one thing, both were tiny; for another, Hyperion was almost as famous for his laziness as he was for winning the Epsom Derby and Northern Dancer was not only temperamental, but raced his whole career on a split hoof. So they were both, in a sense, “wild cards” from a breeder’s perspective. And while Canada waited to see their “Dancer’s” sons and daughters rekindle the excitement of his Triple Crown campaign, it is unlikely that Hyperion’s get were welcomed with anything near the same enthusiasm. But, as we know today, both stallions had an astounding impact on the breed, passing their “bloodedness” on to generation after generation. Which reminds us that it can take several generations before an individual comes along whose bloodlines scream his/her ancestry: in the case of Northern Dancer, thirty years intervened.

Rare and fascinating footage of Hyperion’s Derby (no sound). Lord Derby’s “pony” wears #9:

NIJINSKY and Lester Piggot just following their win in the 1970 Epsom Derby.

NIJINSKY and Lester Piggot just following their win in the 1970 Epsom Derby. England’s last Triple Crown winner, NIJINSKY made a name for himself overseas and was significant to the rise of his sire, NORTHERN DANCER. Standing at Claiborne Farm, NIJINSKY proved to be an excellent sire and sire-of-sires, through sons like Caerleon. He also distinguished himself as a broodmare sire.

Frankel's BM sire, Sadler's Wells, and his millionaire sons out for a walk at Coolmore Ireland. The grand old man is followed by Galileo, Montjeu and High Chaparral.

SADLER’S WELLS, another son of NORTHERN DANCER, single-handedly changed the face of thoroughbred racing worldwide. The stallion is shown here, followed by his millionaire sons GALILEO, MONTJEU and HIGH CHAPARRAL on a walk at Coolmore, Ireland. Photo and copyright, The Racing Post.

 

Sometimes, it is thoroughbreds who fly “under the radar” that have a huge impact on the sport of racing. A case in point is Bold Venture (1933), one of any number of colts and fillies whose racing career –through no fault of their own — did precious little to recommend them to the racing public and, subsequently, to breeders. The 1936 Kentucky Derby winner, Bold Venture was the son of the British import, St. Germans (1921), the leading sire of 1931 and sire of the great Twenty Grand (1928). Bold Venture’s dam was a granddaughter of Commando (1898). Despite his pedigree, the colt entered the Kentucky Derby without a single stakes win, going off at 20-1 odds and ridden by an apprentice jockey, Ira “Babe” Hanford.

Jockey IRA "BABE" HANFORD with HOF trainer, Max Hirsch and daughter, Mary Hirsch.

Jockey Ira “Babe” Hanford (on the fence) with HOF trainer, Max Hirsch, and his daughter, Mary Hirsch, who became America’s first registered female trainer.

Underdogs certainly win important races, but the 1936 Kentucky Derby was such a debacle that few were convinced that Bold Venture deserved the honours. When the gates flew open, the favourite, Joseph E. Widener’s Brevity (1933), was knocked to his knees. Another excellent three year-old, Granville (1933), threw his jockey when slammed in a chain reaction involving Bold Venture and another horse. In the end, with Brevity giving full chase, Bold Venture flew under the wire to win.

Trained by the brilliant Max Hirsch, Bold Venture was back to run in the Preakness with HOF George Woolf in the irons, nosing out Granville at the wire to win. The colt was retired at the end of an undefeated 3 year-old season and sent to stud in Kentucky, having been sold to Robert J Kleberg for $40,000 USD. He had little success there and was subsequently moved to Kleberg’s King Ranch, in Texas — where he sired the Triple Crown winner, Assault (1943), and Kentucky Derby winner, Middleground (1947). Bold Venture remains the only Kentucky Derby winner to sire two other Kentucky Derby winners.

Wearing roses: BOLD VENTURE and the young Ira "Babe" Hanford, the youngest jockey to ever win the Kentucky Derby.

Wearing roses: BOLD VENTURE and the young Ira “Babe” Hanford, the youngest jockey to ever win the Kentucky Derby.

Triple Crown winner, ASSAULT.

Triple Crown winner, ASSAULT.

The Kentucky Derby and Belmont winner, MIDDLEGROUND, captured by Brewer.

The 1950 Kentucky Derby and Belmont winner and 1951 Horse of the Year, MIDDLEGROUND, captured by the late Allen F. Brewer, equine artist extraordinaire.

 

There’s almost nothing to make the soul of a racing fan soar with hope than watching a horse they love bring babies into the world, fillies and colts filled with all the promise of a golden future.

Goldikova, Danedream, Havre de Grace, More Joyous — and down the road, Gentildonna, Taghrooda and The Fugue — are but a few of the well-loved thoroughbred mares who have embarked on broodmare careers. In the recent past there have been several great broodmares whose young set the flame burning anew, including Toussaud (Empire Maker, Chester House, Decarchy, Honest Lady), Kind (Frankel, Noble Mission, Bullet Train, Joyeuse), Personal Ensign (My Flag, Miner’s Mark, Our Emblem), Dance Smartly (Dancethruthedawn, Scatter the Gold, Dance With Ravens) and Urban Sea (Galileo, Sea The Stars, My Typhoon, Black Sam Bellamy, All Too Beautiful).

Miswaki's lovely and accomplished daughter, Urban Sea

URBAN SEA, Arc winner and Blue Hen, dam of GALILEO, SEA THE STARS, MY TYPHOON, BLACK SAM BELLAMY and ALL TOO BEAUTIFUL. There is absolutely no question that URBAN SEA passed on her greatness to her offspring.

 

PERSONAL ENSIGN with her colt foal, MINER'S MARK. The dam of MY FLAG and grandam of STORMFLAGFLYING and WAR EMBLEM was a champion from track to foaling barn.

PERSONAL ENSIGN with her colt foal, MINER’S MARK, her first born. The dam of MY FLAG and grandam of STORMFLAGFLYING and WAR EMBLEM was a champion from track to foaling barn.

 

Toussaud and her goat. This great mare is Bode's grandam on his tail female.

TOUSSAUD and her goat. The dam of EMPIRE MAKER, CHESTER HOUSE, DECARCHY, HONEST LADY and CHISELLING made a lasting contribution to thoroughbred bloodlines.

 

 

Dance Smartly always kept her shape, no matter how many foals she had. Here she is in Kentucky, having visited Thunder Gulch. Photo and copyright, The Blood-Horse.

DANCE SMARTLY, the only filly to ever win a Triple Crown in mixed company in North America, went on to become a Blue Hen for Sam-Son Farm. Here she is in Kentucky, having visited Thunder Gulch. Photo and copyright, The Blood-Horse.

 

So what does the future hold for royal babies like Cozmic One and Jess’s Dream? Have they inherited the brilliance of their dams? of their sires? of both?

Like human children, these colts and fillies are a one-off. Unique. They’ll train differently and run differently than their parents. They’ll meet different challenges and obstacles along the way as they build their own reputations. Some will be brilliant, others hard-working, and still others, just plain unlucky. Most will bring the heart and courage of their breed to each and every race and most will do their very best to win.

But whatever their destiny, hours and hours of skill, dedication, encouragement and love have brought them to a new beginning.

Let the magic begin!

COZMIC ONE at Santa Anita. Photo and copyright, Jane Wade.

COZMIC ONE (Bernardini ex. Zenyatta) at Santa Anita. Photo and copyright, Jane Wade.

 

THE VAULT wishes to thank photographer Jane Wade for the use of some of her outstanding photographs in this article.

BONUS FEATURE

John Shirreffs, trainer of Derby winner Giacomo and HOTY Zenyatta, among others, reflects on the early success of Zenyatta’s half-sister, Eblouissante, in this TVG Special. In so doing, Shirreffs provides insight into just what it takes to get even the most royally-bred thoroughbred to the track and to keep them feeling happy within themselves:

NOTE: THE VAULT is a non-profit website. (Any advertising that appears on THE VAULT is placed there by WordPress and the profit, if any, goes to WordPress.) We make every effort to honour copyright for the photographs used in our articles. It is not our policy to use the property of any photographer without his/her permission, although the task of sourcing photographs is hugely compromised by the social media, where many photographs prove impossible to trace. Please do not hesitate to contact THE VAULT regarding any copyright concerns. Thank you.


HISTORY — IN PICTURES

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SEABISCUIT with Marcella Howard. Photo and copyright, Chicago Tribune

SEABISCUIT shares a moment with (Mrs.) Marcella Howard. Photo and copyright, THE CHICAGO TRIBUNE.

I have often wondered what our knowledge about horse racing would be like without the images of C.C. Cook, “Skeets” Meadors, Bert Clark Thayer, Bert Morgan, Tony Leonard, Bob and Adam Coglianese, Lydia Williams (LAW), Patricia McQueen, Barbara Livingston and L.S. Sutcliffe, or of Canada’s Michael Burns, Australia’s Bronwyn Healy and the UK’s Edward Whitaker, to name but a few of those whose lens’ are central to the construction of racing history.

Can you imagine taking this to the track? Photojournalist Jessie Tarbox and her camera, circa 1900.

Can you imagine taking this to the track? Photojournalist Jessie Tarbox and her camera, circa 1900.

Before I retired from a career in education, I spent a good deal of time researching the visual image and discovered, among other things, that photographs play the important socio-cultural role of holding memories in place. And perhaps because the visual image can be a “closed” representational system — and here I mean the photographic image in particular — it is adept at recording aspects of our social, cultural and universal histories in a way that all can understand. By “freezing” time in this way, photographs give us purchase on something as precious: the construction of a social and cultural history of just about everything.

If there were no images of the horses that we have loved and lost or the people and events that marked the progression of racing on the flat or over jumps from its rough beginnings to today, our collective memory would be rendered null and void. The role of the work of professional track photographers worldwide (from the famous to the fledgling) is that of a cultural ethnologist — people who record the workings of a culture so that others, outside of it, can come to understand what makes it tick. Track photographers take us into the culture of horses and people, evoking a world few of us will ever experience as intimately.

The great TONY LEONARD (back to camera) captures a moment for all time: GENUINE RISK being led in after her win in the Kentucky Derby.

The great TONY LEONARD (back to camera) captures a moment for all time: GENUINE RISK being led in after her win in the Kentucky Derby. Photograph and copyright The Chicago Tribune.

This image (below) brought me up sharply when I first saw it. C.C. Cook has captured an entire narrative in what seems, at first glance, a straightforward depiction of a thoroughbred coming on to the track. From the deserted and vast contours of the track that frame man and beast we are given to understand that both are about to confront the very essence of the game. But there is more — Cook has embodied the moment with a suggestion of anticipation, of infinite possibility, since the race itself lies ahead, in the future.

GOSHAWK walks onto the track. Taken in 1923 by the incomparable C.C.Cook.

GOSHAWK walks onto the track, with a young jockey whose last name is Keogh in the irons. Taken in 1923 by the incomparable C.C.Cook.

Goshawk (1920) is beautifully turned out, perhaps by the man walking beside him. His bandages are neat, his tail and mane braided, and his coat gleams. The son of Whisk Broom (1907) was bred by Harry Payne Whitney and sold, before this photograph was taken, to Gifford A. Cochran for the tidy sum of $50,000 USD. In the privately published “The Thoroughbred Stud of H.P. Whitney Esq.” (1928), Whitney describes the colt thus: “Goshawk was a colt of extreme speed and of stakes class.” As a two year-old, the Carol Shilling-trained Goshawk won the Saratoga Special and the Great American Stakes; at three, he won the Quickstep Handicap and ran second to the 1923 Kentucky Derby winner and Horse of the Year, Zev, in the Pimlico Fall Serial #1. Other than these few facts, little else is known of him.

But though Goshawk’s story remains obscure, Cook has given the colt immortality by setting his image in the landscape of his time.

Who knew? MAN O' WAR and Will Harbut in what seems to be an ad campaign for Dodge! Photo and copyright, the digital library of the University of Kentucky.

Who knew? MAN O’ WAR and WILL HARBUT in what seems to be an ad campaign for Dodge. Date unknown. Photo and copyright, the Digital Library of the University of Kentucky.

They were children, their bones and hand-eye coordination still developing.  Why weren’t they in school, or within the safety of their families? What brought them to the track? It seems almost unbelievable that children were competing in one of the most dangerous sports of the day — in the Twenties and Thirties, boys of twelve and thirteen were professional jockeys.

Jockey BASIL JAMES.

Jockey BASIL JAMES. In 1936, at the age of 16, James led all American jockeys in winnings. Photo and copyright, The Chicago Tribune.

BOBBY JONES (centre) and two other unidentified jockeys at trackside in 1926.

BOBBY JONES (centre) and two other unidentified jockeys at trackside in 1926. The son of a thoroughbred owner, Jones led all jockeys in earnings in 1933. Photo and copyright, The Chicago Tribune.

Jockey EARL PORTER with an unidentified woman.

Jockey EARL PORTER with an unidentified woman. Porter was a champion jockey in the 1930’s in the USA. Photo and copyright, The Chicago Tribune.

Jockey IRA HANFORD (rode Bold Venture to win the Kentucky Derby) with Max Hirsch and daughter, Mary Hirsch.

Jockey IRA “Babe” HANFORD, who rode Bold Venture to win the 1935 Kentucky Derby, with Max Hirsch and daughter, Mary Hirsch. Photo and copyright, The Chicago Tribune.

Innumerable track images convey aspects of racing history that are iconic, even though they were often taken before anyone had a sense of why they might matter in the future …..

MAN O' WAR'S sire, FAIR PLAY, is shown here receiving a visit from ELIZABETH KANE.

MAN O’ WAR’S sire, FAIR PLAY, is shown here receiving a visit from Riddle farm manager, ELIZABETH KANE. Photo and copyright, THE BALTIMORE SUN.

The champion filly, MRS. RUSTOM, shown here in 1934. Bred by the Aga Khan, MRS. RUSTOM was brilliant at two, winning the Gimcrack, Dewhurst and the Ham Stakes.

The champion filly, MRS. RUSTOM, shown here in 1934. Bred by the Aga Khan, MRS. RUSTOM was brilliant at two, winning the Gimcrack, Dewhurst and the Ham Stakes.

EXTERMINATOR and his best buddy, PEANUTS, lead horses to the post at Pimlico for the Exterminator Handicap.

EXTERMINATOR and his best buddy, PEANUTS, lead horses to the post at Pimlico for the Exterminator Handicap.

Few remember that NORTHERN DANCER ran most of his life with a debilitating hoof problem. Here, the arrow indicates the troublesome hoof as the colt grazes, circa 1964.

Few remember that NORTHERN DANCER ran most of his life with a debilitating hoof problem. Here, the arrow indicates the troublesome hoof as the colt grazes, circa 1964.

These white thoroughbreds are the first to be caught in a photographer's lens. They are WHITE BEAUTY and her brother,

These white thoroughbreds are among the first to be caught in a photographer’s lens, circa 1966. They are WHITE BEAUTY and her half-brother, WAR COLORS (outside), who was also categorized as a roan.

FERDINAND with WILLIE SHOEMAKER, pre-Derby. Several informal photos of the pair make it clear they loved each other.

FERDINAND with WILLIE SHOEMAKER, pre-Derby. Several informal photos of the pair make it clear they loved each other.

1973: GUNSYND, the "GOONIWINDI GREY" was only ever defeated once in starts of over one mile. He was then -- and remains -- beloved.

1973: GUNSYND, aka the “GOONDIWINDI GREY” was only ever defeated once in starts over one mile. He was then — and remains — beloved by Australian racing fans.

Lord Derby's stud, showing four outstanding stallions out for their daily walk with their lads: ALCYDION,

Lord Derby’s stud, showing four outstanding stallions out for their daily walk with their lads: ALYCIDON, NEVER SAY DIE, HYPERION and RIBOT.

1966: The injured ARKLE visits with his owner, Anne Grosvenor, the Duchess of Westminster. Three years later, succumbing to severe arthritis, ARKLE was gone.

1966: The injured ARKLE visits with his owner, Anne Grosvenor, the Duchess of Westminster. Three years later, succumbing to severe arthritis, ARKLE was gone.

BATTLESHIP and another son of MAN O'WAR, WAR VESSEL, depart for England aboard ship where the former would win the Grand National at Aintree.

BATTLESHIP and another son of MAN O’WAR, WAR VESSEL, depart for England aboard ship. BATTLESHIP was on a journey that saw him win the Grand National at Aintree,inscribing his name into a pantheon of champions.

Australia's legend, PETER PAN, shown here reading the morning paper.

Australia’s racing legend, PETER PAN, shown here reading the morning paper.

RUFFIAN being led in by owner Stuart Janney after her win in the last of American racing's Triple Crown For Fillies.

RUFFIAN being led in by owner Stuart Janney after she completes American racing’s Triple Crown For Fillies. Photo and copyright, NYRA.

 

Other images capture thoroughbreds, trainers and handlers interacting at work and play.

Canadian Michael Burns' fine shot of SECRETARIAT and Ronnie Turcotte working at Woodbine, in Toronto, before the colt's final race.

Canadian Michael Burns’ fine shot of SECRETARIAT and Ronnie Turcotte working at Woodbine, in Toronto, before the colt’s final race. Moments later, Turcotte would be set down, denying him one last ride on the colt he loved. Photo and copyright, MICHAEL BURNS.

The great ALYDAR with trainer, John Veitch.

The great ALYDAR with trainer, John Veitch, who makes no secret of his high regard for a colt who never gave up.

SUNDAY SILENCE and Charlie Whittingham.

SUNDAY SILENCE and HOF trainer Charlie Whittingham share a secret. Photo and copyright, THE CHICAGO TRIBUNE.

GREYHOUND with his Dalmatian dog.

GREYHOUND with his Dalmatian dog.

SYSONBY at Saratoga in 1904 takes a time-out to graze and watch the action on the backstretch.

SYSONBY at Saratoga in 1904 takes a time-out to graze and watch the action on the backstretch.

"SUNNY JIM" FITZSIMMONS trains youngsters at the starting gate before it went high-tech.

“SUNNY JIM” FITZSIMMONS trains youngsters at the starting gate before it went high-tech. Photo and copyright, THE CHICAGO TRIBUNE.

The gallant SWAPS meeting fans after a work out.

The gallant SWAPS meeting fans after a work out. Could this be a young Al Sherman in the saddle, trainer of 2015 HOTY CALIFORNIA CHROME? Photo and copyright, THE BALTIMORE SUN.

IMPERATRICE (centre), grandam of SECRETARIAT,

IMPERATRICE (centre), grandam of SECRETARIAT, wins the Fall High Weight Handicap at Belmont in 1942. Note her uncanny resemblance to Secretariat’s daughter, TERLINGUA, born over thirty years later. Photo and copyright, THE BALTIMORE SUN.

Minutes after his birth, baby IRON LEIGE and his dam,

Minutes after his birth, baby IRON LIEGE and his dam, IRON MAIDEN (daughter of WAR ADMIRAL). IRON LIEGE grew up to win the 1957 Kentucky Derby.

 

The romance of the turf gives these old photographs a patina all their own…..

Celebrated photographer and author, BERT CLARK THAYER, appears to be studying his subject's interest in his camera.

1940’s: Celebrated photographer and author, BERT CLARK THAYER, appears to be studying his subject’s interest in his camera.

COLONEL MATT WINN pictured in 1937.

COLONEL MATT WINN pictured in 1937. In 1902, when Churchill Downs in Kentucky was in serious financial difficulty, Winn formed a syndicate of investors to save it. A brilliant marketing manager, it was Winn who convinced Harry Payne Whitney to bring REGRET to Churchill for the Kentucky Derby, which she won.

1927: Lord Durham leads in his Epsom Oaks winner, BEAM, who broke the existing track record.

1927: Lord Durham leads in his Epsom Oaks winner, BEAM, who also broke the existing track record.

Two members of an American racing dynasty, FOXHALL AND JAMES KEENE at the races. KEENELAND is named after this distinguished American family.

Two members of an American racing dynasty, FOXHALL AND JAMES KEENE at the races. KEENELAND is named after this distinguished American family.

OGDEN PHIPPS leads in Withers winner, WHITE COCKADE. The Phipps family remains prominent in American racing today.

OGDEN PHIPPS leads in Withers winner, WHITE COCKADE. The Phipps family remains prominent in American racing today.

Trainer GINGER McCAIN walking his champion, RED RUM. Ginger faithfully visited "Rummy" until the end of his days.

Trainer GINGER McCAIN walking his champion, RED RUM. Ginger faithfully visited “Rummy” until the end of his days.

WILLIAM WOODWARD at the track. The Woodward is named after him.

WILLIAM WOODWARD at the track. The Woodward is named after him.

1950: A dramatic shot of fillies rounding Tottenham Corner in the Epsom Oaks that same year. ASMENA was the winner.

1950: A dramatic shot of fillies rounding Tottenham Corner in the Epsom Oaks that same year. ASMENA was the winner. Photo and copyright, REUTERS.

1930: Horses go to the post in the Massachusetts Handicap, won by MENOW. Triple Crown winner WAR ADMIRAL is also in here somewhere.

1930: Horses go to the post in the Massachusetts Handicap, won by MENOW. Triple Crown winner WAR ADMIRAL is also in here somewhere.

Although women were either forbidden or else given restricted access to the track in 1925, Laura Walters found an innovative way to show her enthusiasm.

Although women were either forbidden or else given restricted access to the track in 1925, Laura Walters found an innovative way to show her enthusiasm.

1927: Mrs. John D. Hertz, who would later race Triple Crown winner COUNT FLEET, is shown here congratulating Chick Lang who guided her champion filly, ANITA PEABODY, to another win.

1927: Mrs. John D. Hertz, who would later race Triple Crown winner COUNT FLEET, is shown here congratulating Chick Lang who guided her champion filly, ANITA PEABODY, to another win.

Australian superstar TULLOCH, trained by TJ Smith, coming right at you.

HOF and Australian superstar, TULLOCH, trained by the great Tommy J. Smith, Gai Waterhouse’s father. TULLOCH is rated with the likes of champions PHAR LAP, CARBINE and BERNBOROUGH.

 

As newspapers and magazines worldwide go digital, their press photographs are turning up at auction, where some go for as much as $400 – $500 USD. And it’s not public libraries that are buying them but private collectors, thereby making them basically inaccessible to the rest of us.

We wonder if this dispersal might have sad consequences for those studying the thoroughbred and its history in the future. Perhaps it’s a generational “thing” to wonder if every photograph is being digitalized — as opposed to someone guessing what ought to be saved. Or to question the logic behind dispersals of this nature, as in: Why is there nothing to compel newspapers to turn their photo archives over to an institution like the Keeneland Library, that already holds the work of several important track photographers?

But perhaps that’s not state-of-the-art thinking in 2015.

The champion BILLY BARTON arrives from America to run in the Grand National. Only he and the winner, TIPPERARY TIM, would finish the race that year.

The champion BILLY BARTON arrives from America to run in the 1928 Grand National at Aintree. Never an easy horse to handle, brilliant BILLY is looking like he’ll kick up a fuss. On race day, only BILLY and the winner, TIPPERARY TIM, would cross the finish line. Photo and copyright, THE BALTIMORE SUN.

This may look like a typical shot, but it isn't. It shows the three gaits used by trotters and pacers all in the same frame.

This may look like a typical shot, but it isn’t. It shows the three gaits used by trotters and pacers — all in the same frame. Now imagine capturing this image in the 1940’s.

1941: SEABISCUIT leaves the track for the very last time.

1941: SEABISCUIT leaves the track for the very last time. Photo and copyright, THE CHICAGO TRIBUNE.

 


BLOCKADE: MAN O’ WAR’S “OTHER” CHAMPION JUMPER

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As the National Hunt season overseas builds to its apex, the Cheltenham Festival, we thought it might be fun to tell readers everywhere about Blockade (1927), a chestnut son of the great Man O’ War who participated in America’s most prestigious National Hunt races and was, from 1938-1940, an absolute superstar.

BLOCKADE shown well in the clear in his first

1938: BLOCKADE shown well in the clear in his first of three consecutive wins in the gruelling 4 mile/ 22 jump Maryland Hunt Cup. Photo and copyright, THE BALTIMORE SUN.

This is the story of a little horse with a heart as huge as that of his far more famous relative, Battleship.

But because his National Hunt career in the USA overlapped that of Battleship, who won the Grand National at Aintree in 1938, Blockade — whose career took place exclusively in North America — had to settle for second-best. In addition, as famously protested by John Hervey, aka “Salvator” in American Race Horses 1937 and again in the 1938 publication of the same name, National Hunt racing was in serious decline in the USA, with seemingly no will to save it on the part of those who patronized the sport.

But in 1938, when Blockade took the Maryland Hunt Cup in record-shattering time, he still had a lot to do to get himself noticed. That year his sire, the beloved Man O’ War, celebrated his twenty-first birthday — complete with cake and a live radio telecast of the event, moderated by the legendary Clem McCarthy.

The year before, another son of Man O’ War, War Admiral, had won the American Triple Crown; and Battleship famously took the 1938 Grand National at Aintree for owner Marion DuPont. But THE event of the year was unquestionably the Seabiscuit-War Admiral Match Race — a son and grandson of Big Red battling it out in a race for the ages. Here’s Clem McCarthy’s call:

It was no wonder, then, that Blockade was hardly in the forefront of public attention in 1938 despite an accomplishment that would have wowed National Hunt devotees throughout the United Kingdom. In fact, even though Battleship’s Grand National was a romantic tale of the grandest proportion, it could be argued that Blockade’s Maryland Hunt Cup victory was by far the more impressive…..

Blockade was born at Faraway Farm in 1927. His dam, Rock Emerald (1915), was a daughter of Trap Rock (1908), son of the great British champion, Rock Sand (1900). Rock Emerald’s colt was a chestnut with a small white blaze in the centre of his forehead. Like other famous Man O’ War progeny, Blockade was small, standing just over 15 hands at maturity. There is precious little on the colt’s early years, but he was sold by Sam Riddle as a yearling or two year-old, started running on the flat, showed little promise and was described as “unruly,” was gelded and then changed hands several times, as well as careers. An attempt was made to train him for show jumping and he was also tried as a hunter, but both of these initiatives fell flat.

It was at this point that Blockade was purchased by Mrs. E Read Beard and sent to the stable of Maryland horseman, Janon Fisher Jr., with the idea of training him for National Hunt racing.

"He jumps big," trainer Janon Fisher said of BLOCKADE.

“He jumps big,” trainer Janon Fisher Jr. said of BLOCKADE — and this is what he meant.

Blockade was what is called “washy” — very highly strung and inclined to sweat up, “leaving his race in the paddock.” The gelding was also bothered by a weak ankle, a problem that had plagued Blockade from the start of his flat racing career and was not uncommon among Man O’ War progeny. Scapa Flow (1924), one of the best runners ever produced by Man O’ War, was similarly troubled and after breaking down in his three year-old season, was destroyed; Battleship was another who had issues with his legs, ankles and feet.

Another great American horse who competed in the Grand National in 1928, BILLY BARTON was also inclined to be "washy." This, however, never dampened his brilliance: despite falling at the last fence, BILLY came home second to TIPPERARY TIM at Aintree. They were the only two horses to finish the course that year.

Another great American horse who competed in the Grand National in 1928, BILLY BARTON was also inclined to be “washy.” This, however, never dampened his brilliance: despite falling at the last fence, BILLY came home second to TIPPERARY TIM at Aintree. They were the only two horses to finish the course that year.

Blockade couldn’t have done any better than falling into the hands of Janon Fisher Jr.

A graduate of Princeton, Fisher founded the Maryland Horse Breeders Association and served as VP, Treasurer and Director of the Maryland Jockey Club. He was also Master of the Green Spring Valley Hunt Club for five years and Secretary of the American Trainers Association for thirty, working closely alongside the legendary Preston Burch to improve track conditions for horses and the people of the backstretch. A veteran of WW1, Fisher had started breeding horses in 1929 and by the time Blockade came along, he was also training them.

Fisher determined to build up Blockade’s fitness with regular hunting over the hills and dales of Maryland’s National Hunt country. The first winter the gelding spent with Fisher he was routinely taken out and over hunt jumps and by the spring, Blockade was still highly strung but less so than he had been when he’d first come to Fisher. In 1937 the gelding began to learn his new job, starting in five timber races, none of which he won. But Fisher had to have been pleased with the little gelding’s effort, because Blockade’s training continued into 1938 where the hours and hours of practice would all come together in a dramatic fashion.

In training method, C. W. Anderson compared Fisher to the equally unorthodox Hirsch Jacobs. Writing about Blockade in his book, Twenty Gallant Horses, Anderson says:

“Fischer never bothered to school Blockade over fences. ‘He’s a natural jumper and he knows his business. All he needs is a lot of galloping to get fit. It’s no use to school him over small fences. He has no respect for them and gets careless.Give him big, solid fences and a real pace. Then try to catch him.’ “

"Then try to catch him" BLOCKADE leaves the field far, far behind in the Maryland Hunt Cup.

“Then try to catch him” BLOCKADE leaves the field far, far behind in the Maryland Hunt Cup.

In April of 1938, with the lush scent of spring in the air, Blockade went down to the start of the Maryland Hunt Cup, run over a distance of 4 miles with 22 jumps along the way. His jockey, J. Fred Colwill, came from a family of seven and was about to graduate from the ranks of amateur to celebrated jockey, thanks to the little chestnut prancing under his 150-lb. frame.

The Maryland Hunt Cup is a steeplechase. In America, there are two types of steeplechase: hurdle and timber. Whereas the hurdle steeplechase is jumped over plastic and steel fences, as well as brush jumps of up to 52 inches in height, timber racing is conducted over solid and immovable wooden rail fences that, in the most extreme case, may reach five feet. The distance of a timber steeplechase is also longer than that of a hurdle, ranging from three to four miles (6 km). Timber jumps require horses to jump in an arc, in deference to the unyielding nature of the rail fences. An important factor in success at timber racing is for the horse to land in stride, so that it can carry its speed forward on the flat part of the race course.

Tight shot of BLOCKADE clearing a rail fence.

Tight shot of BLOCKADE clearing the last rail fence in the American Grand National in 1939, which he won. Photo and copyright, THE BALTIMORE SUN.

Here’s C. W. Anderson’s account of Blockade’s win:

“…He went off in front and stayed there. The pace was terrific for such difficult fences, but it suited him. Blockade jumped big, much bigger than most horses. Those who took off head and head with him usually went down. He was cut on the pattern of his great sire: he did things in a grand way. His only mistake in this race was at the seventeenth fence…Blockade failed [to judge its breadth] by a foot and took out the top rail completely…[after which] Blockade drove on to a brilliant victory.”

And “brilliant” it was. Blockade and his jockey covered the 4 miles in a record 8:44 — a time that stood for 22 years. It was the little gelding’s first win for Janon Fisher Jr.

BLOCKADE and jockey J. Fred Colvill clearing one of the rail fences.

BLOCKADE and jockey J. Fred Colwill clearing one of the rail fences. Photo and copyright, THE BALTIMORE SUN.

Coming home, BLOCKADE and Colvill are all alone.

Coming home, BLOCKADE and Colwill are all alone. Photo and copyright, THE BALTIMORE SUN.

Close-up of BLOCKADE and Colvill just after crossing the finish.

Close-up of BLOCKADE and Colwill just after crossing the finish.

BLOCKADE meets his appreciative fans.

BLOCKADE meets appreciative fans.

 Finally, a horse who had failed at everything he had tried came up a winner. It may well have been Man o’ War’s best birthday present of all.

MAN O' WAR celebrates his twenty-first birthday with a cake. He is flanked by his beloved Will Harbut and radio sportscaster, the legendary Clem McCarthy.

MAN O’ WAR celebrates his twenty-first birthday with a cake. He is flanked by his beloved Will Harbut and radio sportscaster, the legendary Clem McCarthy.

Blockade’s stupendous career continued. In 1939 and 1940, he won the Maryland Hunt Cup again. To win it once was outstanding. To win it three times was unprecedented. (Ironically, the next horse to do it, Mountain Dew, was out of a mare who was a daughter of War Admiral, bred by Janon Fisher Jr. and ridden by Fisher’s son. Mountain Dew and the great Jay Trump ran against one another in the Cup, placing first and second in alternate years. However, the year after Mountain Dew’s retirement, Jay Trump also completed “the triple.”)

Blockade’s 1939 win — in which the gutsy gelding edged out a superstar in Coq Bruyere — went down as the most exciting horse race of the season. As the Miami News of April 29, 1939 reported it:

“…Four miles over the toughest timber course in the country and the chestnut beat the gray by a bob or two of his silken head. It was by far the most thrilling race in this country in many years and the oldest Maryland inhabitant had to go back a long time to find something to parallel this 46th running…But there never has been one to match this throat-catching struggle of Coq Bruyere, John Strawbridge’s pet, which won everything else last year, to catch the front-running 1938 winner, on top from drop of flag to judges’ eye.”

BLOCKADE leads the field in a dramatic win in 1939.

“…on top from drop of flag to judges’ eye” — BLOCKADE leads the field in the dramatic 1939 Maryland Hunt Cup. COQ BRUYERE is the second gray in the frame.

BLOCKADE leads COQ BRUYERE to the finish.

BLOCKADE leads COQ BRUYERE to the finish.

The third win gave the 11 year-old Blockade’s owner, Mrs. E. Read Beard, permanent possession of the Gold Challenge Cup, donated to the Maryland Hunt Club in 1913 by Rose Whistler. In 1939, Blockade also won the Maryland Grand National, a race which — like the Maryland Hunt Cup — is still run today under its new name, “The Breeders Cup Grand National Steeplechase.”

By now, Mrs. Read’s gelding had become a legend in his own time. His victories made headlines across the country, and his groom, Walter Tyndall, was fond of saying, “Blockade? He’s diseased with speed.”

The 1940 Maryland Hunt Cup. BLOCKADE is shown in the foreground.

The 1940 Maryland Hunt Cup: BLOCKADE is shown in the foreground. Photo and copyright, THE BALTIMORE SUN.

BLOCKADE and Colvill in the 1940 Maryland Hunt Cup, running behind the blinkered horse.

BLOCKADE and Colwill in the 1940 Maryland Hunt Cup, running slightly behind the blinkered horse.

 

In 1941, the 12 year-old Blockade took the year off to recover from a tendon injury. Although remaining in Fisher’s stable, Blockade had been sold again, to a Mr. Charles Ewing Tuttle, Fred Colwill’s father-in-law. The sale took place in the same year (1941) that Colwill married Tuttle’s daughter, making it possible that Blockade was a gift to a new son-in-law.

BLOCKADE leads at the 11th jump in his 1940 Maryland Hunt Cup win.

BLOCKADE (outside) leads at the 11th jump in his 1940 Maryland Hunt Cup win.

1942 got off to a sorry start when jockey Colwill made a mistake on course, forcing horse and rider to watch as Winton, owned by Stuart Janney, galloped to victory in the 1942 Maryland Hunt Cup. The decision was made to start Blockade in the prestigious Virginia Gold Cup a week later.

Blockade went down at the seventeenth fence. As described by William Myzk in his book, “The History and Origins of the Virginia Gold Cup” :

“The crowd was hushed, waiting for word that their hero had only been knocked out, but no word came. The great Blockade had jumped his last fence and run his last race. A saddened audience went slowly home, knowing that they had witnessed the passing of one of the gamest sons of the great Man O’ War.”

C.W. An derision's lithograph of BLOCKADE and the Maryland Hunt Cup.

C.W. Anderson’s lithograph of BLOCKADE and the Maryland Hunt Cup he retired, after winning it for three consecutive years. Those familiar with Anderson’s work will recognize the author-illustrator’s tribute to Blockade: he has given him an even greater likeness to Man O’ War than the gelding had in real life.

 

 

BONUS FEATURE:

Ride The Maryland Hunt Cup with a jockey and his horse, Twill Do. This is rather long (19 minutes) but even watching part of it gives a sense of what it took — and takes — to win the Maryland Hunt Cup three times in a row. And perhaps, as you watch, you will take a moment to remember a great little horse whose heart was as deep as the 4-mile course and whose courage dwarfed its 22 fences. (NOTE: I have watched the footage before posting it. One horse goes down and there are two refusals but no-one is hurt.)

Related articles on THE VAULT:

(BATTLESHIP) https://thevaulthorseracing.wordpress.com/2012/09/06/battleship-the-pony-who-conquered-aintree/

REFERENCES

Anderson, C.W. Twenty Gallant Horses (ISBN-10: 0027055302; ISBN-13: 978-0027055306)

Winants, Peter. Steeplechasing: A Complete History of the Sport in North America  (ISBN – 10: 1461708222; ISBN – 13: 9781461708223)

: 100 Years of the Maryland Hunt Cup (http://www.equiery.com/archives/Steeplechase/100YearsHuntCup.html)

McCausland, Christianna. Maryland Steeplechasing (ISBN-10: 0738542008;ISBN-13: 978-0738542003)

Myzk, William. The History and Origins of the Virginia Gold Cup (Virginia: The Piedmont Press)

NY: The Sagamore Press. American Race Horses 1938

The Miami News (April 30, 1939) “Blockade Wins In Close Race Maryland Hunt” 

Chicago Tribune (April 28, 1940) “Blockade Wins Steeplechase And Hunt Cup”

NOTE: THE VAULT is a non-profit website. (Any advertising that appears on THE VAULT is placed there by WordPress and the profit, if any, goes to WordPress.) We make every effort to honour copyright for the photographs used in our articles. It is not our policy to use the property of any photographer without his/her permission, although the task of sourcing photographs is hugely compromised by the social media, where many photographs prove impossible to trace. Please do not hesitate to contact THE VAULT regarding any copyright concerns. Thank you.

 


KING OF HEARTS: HURRICANE FLY AT CHELTENHAM 2015 (for Ann Maree)

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Trainer Willie Mullins arrives at Cheltenham 2015 with a stable of National Hunt royalty. But there can be little doubt that 11 year-old Hurricane Fly crowns the lot — and all Irish eyes will be on him in the Champion Hurdle.

Hurricane Fly, as champion trainer Willie Mullins admits, has never lost his coltish streak, his “buzziness” — (translation) a quiet Hurricane Fly is a sick Hurricane Fly.

The little bay gelding, now entering the dusk of a brilliant career, stands as one of Montjeu’s very best progeny, even though “The Fly,” as he is affectionately known by all, made his career over hurdles. And what a stunning career it is — 22 Grade One wins and counting.

In his most recent victory at Leopardstown in January of this year, he bested the record of the mighty Istabraq by one, to win his fifth straight Irish Champion Hurdle.

And was greeted by an adoring public:

So it is that The Fly is THE horse to watch — and to beat — at Cheltenham this year, despite Mullins’ fearsome contingent of Faugheen (also entered in the Champion Hurdle), Annie Power (Mares Hurdle), Douvan (Supreme Novices’ Hurdle), Un de Sceaux (Arkle Trophy) and Don Poli (Toby Balding National Hunt Chase). In fact, Mullins comes to Cheltenham this year with arguably the best stable of any of the big-time National Hunt trainers. Which, if you’re Irish, is exactly what it should be, since Ireland has long dominated the winners enclosure at Cheltenham. For the Irish, Cheltenham is better than Christmas Eve and excitement builds from well before Christmas into a national crescendo by opening day at the premiere National Hunt festival of the season.

In his lovely book, “A Fine Place To Dream,” transplanted American writer Bill Barich enthrals readers with his passion for the horses, trainers and jockeys of the Irish National Hunt. It is the year of Best Mate’s third Gold Cup, the year of Moscow Flyer, Beef Or Salmon and Barracouda, and Barich, in love and living in Dublin, delights with his behind-the-scenes account of the run-up to Cheltenham 2004. One of his visits is to the yard of trainer Willie Mullins. Mullins, himself a former jockey, is a rather conservative type, “meticulous by nature,” who has won more National Hunt races than any trainer before him. Mullins keeps up to 100 horses in his yard in any given year, including some flat runners. Most recently, he won the 2005 Grand National with Hedgehunter and trained the fabulous Quevega, winner of the Mares Hurdle event at Cheltenham for six consecutive years, beginning in 2009.

Here’s a look at the Mullins’ yard produced by the Racing Post. Hurdlers going to Cheltenham, featuring Hurricane Fly, together with Faugheen, Annie Power and Douvan are featured in Part One (below). (NOTE: For those interested, Part Two, that looks at the Mullins’ chasers going to Cheltenham, please see the Bonus Features at the end of this article.)

As his trainer points out, The Fly is down in the Cheltenham betting pools at the moment largely due to his age, as well as an unfounded conviction that he is predisposed to do poorly over the Cheltenham course. Although the gelding prefers ground with some moisture in it, he is quite capable of giving any course under any conditions his best effort. And although The Fly is now 11 years old, he’s coming off the best season in his National Hunt career, a career that began when he was sold to George Creighton and shipped to Willie Mullins late in 2007. The then-3 year-old was coming off a disappointing career on the flat where he had only managed to win twice. But The Fly’s bloodlines were just too promising to give up on him entirely and, once gelded, he began to learn a new career under Mullins’ practiced and patient guidance.

Trainer Willie Mullins and The Fly.

Trainer Willie Mullins and The Fly.

HURRICANE FLY leads out the Mullins' horses on a morning work.

HURRICANE FLY leads out the Mullins’ horses on a morning work.

Conditioning the young son of Montjeu meant developing stamina through long gallops and teaching agility over minor obstacles at first.  But by 2008, the little bay was ready to try his hand at Novice Hurdle racing. He won a race at Punchestown Racecourse in May and then returned to France to win the Grade Three Gras Savoye Prix de Longchamp Hurdle at Auteuil. Racing over the same course and distance at Auteuil in June, The Fly finished second to Grivette in the Grade One Prix Alain de Breil, and just ahead of his stable companion, Quevega, who would go on to prove a champion of stunning merit in her own right. Returning to Ireland later in the year, the Mullins’ trainee recorded his first Grade One win when beating Donnas Palm by a neck in the Royal Bond Novice Hurdle at Fairyhouse in November 2008, followed by another win in the Future Champions Novice Hurdle at Leopardstown a month later. Bypassing Cheltenham that year, The Fly returned to Punchestown where he scored two wins, in April and again in November of 2009:

What was becoming evident was that the little bay had talent, not the least of which was an explosive show of speed as he raced to the finish. However, his 2009-2010 campaign was short: The Fly started only twice, with a win and a third place finish before injury sidelined him for the rest of the season.

Hurrican Fly clears a hurdle in a manner reminiscent of the great Irish National Hunt champion, Istabraq.

Hurrican Fly clears a hurdle in a manner reminiscent of the great Irish National Hunt champion, Istabraq.

This shot captures the power of The Fly, Ruby Walsh up.

This shot captures the power of The Fly, Ruby Walsh up.

Charging across the finish line.

Charging across the finish line.

 

By the 2010/2011 season, The Fly was considered a senior hurdler and he put his skill to work, winning all five of his starts, including the Champion Hurdle at the Cheltenham Festival on what was his first visit to the meeting at Prestbury Park. Started as the 11/4 favourite in a field of eleven runners, Hurricane Fly took the lead at the last flight of hurdles and won by one and a quarter lengths from Peddlers Cross. National Hunt legend Ruby Walsh, who was now his regular rider, was unable to suppress his delight as the pair returned to the winner’s enclosure.

Following a win in the Punchestown Champion Hurdle in May 2011, the gelding was given eight months off and returned to business in January 2012 to contest the Irish Champion Hurdle, which he won for the first time. However, things didn’t go his way at Cheltenham in 2012, where The Fly finished third to Rock On Ruby.

It was at about this time that “Fly doubters” emerged. The 2011/2012 season had been a short one for the eight year-old and even though Cheltenham was his only loss, the nay-sayers abounded. And it was also precisely here that the idea that The Fly couldn’t cope with Cheltenham was born.

Hurricane Fly began the 2012/2013 season in brilliant fashion, taking the Morgiana Hurdle in November by twelve lengths from Captain Cee Bee. A month later, The Fly annexed his thirteenth Grade One race winning by seven lengths. He then won his third consecutive Irish Champion Hurdle in January 2013, beating Thousand Stars by five lengths with the very good Binocular in third place. After the race, a pleased Willie Mullins confided that his champion had returned to his best form. But as Cheltenham loomed, it became clear that the pundits and bookies still doubted that the 2011 Champion Hurdle winner could regain the title. By now, The Fly and his hugely-talented team had gained the status of superstars, and thousands of “Fly fans” travelled over from Ireland to see their little hero take on the doubters.

As it turns out, regaining lost titles at Cheltenham takes some doing. Only Comedy of Errors had managed it, regaining Champion Hurdle honours in 1975. On March 12, 2013, Hurricane Fly stepped onto the course and into racing history:

The Fly ended his season by winning his 16th grade one race and his fourth consecutive Punchestown Hurdle, to equal the records of the legendary Kauto Star and America’s brilliant John Henry in consecutive wins.

HURRICANE FLY (outside) and stablemate, the brilliant mare, QUEVEGA, at Cheltenham.

HURRICANE FLY (outside) and stablemate, the brilliant mare, QUEVEGA, at Cheltenham.

what a team! The great Ruby Walsh, HURRICANE FLY and Gail Carlisle, the gelding's caretaker and frequent exercise rider.

What a team! Ruby Walsh, HURRICANE FLY and Gail Carlisle, the gelding’s caretaker and best friend.

 

Last year did not find Hurricane Fly in the winner’s circle at Cheltenham, but the 10 year-old showed that he could be impressive even against much younger talent. In eight starts, he only lost twice although, to “Fly fans,” the horse didn’t seem quite on his game.

As we heard from trainer Mullins (video above), Hurricane Fly acquitted himself with honour last season but was not, indeed, quite himself.

The Fly goes into Cheltenham 2015 vulnerable to young guns like the promising Faugheen. But as his 22nd Group One win (shown above) suggests, this champion hurdler is still more than capable of brilliance. Other than his age, it remains to be seen whether his constant partner, Ruby Walsh, will decide to ride him or will, rather, choose Faugheen. Walsh has said that he’ll use his head and not his heart to make a final decision.

Who loves you, baby? Oh, the whole of Ireland, for starters. The Champ with Gail Carlisle.

Who loves you, baby? Oh, the whole of Ireland, for starters. The Champ with Gail Carlisle.

But one thing is clear: whether he is blessed with the talent of a legendary jockey or not, Hurricane Fly will be carried every step of the way in the hearts of his legions of fans. And if, as was true of the noble champion Istabraq on his final appearance at Cheltenham, it proves too much for him, two things remain certain.

The greatest care will be taken to see that he comes home safe.

Hurricane Fly stands as one of Ireland’s greatest National Hunt horses and nothing, not even Cheltenham 2015, can change that.

(Video by Michael Greaney)

 

BONUS FEATURES

Faugheen, shown here winning the 2014 Christmas Hurdle, will go up against Hurricane Fly at Cheltenham this year:

Recent article on Willie Mullins’ Un de Sceaux (Arkle Trophy) with video :

http://www.cheltenhamfestival.net/category/tuesdays-race-card–day-one/2015-arkle-trophy-tips-is-hot-favourite-un-de-sceaux-a-banker-or-blowout-201502280006/

Douvan, another from the Mullins’ yard, winning a month ago:

Annie Power in a 2014 win. Trainer Mullins says she’s “doing everything right” for her return in the Champion Mares Hurdle:

Finally, for those interested in the great Sprinter Sacre, who will also vie for honours at Cheltenham this year:

https://thevaulthorseracing.wordpress.com/2013/02/25/hes-better-than-frankel-sprinter-sacre/

NOTE: THE VAULT is a non-profit website. (Any advertising that appears on THE VAULT is placed there by WordPress and the profit, if any, goes to WordPress.) We make every effort to honour copyright for the photographs used in our articles. It is not our policy to use the property of any photographer without his/her permission, although the task of sourcing photographs is hugely compromised by the social media, where many photographs prove impossible to trace. Please do not hesitate to contact THE VAULT regarding any copyright concerns. Thank you.

 


TRIPLE CROWN 1935: THE COLT, THE KID …… AND THE MURDER OF EVELYN SLIWINSKI

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By all accounts, the brilliant William (Willie) “Smokey” Saunders led a somewhat “mysterious” life — both before and after guiding Omaha to win the Triple Crown.

Willie "Smokey" Saunders and Omaha's owner, William Woodward, celebrate the colt's Derby win.

Willie “Smokey” Saunders and Omaha’s owner, William Woodward, celebrate the colt’s Derby win. Photo and copyright, THE BALTIMORE TIMES.

In a 2014 article about William Saunders in the Bozeman Daily Chronicle — Bozeman, Montana being the place of Saunders’ birth — journalist Kyle Sample begins:

“As best as anyone can tell, Willie Saunders was a time traveler.
He would sporadically pop up in the time’s newspaper headlines, and then just as easily drift away, leaving family members unable to tell what became of Saunders’ marriage to Pauline Waterbury, or even if the couple had children.
Not even Lou Ocauz,  {driving force behind the Canadian Horse Racing Hall of Fame –AA} who wrote the biography of Saunders for the Canadian Horse Racing Hall of Fame when the hall made Saunders one of its first inductees, could tell how Saunders came to fame, or what happened to him after it.
‘He’s a mystery,” Ocauz said. “Don’t try to interpret the mystery.’ ”

Mind you, evading publicity might have been what Saunders learned from the headlines that pursued him after the mutilated body of Evelyn Sliwinski was found on River Road in October 1935, just months after Saunders had swept to fame as the youngest jockey to win the American Triple Crown. It was an honour that would stick, until snatched away by Steve Cauthen and Affirmed in 1978.

The horse that had carried Saunders to glory was Omaha, a son of Gallant Fox, himself  the 1930 Triple Crown winner. And although Willie “Smokey” Saunders’ life may remain shrouded in mystery forever, one thing is certain: the 20 year-old loved Omaha.

OMAHA with 20 year-old Willie "Smokey" Saunders share a moment before the camera.

OMAHA with 20 year-old Willie “Smokey” Saunders share a moment for the photographers. Photo and copyright, THE CHICAGO TRIBUNE.

Born in Bozeman, MO in 1915, the Saunders family moved to Calgary, Alberta when Willie was eight and it was there that the boy’s connection to thoroughbreds began. He was a hot-walker and exercise boy until returning to Montana to attend high school. But after growing up on the back field, high school must have seemed a very strange world and, predictably, Saunders shows up in the winner’s circle at Tanforan on April 14, 1932. It was his first recorded win.

Jockeys had contracts that were transferred to different trainers/owners and, shortly thereafter, the boy began working for the great “Sunny Jim” Fitzsimmons and riding horses from the Phipps Stable and Belair Stud. So, as the “dirty Thirties” began to unleash their force on America, young Willie found himself in privileged circumstances. It isn’t a stretch to assume that the boy worked and worked hard to gain Fitzsimmons’ confidence. Fitzsimmons was kindly, but a hard task-master; and having come up through the ranks himself, Sunny Jim knew all about the vices of the track and tolerated none of it. He was tough to deceive and exacted high standards from all who worked with him, including indentured jockeys. In a race and occasionally when he was training, Omaha had the habit of trying to lash out at any colt that got near to him. Willie was able to work with the big chestnut to avoid these kind of attacks. Clearly, “Mr. Fitz” saw something special in the Saunders – Omaha connection and so it was that the young man from Bozeman got the call to ride the Belair colt on the Triple Crown trail.

It was the ride of Willie’s life.

"Sunny Jim" Fitzsimmons aka "Mr. Fitz" as portrayed by PAP

“Sunny Jim” Fitzsimmons aka “Mr. Fitz” as portrayed by PAP

OMAHA WORKS OUT_$_57

March 7, 1935: The 3 year-old OMAHA works between two other colts. Although his 2 year-old season was less than stellar, OMAHA was still a Kentucky Derby favourite by March.

 

OMAHA in shed row_$_57

OMAHA walks the shed row. Photo and copyright, THE BALTIMORE SUN.

 

Two short takes of Omaha’s Derby and Preakness wins, followed by a 3-minute segment that summarizes his Triple Crown campaign from the ESPN series “Jewels of the Triple Crown,” moderated by the legendary Jim McKay:

 

OMAHA _THE BELMONT_2PpytBSY)!cB!C!~~60_57

OMAHA and Willie Saunders shown winning the Belmont Stakes to sweep the 1935 Triple Crown. Photo and copyright, THE BALTIMORE SUN.

 

OMAHA_1935_7703750_405141343_o

The kid aboard his champion colt.

Willie and OMAHA coming in following a work. Photo and copyright, The Baltimore Sun.

OMAHA coming in following a work. Photo and copyright, THE BALTIMORE SUN.

One can only imagine the fame and fortune that landed in young Willie’s lap.

Racing in the early part of the last century was a popular sport, one that was patronized by the wealthy and working person alike. In the Thirties it also provided a grand escape from the woes of the Depression. William Woodward and Fitzsimmons were no strangers to all that accompanied great horses, but for their jockey it was all new — and undoubtedly overwhelming. There would have been scores of unsavoury types waiting to prey on him, as well as a mass of groupies only too willing to stand in his albeit diminutive shadow. Suddenly, he was a “Sir” at Kentucky restaurants and a notable to the press. And Saunders was, by all accounts, on his own — as were most youth who rode at the time — without the security of either his family or a real mentor, although some reports of his jockey days assert that he was mentored by the great George Woolf in the early years.

It was one thing for the great "Sunny Jim" Fitzsimmons to cope with the fame of OMAHA'S Triple Crown. After all, it was Fitzsimmons second Triple in a mere 5 years! But for Willie Saunders, it must have been overwhelming. Here, admirers visit with Mr. Fitz and OMAHA. Photo and copyright, THE BALTIMORE SUN.

It was one thing for the great “Sunny Jim” Fitzsimmons to cope with the fame of OMAHA’S Triple Crown. After all, it was Fitzsimmons second Triple in a mere 5 years! But for Willie Saunders, it must have been overwhelming. Here, the press visits Mr. Fitz and OMAHA. Photo and copyright, THE BALTIMORE SUN.

So it was that early one night in October 1935, Saunders and a friend, exercise boy Walter Schaeffer,25, showed up at a Lexington bar and dance hall called Howard’s looking for a good time. The policy at Howard’s was that men needed to be accompanied by a woman to get in, but the bouncer called upon one of the establishment’s regulars, Agnes Mackison, 28, to partner up with Schaeffer. Once inside, Saunders spied a woman sitting at another table with a couple and asked Mackison to invite her over. The woman was Mrs. Evelyn Sliwinski, 25, the wife of a Louisville tailor who may/may not have been another Howard’s regular, depending on whose story one chooses to believe.

Therein lies the problem: there were two different stories of what happened next, the Mackison version reported in the Louisville Courrier-Journal in detail, and the Saunders-Schaeffer account, that appeared in several national newspapers of the day, including the Chicago Tribune and the New York Times. (Most papers reporting the story were at pains to draw a sharp contrast between the two versions of what happened that night, with a distinct preference for the Saunders-Schaeffer version.)

The foursome left Howard’s and climbing into Saunders’ car, stopped in at two other nightspots, The Venexia Club and the Cotton Club. The men had introduced themselves to their dates as “Jimmie” (Saunders) and “Tommy” or “Paul”(Schaeffer), according to Mackison. Both were great dancers and the money and drink flowed freely.

Below, the great Mabel Lee who, along with the likes of Duke Ellington and Count Basie, spiced up the club scene of the Thirties:

By the time Saunders, Sliwinski, Schaeffer and Mackison left the Cotton Club, all were very drunk. Schaeffer took the wheel after an alleged row (Mackison reported) between a very woozy Sliwinski and Saunders, before the pair crawled into the back seat. Then they took off out of town and ended up on River Road. The whole time, “Jimmie” (Saunders) and Sliwinski continued to argue, according to Mackison, adding that Saunders then raped the woman several times (The Chicago Tribune).

At some point, Sliwinski threw up in the back of the car and Saunders pushed Sliwinski out of the car. According to Mackison, as Schaeffer accelerated, he ran over the staggering Sliwinski. According to Saunders and Schaeffer, they left her on the road and drove on. All agree that between 10-20 minutes later, heading back to Louisville, Saunders’ car struck “something” in the middle of the road, although Saunders testified that as he was in the back, he felt a “bump” but actually saw nothing. Both men also denied that Mrs. Mackison had been threatened when she was dropped off at her home: “You ain’t seen nothing; you ain’t heard nothing; you don’t know nothing and you’re lucky you’re alive.” (Oswald, writing The Courrier-Journal).

Evelyn Sliwinski’s mangled body was found by a high school student early the next morning. Beside the body was a man’s brown hat that carried a California label. The coroner described the murdered woman’s body as one of the worst he’d ever seen. There were strong indications that she’d been badly beaten.

The same following day, Agnes Mackison, accompanied by her brother-in-law, came in to report a crime. From photos made available to her, she identified Saunders and Schaeffer. A warrant was issued for the two men, both of whom had gone missing. Saunders turned himself in first and bail was set at $5,000 USD (a fortune at the time). Detectives arrested Schaeffer in Baltimore and charged him with murder; Saunders was indicted as an accessory.

Willie Saunders (foreground) and Schaeffer at the latter's trial for the murder of Evelyn Sliwinski.

Willie Saunders and Walter Schaeffer (foreground) at the hearing into the $100,000 civil suit launched by the Sliwinski estate. Published in The Courrier-Journal, Louisville, Kentucky in 2014.

At Shaeffer’s trial, the defense argued that the teenager who had found Sliwinski’s body was the one who had initially run her over. Agnes Mackison was the only witness for the prosecution. The jury returned its verdict quickly: not guilty. The way they saw it, the two women were “experienced ladies of the night” looking to”pick up men,” whereas the two young men were innocent victims. Following Schaeffer’s acquittal, the charges against Saunders were dismissed.

Following the Schaeffer trial and Saunders acquittal, a $100,000 civil suit was launched by the estate of Evelyn Sliwinski. Following the acquittal,  a settlement of $10,000 USD was reached.

 

Post Script

Willie Saunders married Pauline Waterbury of Detroit in 1936. Among the winners he rode in a career that continued until 1950 are Fareino, a Belair Stud colt that he piloted to a win in the 1934 Rochambeau Handicap, Dunlin Lady, winner of the inaugural Santa Anita Oaks and, as first-string jockey for Hal Price Headley’s stable, Whooper (a grandson of Man O’ War). During World War II, Saunders joined the U.S. Army and fought in the South Pacific. Like so many who fought in the Pacific, he contacted malaria, which left him light enough to resume his jockey career when the war ended.

In the 1948 Preakness, Saunders rode Bovard to a third-place finish behind the mighty Citation and Eddie Arcaro. He rode the colt to a win in the Louisiana Derby the same year. Other races won by Saunders include the Chicago Derby (1936), Detroit Derby (1936), Monrovia Handicap (1936), San Juan Capistrano Handicap (1936), Black-Eyed Susan Stakes (1937), New Year Stakes (1937) and the Santa Margarita Invitational Handicap (1937).

After his retirement in 1950, Saunders worked as a racing official at various American racetracks.

He was inducted into the Canadian Horse Racing Hall of Fame in 1976.

Another shot of Willie and the great OMAHA. The two understood each other well and Saunders was able to stop the big chestnut from savaging other horses during a race. However, following the Triple Crown, Saunders never rode Omaha again. Photo and copyright, The Baltimore Sun.

Another shot of Willie Saunders and the great OMAHA. The two understood each other well and Saunders was able to stop the big chestnut from savaging other horses during a race. However, following the Triple Crown, Saunders never rode Omaha again. Photo and copyright, The Baltimore Sun.

 

Sources

The Canadian Horse Racing Hall of Fame: William (Smoky) Saunders

Kentucky Derby/ Triple Crown? Murder? It was 1935 by Jessie Oswald in The Courrier-Journal, April 26, 2014

Various articles in newspapers of the day covering the Evelyn Sliwinski murder trial and acquittal of William Saunders: The Chicago Tribune, Schenectady Gazette, Lewiston Journal, Bozeman Daily Chronicle, The New York Times, The New York Post, The Herald-Journal

NOTE: THE VAULT is a non-profit website. (Any advertising that appears on THE VAULT is placed there by WordPress and the profit, if any, goes to WordPress.) We make every effort to honour copyright for the photographs used in our articles. It is not our policy to use the property of any photographer without his/her permission, although the task of sourcing photographs is hugely compromised by the social media, where many photographs prove impossible to trace. Please do not hesitate to contact THE VAULT regarding any copyright concerns. Thank you.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 


WHO’S YOUR MAMA? KENTUCKY DERBY HOPEFULS & THE MARES THAT MADE THEM

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The dams of this year’s top Derby contenders have had a 50% influence on the makeup of each of these colts. So what does the tail female of the top 5 contenders bring to the table?

2015_derby_poster_800

Mitochondrial DNA (mtDNA) is the way nature tracks “Who Is Your Mama?” in every species, including humans and racehorses, since it is passed down from mothers to daughters intact. mtDNA is like a kind of spice, scattered throughout the gene pool, that makes up a horse’s pedigree. One of the interesting things about mtDNA is that it is thought to play a large role as a speed influence in a thoroughbred’s pedigree.

 INTERNATIONAL STAR

Out of the mare Parlez, this colt’s BM sire is French Deputy (Deputy Minister). Parlez hails from a good female family and International Star (IS) is her third really good offspring. The other two are both by Not For Love, the filly Fools In Love and the gelding D C Dancer, winner of the Maryland Million Sprint. So Parlez has proven herself to be a good producer.

IS’s second and third dams also proved to be sound producers. Speak Halory (Verbatim) the colt’s second dam, has 7 winners out of 10 foals, including Lovely Sage, and is the grandam of New Edition (Stormy Atlantic) and Venezuela’s champion, Karun (Arch). IS’s third dam is the better known Halory (Halo), the dam of the great Halory Hunter (Jade Hunter), Key Lory (Key To The Mint), Van Nistelrooy (Storm Cat), the gelding, Prory (Procidal), Brushed Halory (Broad Brush) and grandam of the Storm Cat filly, Sly Storm.

What becomes apparent is that Parlez’s female family produce strong fillies and a few good colts, the best of which (other than IS) are Karun (VEN), Halory Hunter and Key Lory. However, the number of really good colts produced by Halory has not been duplicated by Speak Halory, leaving us with the question of whether or not Parlez is a strong influence in IS’s pedigree or not.

As for French Deputy, who stands at Japan’s Shadai Stallion Station, he seems best at siring 8f runners who are especially good as two year-olds. But, in 1995, French Deputy did post the highest 3 year-old Beyer figure (119) and his own sire, Deputy Minister, was one of the great progenitors of the breed.

 DORTMUND

The undefeated Dortmund’s dam, Our Josephina, wasn’t an impressive runner herself, but being a daughter of Tale of the Cat helps hugely.

“Coolmore’s Cat” is chalking up a very impressive record at stud, including champions like Stopchargingmaria, She’s A Tiger, Lion Heart, Gio Ponti, Cat Moves, My Trusty Cat and Tale of Ekati. Nor is the success of the 21 year-old confined to the Northern Hemisphere: his latest star in the Southern Hemisphere is The Diamond One, a very smart filly racing in Australia. The overwhelming influence of Terlingua (Secretariat) — Tale of the Cat’s grandam — is a signature of the most successful of Storm Cat’s progeny; you see it in their conformation, temperament —and lust for speed:

Another aspect of Dortmund’s tail female is the influence of Danzig in his third generation, repeating the lucrative Northern Dancer-Secretariat nick (responsible for Summer Squall, Secreto, Storm Bird, among others) while adding still another juicy element: the Danzig line in Europe has produced champion runners and sires in the form of Oasis Dream and Dansili.

 CARPE DIEM

The presence of Giant’s Causeway in Carpe Diem’s pedigree makes us less unsettled by Unbridled’s Song in his tail female, at least in terms of soundness issues. And his dam, Rebridled Dreams, also has two other very good progeny: Doncaster Rover (War Chant) and J B’s Thunder (Thunder Gulch), even though the best she did in Grade 2 company herself was a place and a show. In general, Carpe Diem’s maternal family in his tail female lacks depth, with the exception of Unbridled’s dam, Gana Facil, also the dam of Cahill Road (Fappiano).

However, the stallion influences are interesting: Fappiano, Caro, Danzig and Aloma’s Ruler appear in his 4th generation but that may be too far back to exert any real influence.

Still, in the mysterious muddle of thoroughbred genetics, this handsome son of Giant’s Causeway may have more than enough on top to carry him to victory. After all, his daddy’s nickname during his racing career was The Iron Horse!

 

AMERICAN PHAROAH

Not unlike Carpe Diem (above), American Pharoah’s bottom line is not particularly impressive.

Out of Littleprincessemma (Yankee Gentleman), the colt carries Storm Cat in his female family and, therefore, the promise of Terlingua’s speed. Of two foals, American Pharaoh is by far his dam’s best. A prohibitive Kentucky Derby favourite as of this writing, the colt’s second and thirds dams are useful, producing some winners with modest earnings. The most impressive female influence comes from his BM sire’s dam, Key Phrase, but her influence on his pedigree would be negligible at best. The stallions Flying Paster and Exclusive Native come up in the fourth generation of his tail female but, again, don’t expect a strong influence here.

The prohibitive Derby favourite (at this writing) owes far more to his sire, Pioneerof the Nile, a son of the mighty Empire Maker, and this comes through in his conformation and precocity.

FROSTED

There’s no denying that the brilliance of his sire, Tapit, shines in the coat and talent of Frosted. He is his dam Fast Cookie’s third and most successful foal, although the other two were winners, albeit in modest company. Fast Cookie is a daughter of the great sire, Deputy Minister, and her dam Fleet Lady (Avenue of Flags by Seattle Slew) is also the dam of Darley’s BC Juvenile and 2 YO Eclipse Champion colt, Midshipman (Unbridled’s Song). Frosted’s third dam, Dear Mimi (Roberto), is the maternal grandam of Pantomima (JPN) by Seattle Dancer and Mars Princess (JPN) by Danehill, both modest producers in Japan. Frosted is also inbred 2 X 4 to the immortal Seattle Slew.

So although Frosted’s female family is nothing to be sneered at, it is undoubtedly his sire’s influence that dominates.

 

PERSONAL ENSIGN appears in OCHO OCHO OCHO'S tail female. An omen perhaps?

PERSONAL ENSIGN appears in OCHO OCHO OCHO’S tail female. An omen perhaps?

 

OTHER FUN FACTS

MATERIALITY’S dam is also the dam of MY MISS SOPHIA and his second dam, DIAL A TRICK, is the dam of EYE OF THE TIGER. A daughter of DIAL A TRICK, WILDWOOD FLOWER, is the dam of AFLEET EXPRESS. The colt’s 3rd dam, ICE FANTASY, is the grandam of champions SNOW RIDGE & SWEETNORTHERNSAINT.

EL KABEIR’S 2nd dam, ROSE COLORED LADY, is the dam of TOO MUCH BLING.

PASSING MOOD, the dam of UPSTART‘s BM sire, TOUCH GOLD, was also the dam of champion WITH APPROVAL, winner of the Canadian Triple Crown.

FAR RIGHT’S tail female includes VINDICATION, SHADEED & AFFIRMED and his 4th dam is the fabulous CASCAPEDIA.

DANZIG MOON’S 3rd dam, PURE PROFIT, was the dam of the incomparable INSIDE INFORMATION and the great EDUCATED RISK. Below: INSIDE INFORMATION wins the 1995 BC DISTAFF:

WAR STORY’S 2nd dam, POLLY ADLER, is the dam of YOURSMINEOURS and his 3rd dam, HONEST AND TRUE is the dam of champion EPITOME and grandam of ESSENCE OF DUBAI.

STANFORD has a hugely impressive tail female through his 3rd dam, MYTH, the dam of champion JOHANNESBURG, and 4th dam, YARN, who is the dam of champions MINARDI and TALE OF THE CAT and the grandam of FED BIZ. Below, JOHANNESBURG’S 2001 BC JUVENILE win:

MR Z’S 2nd dam, AMELIA BEARHART, is the dam of champions CHIEF BEARHEART & EXPLOSIVE RED. Another daughter, RUBY RANSOM, is the dam of STRUT THE STAGE & SACRED SONG. MR Z’s 4th dam is none other than the great GOLD DIGGER, who is the dam of MR PROSPECTOR.

OCHO OCHO OCHO’S 3rd dam is none other than the incomparable PERSONAL ENSIGN.

BOLO’S 2nd dam, ASPENELLE, is the dam of MINING MY OWN, dam of Kentucky Derby winner MINE THAT BIRD and the champion DULLAHAN. Below, Churchill Downs welcomes MINE THAT BIRD in 2013:

KEEN ICE’S 4th dam, CHIC SHRINE, is the grandam of HUNGRY ISLAND, SOARING EMPIRE, VERRAZANO, EL PADRINO & SOMALI LEMONADE.

 

 

NOTE: THE VAULT is a non-profit website. (Any advertising that appears on THE VAULT is placed there by WordPress and the profit, if any, goes to WordPress.) We make every effort to honour copyright for the photographs used in our articles. It is not our policy to use the property of any photographer without his/her permission, although the task of sourcing photographs is hugely compromised by the social media, where many photographs prove impossible to trace. Please do not hesitate to contact THE VAULT regarding any copyright concerns. Thank you.

 

 

 

 

 

 

 

 

 

 

 


TO BE OR NOT TO BE: RACE FOR THE 2015 AMERICAN TRIPLE CROWN

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We’ve been here many, many times before and this year it’s all about American Pharoah, whose misspelled name has only made his wins in the Kentucky Derby and the Preakness more distinctive.

The delight and the doubts have dominated the press in North America since Zayat Stables’ American Pharoah began his Triple Crown bid, first by winning the Kentucky Derby and then by romping to a Preakness victory in the slop, winning by a margin only equalled by Smarty Jones 11 1/4 victory in the 2004 Preakness (above).

But then came the Belmont…..and the undefeated Smarty, who had won every heart along the way, suffered his first — and only — career defeat. To say that it was a heartbreaker would be an understatement.

It’s 2015, and here we go again.

And what can be studied to ascertain whether or not American Pharoah’s (AP) chances in a dwindling field are better than that of a champion like the great Smarty Jones? Truthfully, no analysis can be foolproof which is one of the reasons that horse racing worldwide still brims with anticipation, hope and dreams of glory.

There are a number of complex factors that will determine the outcome on June 6th and how they interrelate is where the mystery lies.

First, there is the colt himself — how tired is AP? After all, as E. P. Taylor who owned and bred Northern Dancer observed, ” If you run them enough times, they get beaten…A horse can’t tell you how he’s feeling…” And the “fatigue factor” would arguably be less relevant if the Derby and Preakness winner was going up against colts who had run in the first two legs of the Triple Crown. But he isn’t. In the Belmont, he’ll meet up with colts who are fresher, who’ve had time to rest and work up to the Belmont. AP’s had three weeks.

AMERICAN PHAROAH shown after his Preakness win.

AMERICAN PHAROAH shown after his Preakness win.

 

Then there are the bloodlines and what these might cough up in terms of indicators. AP’s bloodlines are superb on his sire line. In fact his grandsire, Empire Maker, trained by the legendary Bobby Frankel, was himself the spoiler when he won the 2003 Belmont to quash Funny Cide’s Triple Crown bid:

Empire Maker had been beaten by Funny Cide in the Derby that year, but skipped the Preakness before running in the Belmont. He was a fresher colt going in, but it’s impossible to overlook his bloodlines: Unbridled (Mr. Prospector sire line) out of the fabulous mare, Toussaud, by El Gran Señor (Northern Dancer). And Empire Maker, who stands in Japan now, has thrown a hailstorm of champions from his American foal crops, including AP’s sire, Pioneerof the Nile, Eclipse champion (2011-2013) Royal Delta and champions Sky Kingdom, In Lingerie, Grace Hall, Emollient, Bodemeister and Acomas. Pioneerof the Nile looks to be on his way to following in Empire Maker’s steps, but it’s still too early to be certain. Often, though, it takes a generation for a sire or a dam to produce a superstar like AP, win or lose on June 6. And Empire Maker has the goods to do it.

The handsome and prepotent EMPIRE MAKER.

The handsome and prepotent EMPIRE MAKER.

Of course, AP is not the only colt going into the Belmont with a great pedigree. There is the sensational Mubtaahij, who appears to like the Belmont surface and is by the hot sire, Dubawi, out of Pennegal by Pennekamp, himself a sire who showed brilliance on the turf — winning the 2000 Guineas, Prix de la Salamandre, Dewhurst and Prix Djebel, among 6 of 7 lifetime victories. If our “might skip a generation” breeding axiom kicks in here, then Mubtaahij is doubly-blessed. His dam is a Blue Hen in her own right — and let’s keep in mind that it’s the dam that hands on the powerful X in Mubtaahij’s genetic profile.

MUBTAAHIJ working at Belmont. Photograph and copyright, Emily Gricco.

MUBTAAHIJ working at Belmont. Photograph and copyright, Emily Gricco.

 

Another serious contender in the Belmont is Frosted. He’s by America’s arguably best sire, Tapit (AP Indy) out of a Deputy Minister mare, Fast Cookie. What’s interesting about Frosted is that he carries Triple Crown winner Seattle Slew on both sides of his fourth generation. And that can’t be bad. Other strong pedigrees are found in Materiality (his sire is Preakness & Belmont Stakes winner, Afleet Alex/BM sire, Langfuhr) and Keen Ice, a son of the mighty Curlin, who certainly will get the distance.

The gorgeous FROSTED has the pedigree to match. Photo and copyright, Emily Gricco.

The gorgeous FROSTED has the pedigree to match. Photo and copyright, Emily Gricco.

KEEN ICE at work over the Belmont track. Photo and copyright, Emily Gricco.

KEEN ICE at work over the Belmont track. A son of the mighty CURLIN, he has what it takes to get the distance. Photo and copyright, Emily Gricco.

 

A factor that looms large is that of the jockeys.

AP keeps his regular rider, Victor Espinoza, who is no stranger to pressure. He rode the last Triple Crown hopeful, California Chrome, in the 2014 Belmont where the colt finished out of the money, overtaken by much fresher horses. In 2002, Espinoza was astride the Baffert-trained War Emblem, but the colt stumbled coming out of the gate and never really recovered. So Espinoza knows the hype and knows the track; hopefully, he’ll ride at least one race on June 6th prior to the Belmont to get the feel of the track.

Mubtaahij will be missing his regular rider, Christophe Soumillon, and some are speculating that Soumillon’s decision to drop the ride (because of a previous commitment) speaks loud about the colt’s Belmont chances. However, the talented son of Dubawi gets the services of talented Irad Ortiz Jr. Ortiz has won a Breeders’ Cup and knows the Belmont track. Kent Desormeaux and Joel Rosario ride Keen Ice and Frosted, respectively, and both can be counted on to come up with sound performances. The great Mike Smith rides the Nick Zito-trained Frammento and these two are a formidable combination: over the years, American racing fans have learned to never count Zito out.

One of the very best: trainer Nick Zito brings FRAMMENTO into the Belmont.

One of the very best: trainer Nick Zito brings FRAMMENTO into the Belmont.

 

Then there’s the matter of the track itself. Although Saratoga has the reputation of being “the graveyard of champions,” in North America every true racing fan knows that the real graveyard is the Belmont, aka “Big Sandy.” To quote the pre-eminent correspondent of American racing, Steve Haskin, writing in Blood-Horse on June 1:

“…the fact is, many jockeys who don’t have experience at Belmont Park, especially going 1 1/2 miles, get lost on those sweeping turns, with the far turn being what I call the turn of no return. Once you make a mistake on that turn, especially going that far, there is no recovering from it.

Of course, there are exceptions to every rule, but you do not want to get caught wide on the first turn and you certainly don’t want to go into the second turn wide. At Belmont, the ideal trip is to remain closer to the rail (if it is playing fair), then ease out nearing the quarter pole or waiting for an opening on the inside. Going wide at the five-sixteenths pole or quarter pole is not a big deal. It is going into the turn wide that leaves horses rubber-legged after turning for home, as they are forced to lose ground for a very long time while negotiating that seemingly endless turn.

…As far as staying on the rail, that is going to be up to Bob Baffert. The great John Nerud has always said the key to Belmont is knowing the track on that day and watch how the track is maintained the days leading up to the race. And he’ll be able to tell by watching all the races run on that Friday and of course on Saturday. According to Nerud, it all depends on what the crew does with the cushion. If they remove a good part of the cushion on the inside and dump it 20-25 feet out from the rail, you want to get on that rail and stay there, especially from the five-sixteenths pole to the eighth pole.. If they leave the cushion alone, because of the pitch of the track, it likely will be slower down on the inside.”

(See more at: http://cs.bloodhorse.com/blogs/horse-racing-steve-haskin/archive/2015/06/01/memo-to-victor-don-t-let-belmont-park-beat-you.aspx#sthash.q752Ur2V.dpuf)

belmont park_tc

 

Last, but not least, is the matter of statistics, those supposedly factual indicators of what a colt has got, pedigree-wise, and therefore, what he should do in a classic, 1.5 mile/12f race like the Belmont Stakes.

To help those new to the business of handicapping, we need to stress that both the Dosage Index (DI) and Centre of Distribution (CD) of any thoroughbred are, in actuality, trends used by breeders more than “facts” per se. What we mean by this is that both DI and CD are attempts to consolidate pedigree information along the lines of stamina and speed influences. The CD and DI of a thoroughbred are tied to the influences of chef-de-race stallions found in a horse’s pedigree over the first 4 generations.

But influences are just that and no more than that — even the great Secretariat’s speed-stamina profile (20-14-7-9-0) did not quite capture what he showed us on the track!

A thoroughbred’s Dosage Profile (DP), from which its DI and CD derive, is calculated based on the number of stamina-speed sire influences in a pedigree. There are five categories: Brilliant, Intermediate, Classic, Solid and Professional, with “Brilliant” denoting a preference for shorter distances (speed influence) and “Professional,” longer distances (stamina influence). Horses classified as “Classic” have an almost-equal speed-stamina ratio. The numbers assigned in all 5 categories (even if 1 or more are 0) constitute the DP. Then, through a numerical ponderation formula, the DI and CD are calculated and they indicate a trend represented by a ratio of stamina-to-speed influences that may (or may not) indicate the conditions under which a horse does best. The higher the DI or CD, the greater the speed influence.

(In fact, when we look at the CD’s of the 11 Triple Crown winners, we see just how misleading this kind of information can be if used as the sole criteria for picking a Triple Crown winner: Sir Barton @ 1.00, Gallant Fox @ 0.57, Omaha @ 0.75, War Admiral @ 0.52, Count Fleet @ 0.25, Whirlaway @ 0.10, Assault @ 0.46, Citation @ 0.04, Secretariat @ 0.90, Seattle Slew @ 0.68 and Affirmed @ 0.55. Then add, for good measure, Man O’ War @ 1.17, Alydar @ 1.10, Little Current @ 0.22 or the fabulous Smarty Jones @ 1.00 and one sees that while the CD is a useful indicator of the ratio of speed-to-stamina in an individual’s pedigree, it can also prove very dodgy for punters!)

AP comes in with a CD of 0.88, meaning that his speed influence is presumably more dominant than stamina; Mubtaahij has a CD of 0.00, showing a distinct speed-stamina imbalance that should favour stamina over speed. At 0.64, Keen Ice shows a relatively balanced speed-stamina influence; and Frosted shows a CD of 0.67. The average CD for 12 furlongs (the distance of the Belmont Stakes) is 0.43. And this is where the worm-hole that can be statistics opens up: none of the colts mentioned here compare favourably with the ideal of 0.43. But why is that? Probably because they’re babies with limited races under their belts, making it hard to assess them against a statistic that takes no account of the number of races those individuals used to reach this statistic had run.

Too, we would note that in comparing the respective DP’s of Frosted, Keen Ice, Mubtaahij and AP, the two with the most speed-stamina balance and therefore, using this theory, the most inherited Classic potential are Frosted and Keen Ice. But, again, what’s missing is the time it might take any of these youngsters to reach their Classic potential.

American Pharoah shown working at Churchill Downs pre-Belmont Stakes.

American Pharoah shown working at Churchill Downs shortly before he shipped to Belmont.

So….can American Pharoah, a brilliant colt at both two and three, give America its first Triple Crown winner since 1978? Having watched him through this year and last, we know that one thing is certain: he will do his best on June 6th. That’s the kind of honest, hard-working colt he is and it’s doubtful he knows any other way of being.

But the result on June 6th? There are no absolutes.

If the factors align for colt and jockey — from how the track plays to fatigue vs. freshness to what’s bred in the bone — then, when the gates spread and Big Sandy opens its arms, welcome all of these equine athletes….and the possibility of a Triple Crown champion.

AMERICAN PHAROAH with HOF trainer, Bob Baffert who says of his champion, "He is just the sweetest horse." Photo and copyright, Emily Gricco.

AMERICAN PHAROAH with HOF trainer, Bob Baffert who says of his champion, “He is just the sweetest horse.” Photo and copyright, Emily Gricco.

 

SPECIAL THANKS

…to gifted photographer, Emily Gricco, who generously gave THE VAULT permission for the use of her images of the Belmont contenders. If you love great photography, catch Emily on Facebook, Instagram and Twitter.

 

NOTE: THE VAULT is a non-profit website. (Any advertising that appears on THE VAULT is placed there by WordPress and the profit, if any, goes to WordPress.) We make every effort to honour copyright for the photographs used in our articles. It is not our policy to use the property of any photographer without his/her permission, although the task of sourcing photographs is hugely compromised by the social media, where many photographs prove impossible to trace. Please do not hesitate to contact THE VAULT regarding any copyright concerns. Thank you.



STORM OVER THE AMERICAN TRIPLE CROWN & ROYAL ASCOT 2015

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On two continents, over three weeks in June, STORM CAT continues to exercise his influence over the development of the thoroughbred and horse racing history.

This tapestry of STORM CAT and owner-breeder William T. Young, The Master of Overbrook Farm, hangs in

This tapestry of STORM CAT and owner-breeder William T. Young, “The Master of Overbrook Farm,” hangs in the University of Kentucky library.

Breeding a champion takes a long time. And it’s inconvenient in the 21st century, when our concept of time is so different, thanks to things like the social media. In a world where Twitter pumps out race results one second (literally) after the horses cross the finish line, the prospect of waiting thirty years to get another Frankel or thirty-seven years to get the next American Triple Crown winner isn’t all that appealing.

But another way of looking at this is to realize that any thoroughbred is a work much like the tapestry of Storm Cat and owner-breeder William T. Young that hangs in the University of Kentucky library in Lexington, Kentucky. A thoroughbred is textured of many threads — and many life stories — coming down to us through time.

If we appreciated this, we could reform how we manage the Earth and all of her creatures. And, as though to encourage us, Storm Cat’s “thread” hovered over the 2015 Triple Crown and, across the Atlantic in England, over the pomp of Royal Ascot 2015.

William T. Young’s great stallion died in 2013, at the age of 30, leaving in his slipstream a gallery of champion colts and fillies, and stallions whose progeny continue to contribute to Storm Cat’s legacy — and to the survival of the Bold Ruler line. During his active years as a stallion, Storm Cat sired a bevy of runners who excelled as two year-olds and favoured a distance of 7f. Among his best were Kentucky Oaks winner Sardula, Harlan (sire of the excellent stallion Harlan’s Holiday), Hennessy (sire of the brilliant Johannesburg), the champion After Market (now standing in Turkey), 2005 Sovereign Award Winner Ambitious Cat, the leading miler and Coolmore champion, Black Minnaloushe and millionaire Bluegrass Cat, the dam of champion Sky Mesa, himself a successful sire.

Other excellent prodigy include Caress, BC Classic winner Cat Thief, champions Catinca and Sweet Catomine, Desert Stormer, Courageous Cat, Good Reward, Coolmore’s Hold That Tiger, BC Distaff winner, Mountain Cat, Juddmonte’s Nebraska Tornado, Newfoundland, One Cool Cat, millionaire Raging Fever, Japanese multimillionaire, Seeking The Dia, the fabulous filly, Sharp Cat, BC Juvenile Fillies & Eclipse award winner, Stormflagflying, Vision and Verse, champion Tabasco Cat and the 2009 BC Distaff winner, Life Is Sweet (below,winning the BC Distaff in 2009 for owner M. Wygood and trainer, John Shirreffs).

Storm Cat’s record of great thoroughbreds of both sexes was absolutely stunning during his lifetime. Arguably the best of all his progeny was Ireland’s Giant’s Causeway, “The Iron Horse,” who gave Storm Cat a classic runner, one of the few he produced during his stud career. As a sire, Giant’s Causeway is well on his way to becoming a sire of sires, notably through sons like Shamardal and Footstepsinthesand. Other European runners of classic lines include the aforementioned filly, November Snow, and Black Minnaloushe.

A delighted George Duffield rides in the Coral-Eclipse winner, GIANT'S CAUSEWAY, after the colt's gutsy win over KALANISI. The only other horse to have won the St. James's Palace and Coral-Eclipse in the same year was CORONACH, in 1926.

A delighted George Duffield rides in the Coral-Eclipse winner, GIANT’S CAUSEWAY, after the colt’s gutsy win over KALANISI. The only other horse to have won the St. James’s Palace and Coral-Eclipse in the same year was CORONACH, in 1926.

 

As a BM sire, Storm Cat was equally successful. In 2012, a year before his death, Storm Cat was responsible for, among others: Japan’s King Kanaloa (King Kamehameha ex. Lady Blossom) and Shonan Mighty (Manhattan Cafe ex. Luxury); Arkansas Derby winner and millionaire, Bodemeister (Empire Maker ex. Untouched Talent); champion Love And Pride (A.P. Indy ex. Ile de France); champion In Lingerie (Empire Maker ex. Cat Chat); Grade 2 winner City To City (City Zip ex. Stormbow) and Noble Tune, winner of $321,000 USD (Unbridled’s Song ex. Serena’s Cat). Of course, Storm Cat’s contribution to thoroughbred bloodlines as a BM sire was not confined to his 2014 record. His appearance in the first 5 generations of some exceptional individuals in their tail female bespeaks a lasting influence on the breed, both in North America and the United Kingdom, with a smattering (for the moment) in the Southern Hemisphere.

IN LINGERIE with her 2014 FRANKEL filly. The mare's BM sire is STORM CAT.

IN LINGERIE with her 2014 FRANKEL filly. The champion mare’s BM sire is STORM CAT.

A dark bay, Storm Cat was bred in the purple: his sire was Storm Bird, a champion juvenile and son of Northern Dancer and the New Providence (Bull Page) mare, South Ocean. His dam was Terlingua, a champion filly and daughter of the 1973 American Triple Crown winner, Secretariat. In the minds of those who knew Storm Cat’s female family best, like trainer D. Wayne Lukas, he was his mother’s son through and through, as were many of his offspring. According to Lukas, an American Hall of Fame trainer, the Storm Cats “… walk like her, they look like her and they have her attitude…the influence of the {dam} there was very strong.”

TERLINGUA (SECRETARIAT ex CRIMSON SAINT) during her racing career.

TERLINGUA (SECRETARIAT ex CRIMSON SAINT) during her racing career.

Storm Cat and jockey Chris McCarron win the 1985 Young America Stakes (Grade I) at Meadowlands on October 10, 1985. Photo by: Jim Raftery / Turfoto (Track Photographer)

Storm Cat and jockey Chris McCarron win the 1985 Young America Stakes (Grade I) at Meadowlands on October 10, 1985. Photo and copyright: Jim Raftery / Turfoto (Track Photographer)

 

 

And this led, in turn, to analysts making the connection between Terlingua’s precocity as a two year-old, together with her sprinter-type profile (Crimson Saint, Terlingua’s dam, was a champion speedster) and Storm Cat progeny, many of whom fell into this performance category. The time was ripe for thoroughbreds with a speed bias — and the market loved it.

So gentle was Storm Bird, that even the very young were allowed to visit him. He endeared himself to the whole O'Brien family. Then, in early in 1981, the colt sufferred an ugly assault at Ballydoyle. A disgruntled employee got into his stall and slashed off his mane and tale. Although Storm Bird appeared to recover, everything went wrong in his 3 year-old season. A brilliant career had ended.

So gentle was Storm Bird, that even the very young were allowed to visit him. He endeared himself to the whole (Vincent) O’Brien family. Then, early in 1981, the colt sufferred an ugly assault at Ballydoyle. A disgruntled employee got into his stall and slashed off his mane and tail. Although Storm Bird appeared to recover, everything went wrong in his 3 year-old season. A brilliant career had ended. (Photo and copyright, Jacqueline O’Brien)

TERLINGUA at Ashford in the Lockridge-      years with her very first foal, a filly by LYPHARD, who

TERLINGUA at Ashford in the Lockridge- Hefner years with her very first foal, a 1982 filly by LYPHARD, who was named LYPHARD’S DANCER. (Credit: Thoroughbred Times)

But Storm Cat’s sire, Storm Bird, had been a stellar two year-old himself and would likely have continued into his three year-old season had it not been for a series of unfortunate events, one of which had an absolutely devastating effect on the colt’s state-of-mind. In the late winter months of 1981 a disgruntled (Vincent) O’Brien employee broke into the gentle Storm Bird’s stall and hacked off his mane and tail before being apprehended. Ballydoyle, who had Storm Bird insured for 15 million (USD) was understandably quiet about the attack, saying only that there were no career-ending injuries. But Storm Bird, known for his sweetness and his kind eye around the stable, was never quite the same again. Hampered by physical injuries, he was retired to stand at Ashford Stud, then owned by Dr. William Lockridge and Robert Hefner. Ironically, it was Lockridge who bred Crimson Saint, the dam of Terlingua and grandam of Storm Cat, and it was Lockridge’s relationship with William T. Young, Sr., with whom he owned Terlingua in partnership, that led to her being sent to Storm Bird. (When bankruptcy plagued Lockride, Young bought a group of mares from him, including Terlingua and another Secretariat mare, Cinegita, who was bred to Storm Bird to produce Starlet Storm, the dam of champion Flanders. Shortly thereafter, Ashford was acquired by John Magnier and company as part of a settlement Lockridge and Hefner made to cover their outstanding debt on the purchase of Storm Bird.)

The Storm Bird influence is one that had the potential to mitigate against Storm Cat producing only short distance runners. And that potential might well be exerting itself from two or three generations back, in the pedigree of contemporary thoroughbred champions who happily get at least a mile over the dirt or turf.

Below is footage of the two year-old Storm Bird winning the Dewhurst Stakes from To-Agori-Mou and Miswaki, two colts who were champions of the turf.. His performance set the press buzzing, and Storm Bird was a prohibitive Epsom Derby favourite well before his anticipated debut as a three year-old:

 

STORM CAT runs in his paddock at Overbrook Farm.

STORM CAT runs in his paddock at Overbrook Farm.

So it comes as little surprise that, through sons and daughters and their progeny, the lasting influence of Storm Cat was profoundly felt over three weeks in June of this year, when America received her much-anticipated Triple Crown winner, American Pharoah, and Royal Ascot saw brilliant performances by a number of outstanding colts and fillies. And even though Storm Cat represents only a thread in the pedigree weave of these champions, none would have come into being without him. Their collective performances further attest to this amazing stallion’s resiliency and to his rightful place in thoroughbred racing history.

American Pharoah, a son of Pioneerof the Nile by Empire Maker out of the mare Littleprincessemma, a daughter of Yankee Gentleman by Storm Cat, gave North America the racing highlight of the year when he swept to the finish line in the Belmont Stakes to become America’s twelfth Triple Crown winner — after a wait of 37 years.

As though this wasn’t enough, Storm Cat’s name was as prominent as Galileo’s in the pedigrees of several of the most stunning winners at Royal Ascot this year. In addition, Storm Cat mares have proved a very good match with Galileo, as seen in two of the colts below, Gleneagles and Aloft, as well as the filly Ballydoyle, who ran a blinder against Suits For You in the Chesam Stakes. Too, previous good performers like Misty For Me have Storm Cat as their BM sire. The Galileo-Storm Cat nick has been particularly lucrative for Coolmore, attesting to the fact that Storm Cat can get excellent turf runners too.

Storm Cats at Royal Ascot 2015 put in some sterling performances:

TUESDAY, June 16

Gleneagles, the stunning winner of the St. James Palace Stakes who broke the mighty Frankel’s existing track record, is by Galileo out of You’resothrilling, a Storm Cat daughter, and full sister to Giant’s Causeway:

WEDNESDAY, June 17

Coolmore’s Acapulco, a 2 year-old filly brilliantly trained by Wesley Ward, won the G2 Queen Mary Stakes. She is a daughter of Scat Daddy (Johannesburg), placing Storm Cat in her 4th generation:

In the next race that day, Amazing Maria, ridden by James Doyle and taking on champions Integral and Rizeena, won the Duke of Cambridge Stakes convincingly. The pedigree of the 4 year-old daughter of Mastercraftsman features Tale of the Cat, a son of Storm Cat, as her BM sire:

THURSDAY, June 18

On Thursday, it was 3 year-old War Envoy, whose dam is a granddaughter of Storm Cat, who took the Britannia Stakes.

The 3 year-old WAR ENVOY scoots home for Coolmore under Ryan Moore to win the Britannia Stakes on Thursday, June 18 at Royal Ascot.

The 3 year-old WAR ENVOY scoots home for Coolmore under Ryan Moore to win the Britannia Stakes on Thursday, June 18 at Royal Ascot.

FRIDAY, June 19

Storm Cat kicked off more trips to the winner’s circle with Balios in the King Edward VII (G2). Balios is a son of Shamardal by Giant’s Causeway and Storm Cat appears in his sire line in the 3rd generation.

BALIOS with Jamie Spencer in the irons, sweeps home a winner in the King Edward VII at Ascot on June 19.

BALIOS with Jamie Spencer in the irons, sweeps home a winner in the King Edward VII at Ascot on June 19.

Aloft, a Galileo colt out of Dietrich, by Storm Cat, wins the Queen’s Vase and gives Ryan Moore, aka “Magic Moore,” a 9th win that confirms him as the winningest jockey ever at a Royal Ascot meet.

ALOFT surges to the wire to win the Queen's Vase and give his jockey, Ryan Moore, the record for most wins in any Royal Ascot meeting, ahead of the likes of the great Lester Piggott.

ALOFT surges to the wire to win the Queen’s Vase and give his jockey, Ryan Moore, the modern record for most wins in any Royal Ascot meeting, ahead of the likes of the great Lester Piggott and Pat Eddery. In 1878, the legendary Fred Archer got a dozen wins at that year’s Royal Ascot.

SATURDAY, June 20

Crack 2 year-old filly Ballydoyle didn’t win the Chesham Stakes but she came close enough that the stewards’ needed to take a long, hard look at the footage of the race. A daughter of Galileo, the young Ballydoyle’s BM sire is Storm Cat. Bumped badly near the finish and running against colts, she still got up to make all, narrowly missing the win by a short nose.

Coming to the wire, BALLYDOYLE chases home SUITS YOU.

Coming to the wire, BALLYDOYLE (#8) chases home SUITS YOU.

How close was it? SUITS YOU (outside) and BALLYDOYLE (Inside near stands) at the wire.

How close was it? SUITS YOU (outside) and BALLYDOYLE (inside, near the stands) at the wire.

 

This is one article that doesn’t require an epilogue, because Storm Cat’s story isn’t done.

We can look forward to more threads in more pedigrees as time goes on.

Because that’s how great thoroughbreds are made.

This beautiful 2014 Frankel colt is out of India, a winning granddaughter of Storm Cat. With descendants like these, the future looks to be bright for Storm Cat.

This beautiful 2014 Frankel colt is out of India, a winning granddaughter of Storm Cat. With descendants like these, the future is filled with hopes and dreams that honour the memory of Storm Cat, and the Bold Ruler sire line in his safe-keeping.

 

BONUS FEATURES

1) Two year-old Storm Cat goes up against some other very good colts to win the 1985 Young America Stakes:

2) Storm Cat’s son, the incomparable Giant’s Causeway (running on dirt for the first time under Mick Kinane/#14), makes a courageous run at Tiznow in the BC Classic — and just misses by a nose:

3) Short documentary on Terlingua, with cameos of Storm Cat:

4) TOO CUTE! Trainer John Shirreffs tries to wake up Storm Cat’s daughter, Life Is Sweet, to “go to work”:

5) Multimillionaire Seeking the Dia (Japan):

 

NOTE: THE VAULT is a non-profit website. (Any advertising that appears on THE VAULT is placed there by WordPress and the profit, if any, goes to WordPress.) We make every effort to honour copyright for the photographs used in our articles. It is not our policy to use the property of any photographer without his/her permission, although the task of sourcing photographs is hugely compromised by the social media, where many photographs prove impossible to trace. Please do not hesitate to contact THE VAULT regarding any copyright concerns. Thank you.

 


GATHER UP OUR HEARTS AND WEAR OUR LOVE FOREVER

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Dedicated to Paul Nicholls, Clifford Baker, Rose Loxton, Ruby Walsh, Clive Smith and all those who loved Kauto Star. 

The thing about losing a legend is that you can’t.

And the other thing is that words fall far short of the mark, because the loss is as organic as the horse himself.

It’s about the scent of him, the feel of him, the wordless way he talks to you.

It’s about the courage that beats in a great heart, the goofiness when he plays with you, the powerful, undulating motion on a morning gallop in Somerset.

It’s about the hope in your heart as he enters the fray still again and the joy that bubbles up in the solar plexus, even as your throat tightens with wonderment and emotion.

And it’s about the interspecies love affair between the people and their great horse.

In the folklore of the British Isles in times so ancient that even the Romans had yet to arrive, the horse was given its own goddess, Epona, or Rhiannon.

As the scarce recounts of Epona tell, she was accompanied by three birds from the Otherworld, who held the power to restore the dead to life and to heal sadness and pain.

Most importantly, Epona held the power to leap from this world into the “Otherworld,” often carrying the souls of the departed, as well as heroes, heroines and mystics on her broad back. The mighty Horse Goddess travelled between the worlds of life and death, reminding all that the gap between was both chasm and veil.

EPONA/RHIANNON  as represented in an image of Celtic origin.

EPONA/RHIANNON as represented in an image of Celtic origin.

So great was her power that she was inducted by the Romans into their pantheon of gods, the only British mythical figure to be so honoured. In Rome, Epona was associated with sovereignty, with that divine essence that separates those chosen to lead from the rest of humanity.

KAUTO STAR turned out in his paddock with his buddies, DENMAN and BIG BUCKS.

A divine essence: KAUTO STAR turned out in his paddock in Somerset.

Together with re-memorying all of Kauto Star’s greatest triumphs, there will always be a lasting image: while galloping in his paddock, Kauto suddenly took a leap between the worlds, carrying us with him.

Our turn, today, to bring him home.

 

 

BONUS FEATURES

1) Tribute by Alistair Down:

2) Paul Nicholls’ remembers the champion he loved:

3) Ruby Walsh on Kauto Star:

4) Features Danielle Baker, daughter of Clifford, who interviews those closest to Kauto after his retirement:

5) Tribute from British teenager, Aanisah Chaudry, shortly after learning of Kauto’s passing. Just beautiful:

 

NOTE: THE VAULT is a non-profit website. (Any advertising that appears on THE VAULT is placed there by WordPress and the profit, if any, goes to WordPress.) We make every effort to honour copyright for the photographs used in our articles. It is not our policy to use the property of any photographer without his/her permission, although the task of sourcing photographs is hugely compromised by the social media, where many photographs prove impossible to trace. Please do not hesitate to contact THE VAULT regarding any copyright concerns. Thank you.

 

 

 

 

 


CHANGING A CULTURE, ONE HORSE AT A TIME

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Michael Blowen, the former film critic for The Boston Globe, came to his second career via a fondness for handicapping. At the time, he has said, he “naively” believed what he was told: that injured horses were “…going to a riding academy in Maine.” 

On my first visit to Lexington, Kentucky this June, visiting Old Friends @ Dream Chase Farm and meeting Michael Blowen was high on my list, one of three memorable visits I made over a too-short sojourn. I would have liked to have had enough time to also visit Jeanne Mirabito and the retirees @ Our Mims Retirement Haven, but two days was just too short.

Michael and Jeanne are the people I most want to be.

Together with his wife, former journalist Diane White, and a handful of dedicated employees and volunteers, Michael, like Jeanne before him, is one of those rare people who has realized a dream.

Special thanks to my friend, the photographer, artist and lecturer Liz Read for the photographs included in this article, without which my words would fall far short of the mark.

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It was a hot, sticky June day when Liz and I pulled into the parking lot of Old Friends.

We climbed out of the car and headed into the office/gift shop, where Michael was to meet us. I was excited alright, but also feeling very shy, clutching a gift that I had brought him in one hand. The gift was a photograph from my own collection, of Precisionist during his racing days. It belonged to Michael in a way that it could never belong to me. Precisionist was one of those who became special to Michael, as animals do when you form that “connection” to them, a kind of psychic current that just doesn’t happen all the time and is therefore precious when it does.

Michael and I first met in virtual reality. When I began THE VAULT, one of the first pieces I wrote was about Black Tie Affair and Michael; and after it was published, Michael sent me a personal note, saying he was printing it and hanging it up in the barn. I was delighted, since I knew that “Blackie” was another one of those “special” horses in Michael’s life. And so our erratic correspondence began. When I knew I was coming to Lexington, I got in touch and Michael wrote to say that he would be pleased to meet Liz and I.

The office/gift shop wasn’t particularly busy, but the minute I walked through the door I could feel the happy hum of staff and volunteers. There was laughter, people darting between office and gift shop, lots of smiles.

old-friends-2015

Then Michael appeared, crackling with the kind of “zenergy” that you’d expect. It’s the zone you get into when you create something you love, bringing it from nothingness into being. I didn’t need to ask Michael if all the worries along the way were worth it.

It’s not easy, loving and caring for seniors. They won’t live forever and you know that. But Michael and his team love completely even as they hold lightly. Meaning: they don’t possess the horses, they care for them, and consider it a privilege to have each one in their lives.

Before hopping into one of the farm’s golf carts, I gave Michael the photo of Precisionist and his face lit up. I was still having trouble getting any semblance of order together in my head because I was pinching myself and thinking, “Here I am. In Kentucky. With Michael Blowen.” But I hardly needed to worry because as we chugged up the lane to the horses, Michael engaged us in an easygoing, natural conversation and by the time we reached the first retiree, both Liz and I were feeling as though we’d known Michael for a lot longer than what amounted to about ten minutes.

First stop was the cemetery. Under the trees they lie, the horses Old Friends has laid to rest. Each grave has a plaque and looking over them all is a sculpture of three prancing horses by artist Fred Krakowiak. Precisionist, Black Tie Affair, Ruhlmann, Marquetry, Creator, Sunshine Forever, Polish Navy, Patton, and Jade Hunter, to name but a few, are now visited by the memories of those who pass by this way. One of Old Friends’ cats, who found the shade and quiet a perfect place for a long, languid nap, reminded me that these departed ones lay at the heart of the farm for a reason.

One of OLD FRIENDS' kitties hanging out in the shade of the cemetery. Photo and copyright, Liz Read.

One of OLD FRIENDS’ kitties hanging out in the shade of the cemetery, next to the grave of BLACK TIE AFFAIR. Photo and copyright, Liz Read.

Old Friends HALL OF FAME, where the spirit of greatness mingles with the scents of summer in the Bluegrass. Photo and copyright, Liz Read.

Old Friends HALL OF FAME, where the spirit of greatness mingles with the scents of summer in Bluegrass Country. Photo and copyright, Liz Read.

Most people come to Old Friends for the first time to see one special horse and I was no different.

My special horse was Tinner’s Way. I had missed the Secretariat baby I loved most, Terlingua, and I was not going to make the same mistake with Tinner, whose life and times I had followed from his arrival in Bobby Frankel’s barn through his stallion career to his retirement at Old Friends.

But before Tinner, there was a veritable pantheon of great thoroughbreds and, predictably, I was besotted with each one.

Gulch, despite Michael’s efforts, wasn’t in the mood for either carrots or socializing. And, as I told Michael, “Hey, he’s GULCH and if he doesn’t want petting, well, that’s just the way it is,” which made him laugh as he nodded in agreement. And it really didn’t matter that this superstar wasn’t a cuddle bug, since just seeing “Gulchie” as he was on that day did nothing to take the lustre off a moment that I will treasure forever.

GULCH, aka "GULCHIE" by Liz Read. Copyright, Liz Read.

GULCH, aka “GULCHIE” by Liz Read. Copyright, Liz Read.

On we puttered in our little cart, to visit Belmont Stakes winner Sarava, the gentle Eldaafer (and his goats), Danthebluegrassman ( a grandson of my beloved Terlingua), the popular MSW Rail Trip, recent arrival Game On Dude, champion Rapid Redux and the exquisite Affirmed Success with his buddy, Flick. Michael not only had carrots aplenty, but stories about each one. And just the way a parent does when teaching a toddler to speak, Michael told their story looking into their eyes, making it clear to the horse that he was speaking about and for them. I’m almost certain that Michael did this unconsciously, since it’s a natural human response that we all have, but the interaction still spoke loud about who Michael Bowen is and how he feels about the thoroughbreds of Dream Chase Farm.

Of Game On Dude, he recounted how Bob Baffert had given him “the third degree” before agreeing to his brilliant gelding coming to Old Friends. The way Michael saw it: “But it was great, you know. He even came here to check up on us. Bob really cares about his horses and that makes me feel good.”

Lovin' THE DUDE: GAME ON DUDE with Michael and I. Photo and copyright, Liz Read.

Lovin’ THE DUDE: GAME ON DUDE with Michael and I, as Michael tells me how much trainer Bob Baffert cares about his horses. Photo and copyright, Liz Read.

RAIL TRIP with Michael. Photo and copyright, Liz Read.

RAIL TRIP with Michael. Photo and copyright, Liz Read.

The very handsome DANTHEBLUEGRASSMAN. Photo and copyright, Liz Read.

The very handsome DANTHEBLUEGRASSMAN. Photo and copyright, Liz Read.

Multimillionaire AFFIRMED SUCCESS, a son of Triple Crown winner AFFIRMED and his "masked companion," Flick. Photo and copyright, Liz Read.

Multimillionaire AFFIRMED SUCCESS, a son of Triple Crown winner AFFIRMED and his “masked companion,” Flick. Photo and copyright, Liz Read.

“Eight year-old Affirmed Success still getting it done” in the Carter Handicap:

Of Eldaafer, a son of A.P. Indy out of a Tabasco Cat mare, Michael was quick to point out his championship ways, sounding like a proud Papa, “He won the Breeders’ Cup Marathon and over a million {dollars USD},” as he stroked the gelding’s face. It may be a time when speed trumps at the track, but it was impossible not to admire the heart and stamina of this bay gelding who met my touch with such sweetness.

The great ELDAAFER and one of his companions. Photo and copyright, Liz Read.

The great ELDAAFER and one of his companions. Photo and copyright, Liz Read.

 

Eldaafer “stays all day” to win the 2010 BC Marathon:

Then we were off up the lane to one of the furthest paddocks, to visit with Tinner’s Way. As my heart raced in anticipation, I mentioned to Michael that I thought of the little chestnut as “Mr. Grumpy,” given what I knew about his ways and Michael quipped, “Yup.” As the golf cart pulled up at Tinners’ paddock, Michael — in the kindest possible way — gave us to understand that Tinner might well ignore us, adding that he would offer the first carrot, should the old stallion come over to greet us, “…just in case.”

But, as fate would have it, Tinner was feeling gregarious (by Tinner standards, that is) and trotted over, taking the first carrot he was offered like a gentleman.

Now, as some of you reading this know, horses have a “way of talking” that is different from the way they use their bodies to communicate. Dogs and cats speak this way too. But your heart needs to be open. You need to be listening. (Nor will every horse, dog or cat you meet speak to you because some just don’t. No idea why, other than the obvious: there’s just no interest in relating to you beyond the basic.)

DSC_0352

The deepest touch of all: TINNER and I connect. Photo and copyright, Liz Read.

But, as I held out my hand to him, Tinner spoke to me. And, like the way my own furry beings speak to me, it was non-verbal and closer to feeling than conscious thought. But I felt affection running through my fingers, up my arm and straight to my heart. I knew we were connecting and it touched me deeply.

I wanted to stay with him forever. Never go home. Just stay there, in this state of total bliss. Eventually, we climbed back into the golf cart to head on back. But Tinner just stood there, whickering softly, wanting me to stay. Tears filled my eyes as we departed, but Michael made me laugh: struggling for composure, I told Liz, “Tinner is Secretariat’s last foal from his final crop and he was a champion, trained in the USA by Bobby Frankel.” To which Michael responded, “Yeah, but we don’t talk to him about that.” (Translation: Tinner is who he is, not his daddy’s son, and we love him for being himself.) I smiled at Michael’s Buddha-like intervention, because it pulled me out of my sadness and told me that he understood.

Where are you going? Photo and copyright, Liz Read.

“Where are you going?” Photo and copyright, Liz Read.

"Ah, c'mon ... Photo and copyright, Liz Read.

“Ah, c’mon …” Photo and copyright, Liz Read.

Please don't go. Photo and copyright, Liz Read.

“…Pleeeease don’t go.” Photo and copyright, Liz Read.

 

Last but hardly least, Michael introduced us to Little Silver Charm and (big) Silver Charm. We exchanged “Shetland pony” stories, mine of learning to never turn my back on a Shetland, Michael of rescuing the feisty little guy, who has since mellowed into a cross between a pony and a big, happy, gentle dog. Soon to meet up with a busload of Middle School students (LOL!), Michael generously took time to introduce us to (big) Silver Charm, who turned out to be still another “talker.”

In fact, his voice was stirring and loud, and what I felt was a HUGE urge to grab a saddle and bridle and take him for a canter. He just takes you into an equine embrace. A champion stallion who is as beautiful on the outside as the soul within.

Michael brought out LITTLE SILVER CHARM for us to meet. Photo and copyright,

Michael brought out LITTLE SILVER CHARM for us to meet. Photo and copyright, Liz Read.

The beginning of our conversation. Photo and copyright, Liz Read.

The beginning of our conversation. Photo and copyright, Liz Read.

I'm saying, "SILVER CHARM, do you know how wonderful you are?" Photo and copyright, Liz Read.

I’m saying, “SILVER CHARM, do you know how wonderful you are?” Photo and copyright, Liz Read.

Charming CHARM. Photo and copyright, Liz Read.

Charming CHARM. Photo and copyright, Liz Read.

Folding into a caress. Photo and copyright, Liz Read.

Folding into a caress. Photo and copyright, Liz Read.

Michael with two of his "favourite people." Photo and copyright, Liz Read.

Michael with two of his “favourite people.” Photo and copyright, Liz Read.

It was clear that Silver Charm has only ever known kindness and understanding, a fact that Michael stressed. The Japanese were fabulous to work with and generous in every way in bringing Silver Charm home. Nor is it Michael’s first experience with Japanese horse farms and he wanted us to know that the way forward is to shelve negative feelings about American thoroughbreds in Japan. In fact, early talks are underway to bring Charismatic home (once his stud career is over) and, once again, the Japanese are proving to be wonderful partners.

http://www.stayintouchwitholdfriends.com/2011/09/charismatic-in-japan-is-doing-great.html

 

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The great Brazilian teacher, Paulo Freire, once spoke of visiting a remote village in Central America where he and his team were going to embark on a critical literacy program with the inhabitants, and where he came across one of the women building a clay pot. As he watched her, Freire observed, “The idea that we inherit a culture that is readymade and unchanging is false. We make culture ourselves, each one of us, out of the materials we have and our actions in the world. This pot was never in the world until this woman created it. And now the world and the culture that gives it meaning is changed forever by the coming into being of what she has made with her own hands.”

This is my point of reference when I think about Old Friends, and the pioneering work of Jeanne Mirabito of Our Mims Retirement Haven, which in-spired the former simply by “coming into being.”

Michael, Jeanne and those who support their vision have done something very remarkable. They have not only created sanctuaries for thoroughbreds where they are safe, respected and loved, but they have also brought the horses’  stories into the world — and changed the culture of our sport forever.

So, dear reader, do remember to change the world by taking action in it.

By giving your support any way you can to Old Friends and Our Mims you begin that process in your own life, while honouring the ones — equine and human — who showed you the way.

 

JO-JO GYPSY’S RECOVERY (OUR MIMS RETIREMENT HAVEN, 2015):

 

WEBSITES

Old Friends @ Dream Chase Farm:

http://www.oldfriendsequine.org

Our Mims Retirement Haven:

http://ourmims.org

Old Friends @ Cabin Creek:

http://www.oldfriendsatcabincreek.com

 

BONUS FEATURES

1) Michael Blowen The Optimist

2) Our Mims: Making A Difference

3) Ruhlmann and Michael (2008)

4) Our Mims: a video by Cane Ridge Elementary School (2010)

 

 

 

 

 

 

 

 

 


CHANGING A CULTURE, ONE HORSE AT A TIME : THE STORY OF HALE

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Dear VAULT reader: As you know, THE VAULT published its very first article in 2011 and now enjoys a readership of over 280,000 worldwide. I cannot thank you all enough for your support and enthusiasm.

THE VAULT is a non-profit endeavour written out of love for the horses and the sport.

I felt it was time to find a way to give ‘payback,’ to use my efforts as a means of making a permanent contribution to the welfare of horses. Accordingly, I inaugurated a fund, in the name of THE VAULT, which will collect monies to be contributed towards organisations who specialize in horse rescue.

THE VAULT will feature the link below from this time on. Every few months I will post the monies that have been collected.

http://www.gofundme.com/8d2cher4

I thank you all for taking part in this endeavour. No donation is too small — every penny will help.

Finally, I give you the story behind my decision to create the VAULT fund. It is very personal and written from the heart.

And, of course, THE VAULT will continue in its tradition of bringing you great stories of great racehorses past and present from around the world, beginning with my next article.

Thank you.

 

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“I am only one,
But still I am one.
I cannot do everything,
But still I can do something;
And because I cannot do everything,
I will not refuse to do the something
that I can do.”
Edward Everett Hale (1822-1909) American author, historian and minister

 

 

Like so many of you, I try to avoid looking at listings of doomed dogs, cats and horses because it overwhelms me with grief and a sense of helplessness.

But this time, for some reason, I looked. There were live videos of each horse and I suspect that was what did it. It’s easier (don’t know why) to “black out” a photo of a doomed animal in your head than it is to ignore a video, where, in this case, the horses being led or ridden by the camera trust that they are simply in a new home. Among the listings was a QH mare and her filly foal (above) — and I broke down.

You see, I live in Quebec and it is to Quebec that this particular group of unwanted horses are coming. First stop for them will either be OLEX (Ontario Livestock Exchange) in Toronto, where most will be bought by kill buyers for the current rate of $50 USD a pound. Or they will come directly here, to my home province, to either VIANDE RICHELIEU or the recently re-opened LES VIANDES DE LA PETITE-NATION.

I have stood with protesters outside the VIANDE RICHELIEU facility to no avail. Alanna Devine, our fabulous SPCA Director (Montreal), who was instrumental in getting a law passed here declaring animals as sentient beings (with penalties of 5 years in prison and more) made a run at trying to close this place down. To no avail. Brilliant advocates for horses, ponies of all breeds, wild or domestic, as well as donkeys and mules, the Canadian Horse Defense Coalition (CHDC) have been unstinting in their vigilance, reporting and communication with government. But even though Canada was responsible for the slaughter of 80,000 horses in 2011 alone, our federal government has done little (if anything) to regulate horse slaughter facilities or the industry itself.

I’m not naive. I know that even if I were a millionaire, I couldn’t save the draft horses, ponies, Arabians, donkeys, mules, Thoroughbreds, Quarter horses, Saddlebreds, Paints, Standardbreds and mixed breeds that go through kill buyers every single day here and all over the world. According to a 2013 report appearing on Pedigree Query, one North American kill buyer alone is responsible for over 7,000 horses going to slaughter annually.

Conceptually hard to grasp, but if you take a pen & paper and start making dots until you get to, say, 100, you begin to see what 7,000 represent pretty clearly:

100 dots.

100 dots.

The woman who photographs and films these particular horses is tireless in her efforts, going to the farm each and every week to photograph “new arrivals,” posting them to her FB page and helping those who are trying to rescue them with everything she’s got, from responsible shippers to those willing to quarantine a horse at a reasonable cost. But the prices on the heads of each of them is high (from about $650 – $1500 USD) and she only has until 9 p.m., exactly a week later, before she must call to give the kill buyer a list of horses, ponies, donkeys or mules who have been rescued.

As the deadline approached (August 8 @ 9 p.m.) for this particular group, literally hundreds of people on the site tried to reach out to work cooperatively to save a pony, a horse or Molly the piebald mule. Some had the space but no funds. Some had funds but no space. Some had part of the bail money and needed help to raise the rest. GoFundMe sites sprang up: places where individuals could go to contribute funds to save a particular individual.

In the meantime, I was attached by anxiety to the site — for them all, but particularly for the mare and her filly, the Belgian mare (above), a Tennessee Walking horse filly (below) and a 10 year-old mixed breed gelding. These five “spoke” to me. Fighting back rage and a sense of helplessness as the clock ticked on, I first decided to start posting these five on FB and Twitter.

Then, on the evening of August 7, I decided to establish a GoFundMe for horse rescue and to connect it to THE VAULT.

Why do human beings persist in thinking that talk IS action? It isn’t. I assume there’s some kind of “wiring” in the human brain that makes this error repeatedly, even unconsciously. We all do it. Yours truly as well. But using FB and Twitter takes a human foible and turns it into a strength. I kept updating every 6 hours or so, making it clear that the deadline was looming. In the meantime, several VAULT readers stepped up to the plate and made a donation to GoFundMe.

People exclaiming “So beautiful” on the rescue site were about as numerous as those struggling to find a way to help. And, as much as I wanted to blast the former group, I knew that they were struggling too.

The ones who pronounced those “So beautifuls” were making a doomed pony or horse significant by naming them in this way.

As was true in concentration camps, POW camps and other sites of incarceration, giving an individual — be it a horse or a human being — a number rather than a name has the immediate impact of marginalizing them, of placing them outside the classification of living beings. The human mind names things in order to store and make meaning of them. In fact, the act of naming marks the beginning of human consciousness. When people or animals are denied a name, the brain doesn’t know what to do with them. And so it moves them out of the sphere of human consciousness, and drops them out of mind.

As though they knew it, several on the site were going after the identities — the names — of those horses who carried a tattoo.

Registration for one of the Quarter Horses in this group who was saved by a family.

Registration for one of the Quarter Horses in this group, who was saved.

I immediately went back to THE VAULT’S GoFundMe and gave the little Tennessee Walking horse filly the name “HOPE” and, to the mixed breed gelding, I gave the name “HALE,” after the great teacher quoted at the beginning of this narrative.

By the morning of August 8 — the last day for the horses left — the QH mare and her filly, together with the Belgian mare, the two Shetland ponies and HOPE, as well as Molly the piebald mule, and several other horses had been rescued. The remaining dozen included HALE (below), who, priced at $1,128.88 USD, was likely to be left to slaughter.

I frantically posted and tweeted everywhere I could think of and that may have helped. Or maybe not. Because taking solitary aim at a problem this enormous is pretty much useless.

As I waited for something miraculous to happen, I reflected upon how obliterating any living thing that is not essential to our survival not only speaks to our loss of an intimate relationship with the Earth/earth, but also — quite literally — kills a part of us too. We live in a web of living particles that are interwoven like a spider’s web, even though we can’t see them. Disrupting any part of that web affects each living entity on our planet. That’s physics, but it’s also at the core of every world faith I know.

Here is a perceptible example of how this web works:

In the meantime, the hours ticked away. One group was within $100.00 USD of saving this standardbred gelding (below). We had raised $400.00 CAD/$304.78 USD on THE VAULT’S fund site.

I paid, on our behalf, the balance.

This nameless standardbred gelding was saved in part by VAULT donations. He is going to be retired by a loving teenage boy and his family.

This nameless standardbred gelding was saved in part by VAULT donations. He is going to be retired by a loving family who will also attend to his medical needs.

I kept checking HALE’s profile. I just could not turn my back on him.

Finally, in the afternoon of what was his last day before being shipped to slaughter, I re-posted THE VAULT’S fund site on my personal FB page and on Twitter. A few more wonderful VAULT readers stepped up to the bat. THE VAULT fund now stood at $555.00 CAD/ 422.90 USD. Fantastic response in a very short time. But not nearly enough to save “HALE.”

HALE.

HALE.

With less than an hour to go before the 9 p.m. deadline, a young woman from New Hampshire (“NH lass”) posted that she would love to have him. Her uncle had a large farm where “HALE” would have the company of another horse, together with fields and forest to roam.

But she couldn’t make his bail.

We started to talk online. I called Jen, who runs the rescue FB page, to get all the information I needed to post bail. “NH lass” also spoke to Jen, to see what shipping would cost. We exchanged fast posts. “NH lass” and her family could cover shipping, another $600.00+ (USD).

With fourteen minutes to go, I paid “HALE’S” bail with the remaining VAULT funds and by emptying my own pocket. Seconds later, “SAFE” appeared above his listing.

As tears dripped splashed onto my phone just minutes later, I managed to tell “NH lass” how happy I was that Hale was going to her, where I knew that he would be loved and cared for forever.

“I’ve never done this before,” she confessed.

“Neither have I,” I replied.

“But, you know, there was just something about him. He spoke to me.”

“Yup. He spoke to me, too. I just couldn’t look away. ‘Couldn’t forget the look in his eyes. Of all the horses paraded in front of that video camera, he was one of the few who seemed to know that something was terribly, terribly wrong, ” I added.

HALE as he appeared the week of August 3, before "NH lass," VAULT readers and yours truly saved him.

HALE as he appeared the week of August 3, before “NH lass,” VAULT readers and yours truly saved him.

As it turns out, his new owner is officially naming the gelding HALE, in honour of THE VAULT, those of you who donated and myself. Apparently, other than her own considerable courage and compassion, it was Edgar Everett Hale’s words on THE VAULT fund site that had moved “NH lass” to take action. And, in one of those magical moments of synchronicity that are very difficult to explain away, Hale’s new owner’s name is the same as that of my late mother, whose ninety-six birthday was the very next day.

….. Over the next ten days, because of the courage of a number of families, individuals (including teenagers), horse rescues,notably HIDDEN POND FARM HORSE RESCUE, “NH lass” and her family, VAULT readers and myself, Molly the Mule, a Belgian mare, a ageing Standardbred, 2 Shetland ponies, a Quarter horse mare and her filly foal, the Tennessee Walking horse filly that I had named “HOPE,” a crossbred gelding who was # 547 but is now named HALE and another 15 horses will step into lives of love and respect, to which they are entitled.

 

 

 

NOTE: VAULT funds collected from today (August 10, 2015) forward will go to horse rescues only.

 

 

 


A LEGEND, A TRIPLE CROWN WINNER & A GOLD CUP

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In 1920, an American legend and a Triple Crown winner met in Canada to decide who was the best thoroughbred of the year. On August 29, 2015 — 95 years later — another Triple Crown winner goes to the post in Saratoga to annex a victory in the historic Travers Stakes to his already impressive track record. And the connections between these two events weave still another narrative where past punctuates present.

Technically, there wasn’t an American Triple Crown the year Sir Barton won it. However, by 1923 the term starts to show up in occasional press releases. But it took until 1930, when Gallant Fox won it, for the term to be popularized by the Daily Racing Form’s Charles Hatton. By 1950, the Triple Crown had its own trophy and a tradition was well-entrenched in the sport; too, Sir Barton became the first “official” winner, the title being given to him posthumously in 1948.

SIR BARTON_10e491c5c80b8df5290e897afcbf47f7

When Man O’ War met up with Sir Barton for their match race, those present would have probably described the two as “Might be the greatest ever ?” and “The Greatest Ever ! ” respectively. The Kenilworth Park Match Race was the last race the mighty Man O’ War ran and, although he outran Sir Barton handily, it must be stressed that the latter — who suffered from foot problems throughout his racing career — was a great thoroughbred in his own right. In acknowledgement of his accomplishments, Sir Barton was inducted into the National Museum and Racing Hall of Fame in 1957, and was among the first thirteen thoroughbreds to be inducted into the Canadian Horse Racing Hall of Fame in 1976.

The good people of Kenilworth Park spared nothing in preparing for “The Race of the Century” which it indeed was. In 1920, Man O’ War was likely viewed as a brilliant upstart. Beating the incomparable Sir Barton would determine his true merit. In addition, special stables, complete with around the clock guards, were built to house the two champion thoroughbreds.

A new grandstand some 800 feet long was built, a special train was booked to transport race goers from Toronto to Windsor and the dirt track was made ready with a special attention to detail. Tickets were sold at an astronomical $5.00 each.

An old postcard depicting the former Kenilworth Race Track. Note the Canadian Emblem -- it would be another 44 years before Canada had its present flag.

An old postcard depicting the former Kenilworth Race Track. Note the Canadian Emblem — it would be another 44 years before Canada had its present flag.

 

Preparing the track at Kenilworth on April 11, 1920, the day before "The Race Of The Century" was run.

Preparing the track at Kenilworth as it was pictured in April of 1920.

 

"THE TICKET" -- at $5.00 a head, it was a pricey item.

“THE TICKET” — at $5.00 a head, it was a pricey item.

MAN O' WAR and his retinue on their way by train to Canada for the race.

MAN O’ WAR and his retinue on their way by train to Canada for the race.

MAN O' WAR coming on to the Kenilworth track.

MAN O’ WAR coming on to the Kenilworth track.

By the afternoon of Thursday October 7th, 1920 both horses arrived in Windsor, Ontario by train, Man O’ War shipping from New York and Sir Barton from Laurel, Maryland. The atmosphere in Windsor was on the weekend before the race at a fever pitch.

One can only imagine the excitement that gripped Windsor from the arrival of Man O’ War and Sir Barton to October 12. However, the race itself proved something of a disappointment since Sir Barton, now a 4 year-old, was foot sore and not the blazing 3 year-old of 1919 who had won a Triple Crown as well as the Withers in a space of 32 days. The Ross Stables’ champion led initially, but about sixty yards into the mile and a quarter distance, Man O’ War took the lead and won by 7 lengths in a new track record.

As he crossed the finish line, Man O’ War must have heard the din of the crowd, many of whom knew that they had witnessed one of the greatest historical markers of the sport. And it was, arguably, this last race against another great horse that saw Man O’ War take the throne of thoroughbred racing in North America.

To the continued chanting and applause of the crowd, Big Red was led into the winners’ circle, where he drank from a gold cup that had been specially designed by Tiffany and Co. for Abe Orpen, the owner and manager of Kenilworth, at a cost of $5,000.

Mr. Samuel Riddle and trainer, Louis Feustel, hold the gold cup while Man O' War takes a long drink.

Mr. Samuel Riddle and trainer, Louis Feustel, hold the gold cup while MAN O’ WAR  takes a long drink.

And it is this very same cup, affectionately known as the “Man O’ War Cup” that will be presented to the winner of the 2015 Travers at Saratoga, NY on August 29, 2015.

Following his death, the widow of Samuel Riddle presented Man O’ War’s solid gold cup to Saratoga, where it became officially known as the Travers Trophy. The cup is presented every year by a descendant of the Riddle family, together with a host of other dignitaries. A gold-plated replica is given to the winning owner.

MAN O' WAR'S Gold Cup, aka the Travers Trophy.

MAN O’ WAR’S Gold Cup, aka the Travers Trophy.

 

Man O’ War won the Travers in 1920. On August 29 his descendant, American Pharoah, will step onto the track at Saratoga with the same intention.

We wish this great colt only the best but must add the fact that America’s newest Triple Crown winner also carries Upset in his pedigree……and Upset was the only horse to ever beat Man O’ War, in the Sanford at Saratoga.

But, then again, Man O’ War put paid to his nemesis in the Travers:

Man o'War (1) passes the Saratoga stands for the first time leading his only competitors from the powerful Harry Payne Whitney stable, John P. Grier (3) and Upset (2). Man o’ War won “under restraint through the stretch” as Upset passed his tiring stablemate to gain second place at the finish.

MAN O’ WAR (1) passes the Saratoga stands for the first time in the 1920 Travers, leading his only competitors from the Whitney stable, John P. Grier (3) and Upset (2). MAN O’ WAR won “under restraint; UPSET (third horse) finished second.

 

 

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Do you love THE VAULT? If you do, please consider joint other VAULT readers in contributing to THE VAULT’S fund to support professional horse rescues.

No donation is too small and all are appreciated. Thank you, from the heart. AA

HALe is in his forever home, thanks to the readers of THE VAULT and Abigail Anderson.

HALE is now safe in his forever home, thanks to the readers of THE VAULT and Abigail Anderson.

http://www.gofundme.com/8d2cher4

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BONUS FEATURES

1)Another look at The Race of the Century” with new footage:

2) From Steve Haskin, North America’s pre-eminent turf writer:

http://cs.bloodhorse.com/blogs/horse-racing-steve-haskin/archive/2015/08/27/travers-stakes-high-anxiety.aspx

3) Announcement that American Pharoah will run in the Travers, with the “decisive” workout (red cap on rider):

4) American Pharoah schools at Saratoga (TVG)


WAYS OF WORLD-MAKING: TINY DANCER 1961-2015

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My idea to collect photographs of the progeny of Northern Dancer, our King of Thoroughbred Racing here in Canada, led to the discovery of just how influential this tiny thoroughbred stallion really was — and continues to be today, particularly in Great Britain, Ireland, Europe and Australia.

NORTHERN DANCER QUOTE by SANGSTER_$_57

It was the last Kentucky Derby my ailing grandfather and I watched together. He sat, wrapped in blankets, in his favourite armchair and I sat cross-legged near him on the carpet, the rest of the family ranged in chairs around the black and white television console. When the little colt hit the wire, the room erupted with gasps, followed by delight. Here he was, the very first Canadian bred and owned 3 year-old to win the Kentucky Derby and he had done it in record-breaking time.

As we watched EP Taylor leading his fractious champion into the winner’s circle at Churchill Downs, my grandfather exclaimed, “Well I never……just look at him ….he’s only a pony!”

I had been born with Grandpa’s “horse gene,” as my mother liked to say. Shortly after the Derby win, I bought a copy of Sports Illustrated magazine, carefully removed a photo of “The Dancer” winning the Florida Derby and glued it onto a sturdy sheet of blue cardboard, under which I wrote: ” ‘He’s all blood and guts and he tries hard.’ Northern Dancer: first Canadian owned-bred horse to win the Kentucky Derby. Time: 2:00:00 flat.”

The photo and the memory stuck. Today, as I write this, the faded blue cardboard with The Dancer’s photo and my round printing sits in a frame just above the computer.

This SI shot of Northern Dancer winning the Florida Derby has come down through the decades with me. Once the prized possession of a 14 year-old girl, it now sits in a frame above my computer.

This SI shot of Northern Dancer winning the Florida Derby has come down through the decades with me. Once the prized possession of a 14 year-old girl, it now sits in a frame above my computer.

Punctuated as he was by the love of a grandfather who was gone only a year later, as well as that festering horse gene of mine, it was predictable that by 1990 I had decided to collect original press photos of Northern Dancer and some of his progeny. What I had in mind was a project: to collect some photos and then mount them in an album, together with a little research on The Dancer’s most prominent progeny.

Lester Piggott and NIJINSKY, the last British Triple Crown winner.

Lester Piggott and NIJINSKY, the last British Triple Crown winner.

I started out in earnest, shopping on places like the newly-opened EBAY. But little did I know what I was going to uncover. The search for original photos of Nijinsky and The Minstrel connected me to a number of UK sellers — and it was here that the proverbial “floodgates” flew open. My career and family had necessitated a lengthy sabbatical from all things thoroughbred, leaving me somewhat amazed to discover that through the aegis of the great trainer and horseman, Vincent O’Brien, Canada’s tiny Dancer had, in fact, gone viral. 

NORTHERN DANCER by Brewer, Jr.

NORTHERN DANCER by Allen F. Brewer, Jr. The artist’s exquisite portrait belies the temperament of Canada’s King of Thoroughbreds which was, to quote E.P. Taylor’s daughter, “Not very nice at all.”

 

I had bought a few albums to house the photos and had started mounting them together with text. But as the sheer number of photos mounted, I could see that I was making myself a project that would take a lifetime to complete. It wasn’t that I had no criteria for acquiring a photo…..it was that truly great thoroughbreds kept coming and coming, like an enormous tidal wave, prompting the question: Where do I draw the line?

Think about it. Out of the “Danzig connection” alone, another galaxy of superstars in England, Ireland, Europe and Australia have emerged. And this is only one of many Northern Dancer sire lines.

DANZIG pictured here at Claiborne Farm in Kentucky where he stood for the whole of his career at stud.

DANZIG pictured here at Claiborne Farm in Kentucky where he stood for the whole of his career at stud.

 

DANZIG'S best son, DANEHILL.

DANZIG’S best son, DANEHILL.

 

DANEHILL'S son, DANEHILL DANCER, a sire of sires.

DANEHILL’S son, DANEHILL DANCER, a sire of sires.

 

DANSILI, another son of DANEHILL who is making a huge impact on the breed worldwide.

Juddmonte’s DANSILI, another son of DANEHILL who is making a huge impact on the breed worldwide.

 

Among the remarkable thoroughbreds who descend from a bewildering galaxy of Northern Dancer sire lines and families, and who have recently retired are the champions: Rachel Alexandra (USA), America’s sweetheart and 2009 Horse of the Year, is a daughter of Medaglia d’Oro and granddaughter of Sadler’s Wells; Black Caviar (AUS) whose sire, Bel Esprit, is the grandson of Nijinsky and whose dam, Helsinge, is the granddaughter of the late Green Desert (by Danzig); the incomparable Frankel (GB) a son of Galileo (by Sadler’s Wells) whose dam, the Blue Hen, Kind, is a daughter of Danehill (by Danzig); America’s two-time Horse of the Year and turf star, Wise Dan (USA), who carries Storm Bird (by Northern Dancer) and Lyphard (by Northern Dancer) on both sides of his 4th generation pedigree; the 2014 and 2013 Investec Derby winners Australia (IRE) by Galileo and Camelot (IRE) by Montjeu; Arc winner Danedream (GER), whose sire Lomitas is a grandson of Nijinsky and whose dam, Danedrop, is a daughter of Danehill (by Danzig); the brilliant Nathaniel (IRE), a son of Galileo and only one of two horses to seriously challenge Frankel, the other being Zoffany (IRE) by Dansili, a son of Danehill and grandson of Danzig; the mighty Igugu (IRE), winner of the SA Triple Tiara and a daughter of Galileo; the immortal Hurricane Fly (IRE) whose sire Montjeu is a son of Sadler’s Wells; the undefeated Arc winner Zarkava (IRE) whose sire, Zamindar, is a grandson of The Minstrel and whose dam, Zarkasha, is by the superb Kahyasi, a grandson of Nijinsky; the ill-fated and brilliant St. Nicholas Abbey (IRE) a son of Montjeu; the Australian champion All Too Hard (AUS), the half-brother of Black Caviar, and a grandson of Danehill (by Danzig); the wonderful mare, The Fugue (IRE), a daughter of Dansili (by Danehill) whose dam, Twyla Tharp, is by Sadler’s Wells; Canada’s Inglorious, winner of the 2011 Queen’s Plate, who is a granddaughter of Storm Bird (by Northern Dancer); and last but hardly least, Goldikova (IRE) whose sire, Anabaa is a son of Danzig and whose dam, Born Gold, is a granddaughter of Lyphard (by Northern Dancer).

It’s impossible to think of thoroughbred racing or the National Hunt without these individuals — but even they are the tip of the proverbial iceberg in the ongoing genetic dance of The Dancer.

Below, a video of the American turf superstar, Wise Dan, winning the 2013 Breeders Cup Mile for the second straight year:

“The bird has flown” — the fabulous Nathaniel winning the King Edward VII Stakes at Royal Ascot:

The “sensational” Canadian filly,Inglorious, winning the 2011 Queen’s Plate at Woodbine, Toronto, Canada:

Stallions — so many names that one gets dizzy just trying to keep them in a kind of chronological order. Among the best-known: Giant’s Causeway, Medaglia d’Oro, Elusive Quality, Animal Kingdon, Big Brown and War Front in the USA; Galileo, Sea The Stars, Yeats, Invincible Spirit, Cape Cross (sire of Sea The Stars, Ouija Board and Golden Horn), New Approach, Oasis Dream, Kingman, Mastercraftsman, Dansili and Dubawi in Great Britain, Ireland and Europe; So You Think, Exceed and Excel, Sepoy, Redoute’s Choice, Fastnet Rock, More Than Ready, Bel Esprit and Snitzel in Australia; and in Japan, the great Empire Maker and leading sires by earnings, Deep Impact and King Kamehameha ( a son of Kingmambo who is inbred 2 X 4 to Northern Dancer through his sons, Nureyev and Lyphard, and carries Nijinsky’s son, Green Dancer, in his 4th generation).

A look back at the late Bart Cummings’ great champion, So You Think:

And in 2015?

Well, let’s see.

There’s America’s first Triple Crown winner in 37 years, American Pharoah (whose brilliance, I will continue to insist, owes at least as much to Empire Maker and his Blue Hen dam, Toussaud, a daughter of Northern Dancer’s El Gran Señor as to any other in his pedigree), the Investec Derby winner Golden Horn, Shadwell’s brilliant Muhaarar, Coolmore’s Gleneagles, the up-and-coming sire, Mastercraftman’s The Grey Gatsby and Amazing Maria in Great Britain. And it’s impossible to overlook the incomparable Treve, who now has her own theme song!

This year, they all look like him, carrying his bay coat and dark mane and tail into a future he never saw. But the familiar colours of my “tiny Dancer” always take me back to that last Kentucky Derby my grandfather and I watched together. And as for my collection of photographs, it’s tailed off considerably since it arrived at 500 + images. I’m well behind in recording them all, so the considerable overflow are now housed in an archival file.

But then along came 2015.

And I can see that my collecting is not yet done…….

 

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UPDATE

Since I began THE VAULT’S rescue fund, $1,542.00 CAD has been raised, allowing THE VAULT readers and yours truly to rescue Hale, as well as a Standardbred gelding and a beautiful blue roan QH mare, in foal, from slaughter. Too, donations have been made to Our Mims and RR Refuge. I continue to work to save horses, one horse at a time: this week, it was a granddaughter of Secretariat.

This blue roan mare, in foal, was rescued from slaughter by VAULT readers the week of August 31, 2015

This blue roan mare, in foal, was rescued from slaughter by VAULT readers the week of August 31, 2015

Here’s some footage of Hale, a mere month after VAULT readers, his new owner and yours truly rescued him:

If you love THE VAULT, please accept my heartfelt thanks. I write it for you.

And please consider making a donation:

http://www.gofundme.com/8d2cher4

Together we can make a difference.

 

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NOTE: THE VAULT is a non-profit website. (Any advertising that appears on THE VAULT is placed there by WordPress and the profit, if any, goes to WordPress.) We make every effort to honour copyright for the photographs used in our articles. It is not our policy to use the property of any photographer without his/her permission, although the task of sourcing photographs is hugely compromised by the social media, where many photographs prove impossible to trace. Please do not hesitate to contact THE VAULT regarding any copyright concerns. Thank you.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 


TREVE : ABOVE ALL ELSE, SHE IS A WORK OF ART

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She is brilliant, beautiful. bold and beloved. But she is also a living work of art, wrought over more than two centuries. 

Before the Prix Vermeille.

Before the Prix Vermeille.

 

Whereas a work of art may take a decade or longer to complete, Treve is a work of centuries.

Even a cursory glance through Treve’s pedigree reveals some of the greatest names in thoroughbred history. Within her first 5 generations are Sadler’s Wells, Danzig, Mr. Prospector, Trillion, Top Ville, Secretariat, Buckpasser, Vaguely Noble and Nasrullah. Further back still, we find Hyperion, Gainsborough, Selene, Scapa Flow, Tracery, Swynford, Fair Trial, Rustom Pasha, Sir Gallahad, The Tetrarch and the champions of their day, the incomparable Pretty Polly and Mumtaz Mahal, “The Flying Filly.”

MUMTAZ MAHAL, his daughter, is one of the most important of all thoroughbred broodmares.

THE TETRARCH (left) and his daughter, MUMTAZ MAHAL (right) are a distinguish pair in TREVE’S bloodlines.

 

HYPERION with LORD DERBY after his Derby victory.

HYPERION (here with LORD DERBY after his Derby victory) is another “jewel” in TREVE’S pedigree.

 

PRETTY POLLY, one of TREVE'S distinguished ancestors, ruled the turf in the 1920's.

PRETTY POLLY (in the lead), one of TREVE’S distinguished ancestors, ruled the turf in the 1920’s.

 

VAGUELY NOBLE, shown here before his sale to , was the sire of champions

VAGUELY NOBLE, shown here before his sale in 1967, was the sire of champions EXCELLER, DAHLIA, ESTRAPADE, LEHMI GOLD and EMPERY. He appears in TREVE’S female family in the fifth generation.

 

TRILLION was a champion in her day, winning the Prix ganay, the Prix Foy and the Prix d"Harcourt for owners Nelson Bunker Hunt and Edward L. Stephenson. Retired, she foaled the great race mare TRIPTYCH. The great mare appears in TREVE'S female family in the fourth generation.

TRILLION was a champion in her day, winning the Prix Ganay, the Prix Foy and the Prix d”Harcourt for owners Nelson Bunker Hunt and Edward L. Stephenson. Retired, she foaled the great race mare TRIPTYCH. TRILLION appears in TREVE’S female family in the fourth generation.

 

Canadian Michael Burns' fine shot of SECRETARIAT and Ronnie Turcotte working at Woodbine, in Toronto, before the colt's final race.

Canadian Michael Burns’ fine shot of SECRETARIAT and Ronnie Turcotte working at Woodbine, in Toronto, before the colt’s final race. He appears in TREVE’S sire line in the fifth generation.

However, if we go even further back in time to 1882, we find a name that appears on both sides of Treve’s distinguished pedigree: Plaisanterie. Although she stands very far back in Treve’s pedigree — too far to have had a decisive hand in the making of the mighty Treve — her influence remains incontrovertible. Had Plaisanterie not added her “colours” to Treve’s bloodlines, there would have been no Treve at all. Distant in time as she may be, Plaisanterie, like any of the other names in Treve’s pedigree history, played a fundamental role in sculpting one of the best thoroughbreds that we have ever seen.

A late nineteenth century print of PLAISANTERIE, born in 1882, by WELLINGTONIA out of POETESS by TROCADERO.

A late nineteenth century print of PLAISANTERIE (1882) by WELLINGTONIA (1869) out of POETESS (1875) by TROCADERO (1864).

In Plaisanterie, we have an absolutely brilliant runner and an important broodmare — a kind of home run in development of the breed.

The filly was owned in part by the influential Carter family:

“The Carters had a dominating effect on French Racing not only because they were so numerous, but also because they had talent. Other racing families came to France in imitation, such as the Cunningtons, Jennings and Watsons, with whom they intermarried, but perhaps none were so pervasive. The Carters were the founders of the English colony in Chantilly and instrumental in the future racing success of the town and nation. Members of this family have an unparalleled racing record; they won the Prix de l’Arc de Triomphe 5 times, the Prix du Jockey Club on no less than 27 occasions, the Grand Prix de Paris on 16 runnings and the Prix de Diane 23 times.” (Excerpt from Thoroughbred Heritage, “Les Anglais in France,” @ http://www.tbheritage.com/TurfHallmarks/Trainers/Fr/Anglais3.html)

The Carters were a very large clan and Thomas Carter, who trained Plaisanterie, followed in the footsteps of his father, Thomas Carter Senior, who was known at Chantilly by his nickname, “The Genius.” Thomas “The Genius” Senior had been invited to train in France by Lord Seymour in 1831; subsequent members of the Carter family so dominated horse racing for the next 131 years (1831-1964) that some still think of Thomas Senior as the “father of the French turf.” In 1836, Thomas Senior took on a pair of apprentice trainers, John and Tom Jennings. As fate would have it, the Jennings and Head families are related by marriage: Tom Jennings is a direct ancestor of Criquette Head-Maarek, Treve’s brilliant trainer.

Trainer Tom Jennings (shown here with GLADIATEUR) is a direct ancestor of the Head family.

Trainer Tom Jennings (shown here with GLADIATEUR) is a direct ancestor of the Head family.

 

It was Thomas Carter Junior who purchased Plaisanterie, in whom he maintained a half ownership until his partner died, at which point he bought her outright. And that was a good thing, too, since the filly went on to win 16 (14) of her 18 (15) starts in Europe and England. (Note: The bracket indicates that there is some disagreement about how many times Plaisanterie actually raced, although no source states more than 18 starts, and her second places are either 1 or 2. However, during her turf career, the filly was never worse than second.)

So brilliant was Plaisanterie — and so pervasive and numerous were the members of the Carter family in Chantilly by this time — that Thomas Junior became known as “Carter Plaisanterie.” Racing almost always against colts, Carter’s filly won some very big races, including Germany’s most prestigious — the Grosser Preis von Baden. In October 1885, the 3 year-old was sent to England to contest the “Autumn Double” at Newmarket, the Cesarewitch and Cambridgeshire Handicaps. Carrying 98 pounds into the 2 1/4 mile Cesarewitch, Plaisanterie took the lead in the closing stages to win by two lengths, becoming the first French-trained thoroughbred to ever win the Cesarewitch.

1885: the running of the Cambridgshire Handicap.

1885: the running of the “Cambridgeshire,” which may or may not be the Handicap, since there was also a Cambridgeshire Stakes. At any rate, this is how PLAISANTERIE’S win would have “hit the press.”

But the win also landed Plaisanterie an extra fourteen pounds for the 9f Cambridgeshire, run two weeks later. Undaunted, the courageous filly disputed the lead from the start and was never in danger of defeat. In fact, she won “very easily” from the 5 year-old Bendigo; the favourite, St. Gatien, finished far back.

Plaisanterie became the second of only three horses to complete the “Autumn Double” since its inauguration in 1839. In fact, so decisive were her wins that Lord Falmouth appealed to the (English) Jockey Club to disallow French thoroughbreds from being entered into either race!

By the time she was retired, Plaisanterie had a full race record, including wins in G1’s in France in the Prix du Cedre, Grand Prix de Chantilly, Prix de la Seine and the Prix Du Prince Dorange. As a broodmare, she was equally successful. Bred to St. Simon and Orme, her best offspring were Childwick (1890), Raconteur (1892) and the filly, Topiary (1901).

CHILDWICK, by ST SIMON, was PLAISANTERIE'S first foal and figures in TREVE'S sire line, as well as her female family.

CHILDWICK, by ST SIMON, was PLAISANTERIE’S first foal and figures in TREVE’S sire line, as well as in her female family.

Through Childwick’s sire line comes the filly, Sega Ville (1968), whose son Top Ville (1976) is the maternal grandsire of Treve’s sire, Motivator (2002). In Treve’s female family, Childwick again plays a role. Bergamasque (1969) — the grandam of Balbonella (1984), the dam of Treve’s BM sire, Anabaa(1992) — descends from him.

The exquisite BALBONELLA is TREVE'S maternal grandam and descends from CHILDWICK.

The exquisite BALBONELLA is TREVE’S maternal grandam and descends from CHILDWICK. She is the dam of ANABAA, BM sire of TREVE.

 

ANABAA (foreground) is TREVE'S BM sire. This wonderful runner and sire, who holds a very special place in the hearts of the Head family, is also the sire of the great GOLDIKOVA, among other champions.

ANABAA (foreground) is TREVE’S BM sire. This wonderful runner and sire, who holds a very special place in the hearts of the Head family, is also the sire of the great GOLDIKOVA, among other champions.

 

TOP VILLE, owned by the Aga Khan III, appress in TREVE'S sire line in the fourth generation. He descends from PLAISANTERIE'S son, CHILDWICK.

TOP VILLE, owned by the Aga Khan III, appears in TREVE’S sire line in the fourth generation. He also descends from PLAISANTERIE’S son, CHILDWICK.

 

MONTJEU, who died at only 16 years of age, is TREVE'S maternal grandsire.

MONTJEU, who died at only 16 years of age, is TREVE’S grandsire. The 1999 winner of the Prix de l’Arc de Triomphe, MONTJEU’S BM sire is TOP VILLE.

 

Plaisanterie’s “bloodedness” runs in Treve’s veins from two centuries ago, one of a huge number of thoroughbreds who have helped to “colour” a champion. We wonder, too, if something of Treve’s “strength of mind” owes to her champion ancestress. In a world where everything is so immediate, it is a comfort to behold Treve, the work of generation after generation of thoroughbreds.

And although we can only imagine Plaisanterie’s triumphs on the turf, just perhaps, it looked something like this ………

 

BONUS FEATURES

1) Treve’s Theme Song:

2) Training Treve (with English subtitles — Please DON’T CLICK when “ENGLISH VERSION” comes up. The subtitles are right after it & continue throughout):

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If you love THE VAULT, please accept my heartfelt thanks. I have set up a charity for donations for horse rescues. Please consider making a donation.

http://www.gofundme.com/8d2cher4

Together we can make a difference.

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NOTE: THE VAULT is a non-profit website. (Any advertising that appears on THE VAULT is placed there by WordPress and the profit, if any, goes to WordPress.) We make every effort to honour copyright for the photographs used in our articles. It is not our policy to use the property of any photographer without his/her permission, although the task of sourcing photographs is hugely compromised by the social media, where many photographs prove impossible to trace. Please do not hesitate to contact THE VAULT regarding any copyright concerns. Thank you.

 

 

 



FOR AMERICAN PHAROAH AND HIS TEAM, WITH LOVE

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On November 2, Team Pharoah gave their boy away. 

 

Bob Baffert says goodbye. Photo and copyright, TDN.

Bob Baffert says goodbye. Photo and copyright, TDN.

The great horse stopped twice on his way to the van that would take him to Coolmore-Ashford, where the second chapter of his life begins.

The first time, trainer Bob Baffert could be heard saying, “He doesn’t want to go.”

The second time — which brought tears to my eyes — he looked all around. A long, slow look — at the crimson trees, the roof of the barn, the field stretching beyond. In that moment, I felt American Pharoah saying goodbye to everything that he had ever known.

The Zayat and Baffert families, Jimmy and Dana Barnes, Eduardo Luna, George Alvarez and Smokey the pony now live in another world, a world in which the colt who took them on the ride of their lives is no longer there.

American Pharoah isn’t in the spaces where I knew him either, where I looked for him, where I expect him to be. There is an eerie stillness in my heart. An emptiness where memories glide like chimera.

 

"How many horses would let you do that?" With Ahmed Zayat and Bob Baffert.

“How many horses would let you do that?” (Mr. Zayat) With Ahmed Zayat and Bob Baffert.

 

Today, I want it all back — the joy, the excitement, the anticipation, the thrills.

And the magic.

Most of all, the magic. And I’m not alone on that score.

 

Here’s one fan, “Lady Ruffian’s” tribute:

 

Another, “Winged Saviors Horse Rescue” said, “Made solely as a tribute to an amazing horse and athlete.”

 

The fans: “ordinary folks” — just like me — trying to articulate what it feels like to witness greatness. To see history enfold right before your eyes and know that you were a part of it:

 

And “Team American Pharoah” — so incredibly gracious and kind, sharing their colt with each one of us, even if we could only come close to him over a screen from afar. Within a year of racing triumphs came stories that buoyed the heart, such as Jill Baffert reaching out to 15 year-old Joshua Griffin, who suffers from cerebral palsy, and wanted more than anything else to meet American Pharoah. (http://www.drf.com/news/bafferts-help-dream-become-reality-one-american-pharoah-fan)

On Sunday, the day after the colt’s BC Classic victory, Joshua’s wish came true. As he reached up to pet the great horse, Pharoah lowered his head, shown here near the end of this clip:

I’m kind of surprised at my own reaction to American Pharoah’s retirement. I’ve witnessed three other Triple Crown winners during my lifetime, beginning with Secretariat. Add to that the retirement of Northern Dancer, Nijinsky, Dance Smartly, A.P. Indy, John Henry, Cigar, Kelso and, more recently, Frankel, Zenyatta and Rachel Alexandra.

In the “old days,” when a horse like Secretariat retired all you got was a 3-minute television clip; then, as a living image, he was gone. There were no video clips or DVD’s, no reports from “down on the farm.” Even the death of the Big Red horse, an icon and a superstar, loved by millions, came out in the newspaper in modest articles, a few lines with a photo.

 

AMERICAN PHAROAH: running from within.

AMERICAN PHAROAH: running from within.

Today, social media allows a sense of immediate contact. In this “context of immediacy,” I have spent many, many hours with Pharoah and his team, listening intently to what Bob Baffert had to say, watching footage of workouts and fan visits, looking at an encyclopedic assembly of photographs, savouring each and every detail about him, from his love of peeled carrots to his “great mind.”

And that mind should not be underestimated. As Aidan O’Brien sees it, a thoroughbred without “mental strength” is “useless.”

For anyone wondering what a “great mind” aka “mental strength” looks like, it finds superb expression in American Pharoah. Even his by-now legendary calm is associated with superior grey cells.

That great mind chooses the softest, gentlest window on the world. Photo and copyright, Casey Phillips. Used with permission.

That great mind chooses the softest, gentlest window on the world. Photo and copyright, Casey Phillips. Used with permission.

But where that mental toughness exploded was at work or in a race. Horsemen talk about hoping their young trainees will “get it.” But you can’t train into an individual what an American Pharoah, or Ruffian, Zenyatta, Rachel Alexandra, Man O’ War or Frankel have. The ones with mental toughness just know they can do it and they accomplish pretty much anything asked of them, no matter how exacting. They’re born that way.

KEEN ICE pulls up alongside AMERICAN PHAROAH in the Travers.

KEEN ICE pulls up alongside AMERICAN PHAROAH in the Travers.

You saw incredible strength of mind in American Pharoah’s run in the Travers, coming back against Frosted and then battling Keen Ice to the wire. Even an exhausted Pharoah refused to give up the will to win.

Bob Baffert also talked about his colt’s “mechanics.” I can’t say I love the word choice — we still struggle to let go of our enchantment with the metaphor of the machine to describe efficiency and productivity — but I knew what Baffert meant. He meant this:

Balance. The perfect syncopation. The flow. The ease with which he seems to do it. The arch in his neck, giving you the impression he’s got a choreographic routine in mind, or a ballet step.

Pharoah, you made me joyous.

When I watched you come down the final stretch at Keeneland, I wept. It was as though a river of human feeling had erupted. There you were, coming home, running from within and for the sheer love of it. Extreme beauty hurts your eyes, shocks your mind and opens your heart……and so I beheld you. Startling. Greater than beautiful. A song in my heart.

 

My all-time favourite image of AMERICAN PHAROAH and Victor Espinoza just after the BC Classic.

My all-time favourite image of AMERICAN PHAROAH and Victor Espinoza just after the BC Classic.

 

Bittersweet, watching Pharoah and his team over the last day before the colt was moved to Coolmore-Ashford and into retirement. But as I watched him with Ahmed and Justin Zayat, Bob and Jill Baffert, Jimmy Barnes, Eduardo and George, the thought that came to mind was this:

 ” The meaning of life is to find your gift. The purpose of life is to give it away.” (Pablo Picasso)

Thank you, Team Pharoah, from the bottom of my heart, for sharing a colt I love so generously. Your spirits are as great as that of your champion.

And thank you, Pharoah, for the magic you made — and then gave away to us all.

 

At AMERICAN PHAROAH's parade at Churchill Downs.

At AMERICAN PHAROAH’s parade at Churchill Downs.

With Jimmy Barnes, Eduardo Luna and George Alvarez.

With Jimmy Barnes, Eduardo Luna and George Alvarez.

With Bob Baffert at Saratoga

With Bob Baffert at Saratoga.

"SMOKEY AND THE BANDIT" Photo and copyright, Emily Gricco. Used with permission.

“SMOKEY AND THE BANDIT” Photo and copyright, Emily Gricco. Used with permission.

 

With the Baffert family.

With the Baffert family.

 

Last words go to Jim Gath of Cave Creek, Arizona:

 

American_Pharoah_BC_Classic_615_X_400_orig

 

Well, well, my son.

You did it. Yeah, you did.

When you stepped onto the track this afternoon, you not only had the eyes of the world upon you, but you had the hopes & dreams of millions on your back. Sometimes, those hopes & dreams can get a little heavy – too heavy, sometimes. And they can’t be carried a mile-&-a-quarter, especially against competitors that are, quite arguably, some of the finest on earth.

But you knew. You’ve known all along. You haven’t bragged. You haven’t stomped & strutted. You haven’t gotten headstrong. We could see it in your eyes & in your demeanor. You knew that, today, you would not only go out on top – the very top – but you would do it with authority. You would run for the love of motion, for the love of running. For the love of those to whom you mean so much.

You knew that you’d break on top. That you would go to the early lead. That you would toy with the others going down the backside & around the far turn. And you also knew that, coming out of that final turn & heading for home, you would be by yourself. All by yourself. You, running against nothing but history.

You knew that you’d take the others’ hope away.

And, then, like an earth-bound Pegasus, you began to fly. And while the others were straining every muscle in their precious bodies, you simply laughed & stretched your legs & romped your way into that rarified air that is reserved for those who have done what no other ever has.

You looked like you were having the time of your life out there. Hell, son – you didn’t even break a sweat! And seeing you & Victor giggling together, coming back after you’d galloped out – well, son – that was just about the sweetest thing I ever did see.

You are now one of a kind.

The only horse ever to have won the Grand Slam.

I’ll miss seeing you flying down the stretch & across the finish line. I’ll miss seeing you in the Winner’s Circle. I’ll miss seeing the love that surrounds you by everyone you live & work with.

But what I & many others will carry with us is your inspiration.

You’ve inspired us to remain calm & serene. You’ve inspired us to know in our hearts that we can do whatever we put our minds to – if we want it bad enough. You’ve inspired us to see, unequivocally, that actions speak louder than words. That hopes & dreams can be achieved. And you’ve inspired us to see that life is to be embraced & loved & enjoyed.

That’s right, son.

You not only ran like the wind, today.

You carried millions of us along with you.

Yes, you did that.

Yeah, you did.

And, for that, we shall be forever grateful.

 

(Author Jim Gath is a horseman who works at Tierra Madre Horse Sanctuary (http://tierramadrehorsesanctuary.org) and whose writing about American Pharoah is as moving as the feeling that drives it.)

 

 

 

NOTE: THE VAULT is a non-profit website. (Any advertising that appears on THE VAULT is placed there by WordPress and the profit, if any, goes to WordPress.) We make every effort to honour copyright for the photographs used in our articles. It is not our policy to use the property of any photographer without his/her permission, although the task of sourcing photographs is hugely compromised by the social media, where many photographs prove impossible to trace. Please do not hesitate to contact THE VAULT regarding any copyright concerns. Thank you.

 

 


PICASSO LIVES AT LANE’S END: A. P. INDY

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Sending each of you who have supported THE VAULT over the years with commentary, donations, questions and insights my very warmest wishes this holiday season. To those who have sent donations for horse rescue: we have saved over 20 horses from going to slaughter in Canada or Mexico in 2015. And every one of your donations counted in this effort because no donation is too small. As well, my portrait of American Pharoah helped to raise funds for our very worthy cause. Hale, Trendy Cielo, Maya Littlebear, Felicitas Witness and 16 others, including two mares and their foals, thank you. And I thank you from the heart. Abigail Anderson, Montreal, Canada

https://www.gofundme.com/8d2cher4

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Ireland has her Galileo, but almost a decade before he came along, A.P. Indy was born. His courage on the track dazzled us. And his contribution to the development of the North American thoroughbred has been beyond brilliant.

This article is dedicated to one of A.P.’s greatest fans, Sue F., and to Louise H. and the wonderful folks at Lane’s End. And, of course, to The Great One himself.

 

1989: A baby A.P. Indy at Lane's End.

1989: A baby A.P. INDY at Lane’s End.

 

A.P. INDY tops Keeneland summer sale, August 4, 1990. Billed as a brother to the great SUMMER SQUALL, A.P. was purchased by

A.P. INDY tops Keeneland summer sale, August 4, 1990. Billed as a half-brother to the great SUMMER SQUALL, A.P. was purchased by Tomonori Tsurumaki for 2.9 million.

 

The bay colt was breeding royalty: the son of Triple Crown winner and prepotent sire, Seattle Slew, and Weekend Surprise, a daughter of Secretariat who had already produced the champion Summer Squall. Named A.P. Indy after his owner’s Formula One-style racetrack in Southern Japan, the ridgeling went to HOF trainer Neil Drysdale following his highly publicized purchase by BBA Ireland on behalf of Japanese businessman, Tomonori Tsurumaki, who was also a lover of the arts and had spent $51.3 million the year before on a painting by Picasso, Les Noces de Pierrette.

As we all know, perfect bloodlines aren’t always rewarded. But in the case of A.P. Indy, the genes — and a touch of fairy dust — all came together to bless a perfect thoroughbred.

And I followed his progress, as did thousands of horse racing fans, from cradle right up to today. During his racing career, with the exception of wins in the 1992 Belmont Stakes and the Breeders’ Cup Classic, both of which were televised in Canada, and in the absence of social media as we know it today, it was Blood-Horse magazine that kept me in the loop. And I’m amazed I didn’t rip at least one cover right off as I tore into each new issue, looking for news about my beloved “A.P.”

Santa Anita Derby (1992):

But the A.P. Indy Express was de-railed on its way to Kentucky. A blind quarter crack in his left front foot was announced the morning of the Derby. I, of course, didn’t know this until later in the day. There I was, all keyed up with snacks and Chardonnay, waiting to see “my boy” in real time right in front of me on my television set for the very first time.

I was devastated — and that’s all I remember about the 1992 Kentucky Derby (won by the gutsy Lil E Tee). That, and the thought that A.P.’s hoof issue was like another thoroughbred champion I adored: Northern Dancer.

Drysdale called in the farrier, who rebuilt the hoof wall, and a mere three weeks later, A.P. won the Peter Pan Stakes at Belmont in devastating fashion.

And then it was off to the Belmont Stakes, where the gritty colt put in a workmanlike performance that left me in a teary heap, because I knew what I was looking at. Seeing him “in the flesh” was the height of my year in 1992. But the heart that carried him home was a heart so deep, so strong, that it blazed across the television screen.

Picasso was a genius of a painter but he was also a tough, resolute personality. He was, after all, the man who painted Guernica at a time when he could have been assassinated for even saying the name of a town devastated by the Germans during the Spanish Civil War. And throughout WWII, Picasso let it be known how he felt about intimidation, retiring to his Paris studio to paint and cast sculptures in bronze, despite the fact that bronze casting had been outlawed by the Germans (who had taken over Paris). The great man had died in 1973.

Woman On Horse by PICASSO. Although he was deeply devoted to the bull, Picasso featured horses in many of his paintings throughout his career. One sculpture, "Little Horse" is in the collection of

Woman On Horse. Although he was deeply devoted to the bull as a subject, Picasso featured horses in many of his paintings throughout his career. One sculpture, “Little Horse” is in the collection of MoMA.

According to his accomplished trainer, A.P. was as strong-willed as Picasso: “…he had his own mind. But once he got the hang of things…he was exceptional.”

If Vaslav Nijinsky had, indeed, returned as a horse (the incomparable Nijinsky II), then as far as I was concerned, Picasso had returned to win the Belmont Stakes:

The Belmont victory was followed by a poor showing at Woodbine in the Molson Export Million and a disastrous run in the Jockey Gold Cup, where A.P. fell to his knees and ripped the shoe off his front foot coming out of the gate. As trainer Drysdale was to note after the race, “There wasn’t much foot left…”

So the colt you see finishing third here is also showing you what that heart inside him was really all about. (Analysis of A.P. Indy’s fall and the result comes after the race footage.) :

Again, a front hoof was rebuilt with acrylics and again, a mere three weeks later, A.P. made his start in the 1992 BC Classic. And again, that great heart and determined mind shone through:

Following this, his final start, the champion colt — beloved by a nation of sportsman and racing fans — was retired to stand at Lane’s End, where he was bred and born, after being crowned the 1992 Horse of the Year and Champion 3 year-old colt. One of the big questions was whether A.P. was fertile, since the undescended testicle that had plagued him as a 2 year-old had been surgically removed that same year. Happily, not only was he fertile but he went on to become one of the greatest American sires ever, while providing an important alternative to the dominance of Northern Dancer and Mr. Prospector sire lines for breeders. A.P. hails from the Nasrullah sire line and since 1984, when Seattle Slew crowned the leading sire list, only A.P. Indy and his grandson, Tapit, have represented Nasrullah at the top of the heap. Significant because the Nasrullah sire once dominated American breeding. From 1955-1984, either Nasrullah or one of his male-line descendants led the sire lists a total of 18 times.

BOLD RULER, the sire of the incomparable SECRETARIAT, was the son of NASRULLAH. BOLD RULER is represented in A.P. INDY'S pedigree on both the top and the bottom.

BOLD RULER, the sire of the incomparable SECRETARIAT, was the son of NASRULLAH. BOLD RULER is represented in A.P. INDY’S pedigree on both the top and the bottom.

And top the heap A.P. Indy most certainly did, whether colts or fillies. Here are a few of the most prominent of his sons and daughters: Belmont Stakes winner, Rags To Riches, millionaires Mineshaft, Bernardini and Aptitude, and the outstanding Steven Got Even, Marchfield, Friends Lake, Got Lucky, Hotep, Symboli Indy, Golden Missile and Girolamo. BC winner Eldaafer, a gelding son, resides — with his goats — at Old Friends in Kentucky. Pulpit was arguably A.P.’s best son to date at stud and was, sadly, gone far, far too soon. However, Pulpit’s son,Tapit, is proving an absolute monster as a sire and has been the leading American-based sire by gross earnings for the last three years.

TAPIT, a grandson of A.P. INDY, has been the leading American-based sire for the last 3 years.

TAPIT, a grandson of A.P. INDY, has been the leading American-based sire for the last 3 years.

Most recently, the millionaire-earner Honor Code, who hails from A.P. Indy’s final crop, has been retired to stand at Lane’s End.

Here is Honor Code winning the 2015 Metropolitan Handicap. His style — reminiscent of the great Zenyatta — was to come from behind and he accomplished some astounding feats despite it. The way he ran is A.P. Indy all over again, in terms of the look of him on the track. This is a very, very nice colt and it will be so exciting to see how he does as a sire.

HONOR CODE shortly after arriving at Lane's End, posing in front of the statue of his sire, A.P. INDY.

HONOR CODE shortly after arriving at Lane’s End, posing in front of the statue of his sire, A.P. INDY.

 

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"PONY!" I exclaimed, trying to hold back my tears. "Here you are. I've loved you forever."

“PONY!” I exclaimed, trying to hold back my tears. “Here you are. I’ve loved you forever.” Copyright protected. Used by permission of Liz Read.

Here I was, about to meet one of my greatest loves of all time: A.P. Indy. And as I walked toward him, I had what my friend, photographer and artist, Liz Read, has since described as ” a complete meltdown.”

It was early summer and my very first visit to Kentucky. Liz and I were privileged to be welcomed at Lane’s End (LE) and given a private tour by the lovely and knowledgeable Louise Hatfield, the Executive Assistant to Farm Manager, Mike Cline. Louise is a soft-spoken horsewoman who rode thoroughbreds at Newmarket and she knows her LE thoroughbreds down to the last detail.

Lane’s End is a place staffed by people who truly love what they do. And that was evident from the expression of Louise, Stallion Manager Billy Sellers and groom attendant, Antonio Villalobo, as I tearfully approached A.P.

 

Louise, Antonio and "my boy" share in my delight of A.P. INDY. Copyright protected. Used by permission of Liz Read.

Louise and Antonio share in my delight at finding myself a few feet away from the great A.P. INDY. Copyright protected. Used by permission of Liz Read.

As I drew closer, A.P. watched me out of the corner of one eye. It was a kind, relaxed eye. Gleaming in the early summer light, he waited patiently for me to come closer while I struggled to comprehend what was actually happening. Of course, I was equipped with LE peppermints and Louise had assured me that “A.P. does love his mints.”

"A.P. does love his mints" Copyright protected. Used by permission of Liz Read.

“A.P. does love his mints” Copyright protected. Used by permission of Liz Read.

I was around horses as a youngster and had learned that you don’t just rush up to strange horses and pat their noses. Horses tolerate that, but they don’t like it. So, with Louise close by and Antonio at his head, I chatted with A.P. and then proffered the much-adored peppermints. I don’t know how long we stood there before I actually placed my hand on his proud head. A.P. is one of those individuals who talks to you in a horse’s way of talking — making eye contact for long moments, ears forward and head drawing ever closer. I could feel his warmth right down in my solar plexus. I knew when to pat, when to kiss, following the stallion’s lead.

First touches. Copyright protected. Used by permission of Liz Read.

First touches. Copyright protected. Used by permission of Liz Read.

 

THE KISS. The making of a lifetime memory. Photo protected by copyright. Used by permission of Liz Read.

THE KISS. The making of a memory that will live inside me forever. Photo protected by copyright. Used by permission of Liz Read.

As I kissed him, A.P. studied me with a kind and understanding eye, as though he somehow knew how much I loved him. His face, warmed by the sun, smelled like honey.

Horses learn what they are taught and the people of LE treat all of their thoroughbreds with great kindness and respect and, if possible (because not every horse will encourage it) with affection. It was eminently clear that A.P.’s relationship with those who knew him best was deep and abiding. I saw it in the trust with which he greeted me, a total stranger.

As we chatted, I told A.P. all the reasons why I loved him and how I had followed his career from birth to track to breeding shed. I thanked him for his sons and daughters, and for his grand babies too. I told him he had the bravest heart (after his run on a battered hoof in the Jockey Gold Cup) and that I had loved his daddy, his dam and his grandaddy, Secretariat.

 

How do I love thee? Oh let me count the ways! Photo is copyright protected. Used by permission of Liz Read.

How do I love thee? Oh let me count the ways! Photo is copyright protected. Used by permission of Liz Read.

A.P. chomped thoughtfully on his peppermints, giving me the impression he was indeed taking it all in. A strikingly expressive individual, A.P. showed a full range of feeling as we quietly interacted. This is an “old soul” who bespeaks first meetings between horse and humankind, Arabian forefathers and an ancient wisdom.

A.P. surrounded by love. Photo is copyright protected. Used by permission of Liz Read.

A.P. surrounded by love. Photo is copyright protected. Used by permission of Liz Read.

Finally, it was time for A.P. to enjoy a romp in his paddock and off he went with Antonio, Liz Read and her camera in hot pursuit. I remained outside the barn with Louise. Together we watched him prance at the gate and, once released, he was off. Louise turned to Billy Sellers, “Just look at him. He looks like a colt.”

Turned loose in his paddock, A.P. was gone in a flash. Copyright protected. Used by permission of Liz Read.

Turned loose in his paddock, A.P. was gone in a flash. Copyright protected. Used by permission of Liz Read.

 

A coltish A.P. INDY turned out in his paddock. Copyrighted photo. Used by permission of Liz Read.

A coltish A.P. INDY. Photo protected by copyright. Used by permission of Liz Read

 

Copyrighted photo. Used by permission of Liz Read.

Photo protected by copyright. Used by permission of Liz Read.

 

This photo was such a hit with Lane's End that it appeared on FB and in the TDN. Photo protected by copyright. Used by permission of Liz Read.

This photo was such a hit with Lane’s End that it appeared on their FB page and in the TDN (below). Photo protected by copyright. Used by  permission of Liz Read.

 

AP by LIZ in TDN_unnamed

 

On that day, back in August 1990, I wonder if Tomonori Tsurumaki knew he was buying Picasso? Probably not. But in this great, great thoroughbred’s career there has been abundant evidence that if Picasso could indeed return to us, A.P. Indy would be a perfect embodiment.

Pablo Picasso. Watering Hole (1906)

Pablo Picasso. Watering Hole (1906)

Some who visit A.P. Indy note the swayed back of a pensioner, but I’ll never remember him that way. What will stay with me is “my boy’s” expressiveness, all wrapped up in a beautiful head, with wide dark eyes that flicker and soften when you speak to him. That, and the scent of honey on a warm day in early summer.

To Louise and the other folks we met that day, I express my eternal gratitude: you made the little girl inside the woman joyous. Coming head-to head with a horse I have loved forever was as overwhelming as it was precious.

And to my darling boy: I send you all my love. You already own my heart — and that’s forever.

 

A.P. Indy

 

 

NOTE: THE VAULT is a non-profit website. (Any advertising that appears on THE VAULT is placed there by WordPress and the profit, if any, goes to WordPress.) We make every effort to honour copyright for the photographs used in our articles. It is not our policy to use the property of any photographer without his/her permission, although the task of sourcing photographs is hugely compromised by the social media, where many photographs prove impossible to trace. Please do not hesitate to contact THE VAULT regarding any copyright concerns. Thank you.

 

 


A COLLECTOR’S MYSTERY: EXTERMINATOR……AND BOB DORMAN???????

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Most thoroughbred folk know about the great Exterminator. But who on earth is Bob Dorman?

 

I have been a collector since I was a little girl.

It started with rocks and model horses. There was a brief flirtation along the way with old quilts. And then about twenty-five years ago, I went back to thoroughbreds and horses, in the form of original photographs and press photographs. I began with photos of Secretariat and Terlingua, his daughter by Crimson Saint and dam of Storm Cat, then expanded to include Northern Dancer and his descendants. Then I branched out to North American thoroughbred champions.

I’ve been lucky: I got into the market before prices for original press photographs went through the roof. And along the way, I not only satisfied a passion for photography but also learned about thoroughbred racing history and the photographers who recorded it, men like C.C. Cook, L.S. Sutcliffe, Bert Thayer and “Skeets” Meadors, to name but a few.

C.C. Cook's great shot of EXTERMINATOR, whom he once described as "the beautiful and the glorious." Copyright KEENELAND-COOK.

C.C. Cook’s great shot of EXTERMINATOR, whom he once described as “the beautiful and the glorious.” Copyright KEENELAND-COOK.

Sometimes I get lucky, finding a “gem” that is not only a great addition to my collection but also provokes me to question, and to research its provenance.

A few days ago, during a woeful hockey game, I turned on my cell phone and was trawling through EBAY when I came upon this photo (below), for the unlikely sum of $24.99 USD (Buy It Now):

EXTERMINATOR. Copyright The Estate of Bob Dorman.

EXTERMINATOR. Copyright The Estate of Robert Paine Dorman.

As a collector (of anything) you need to learn pretty fast how to recognize what’s rare and what’s fake. Marked up as it was, the photo was nevertheless stamped 1922 on the back and carried Exterminator’s name, neatly typed, in one corner. This was no fake. Photos of Exterminator are excessively rare, for reasons that simply may have to do with the state of photography of the day. Accordingly, an Exterminator photo can go as high as $500.00 USD in an EBAY auction. I had purchased from this seller over the years, one of a handful of enterprising people who have bought the photo archives of newspapers like the Chicago Tribune or The Baltimore Sun and are selling them on various sites on social media.

Naturally, I bought the photograph and I’m still flushed with delight about defining a photo of Exterminator at a price I can afford. Just before I bought it, I examined the back of the photo again:

Back of the 1922 photo of EXTERMINATOR.

Back of the 1922 photo (shown above) of EXTERMINATOR.

 

There, neatly stamped in the centre was the following: “Photo by/Bob Dorman/Newspaper Enterprise Ass.”

This is one of the best-known shots of EXTERMINATOR, with C. Fairbrother up.

This is one of the best-known shots of EXTERMINATOR, with C. Fairbrother up.

After collecting, researching, reading and writing for over two decades I’ve learned a great deal about press photographs in general, thoroughbred photographs in particular and the photographers who took them. I knew the photo I had just scored at a ridiculous price was rare because I’ve never seen it anywhere before.

Exterminator is an American thoroughbred legend. The gelding raced 99 times and did one exhibition run before his retirement, winning the Kentucky Derby and thoroughly surprising his owner, horseman Willis Sharp Kilmer. Kilmer had purchased “The Goat” (as he sometimes called him) as a three year-old, on the advice of his trainer, Henry McDaniel.

But it was the fancy Sun Briar on whom Kilmer placed his hopes for the 1918 Kentucky Derby. McDaniel and the big, leggy gelding soon developed a relationship based largely on Old Bones’ intelligence and the trainer’s skill at noticing it. Exterminator was a hard-working colt who seemed to know that his job was to get Sun Briar ready for Derby honours. According to some reports, “Old Shang” (his stable name) was intelligent enough to cope with Sun Briar’s mood swings and knew exactly what to do to get his workmate to put in a really good run.

EXTERMINATOR and SUN BRIAR work at Saratoga in 1918.

EXTERMINATOR (outside) and SUN BRIAR work at Saratoga in 1918, after the former’s win in the Kentucky Derby. Copyright KEENELAND-COOK.

 

But when Sun Briar was scratched, and after some powerful convincing by Churchill Downs’ President, Colonel Matt Winn, Kilmer finally agreed to enter Exterminator in the Derby as a replacement. The result was a decisive win by a colt his owner didn’t much like. (The silent footage below shows Exterminator winning the 1918 Derby and is the only live footage of this superb champion.)

After his Derby victory, the chestnut was to race until he was nine, taking HOTY in 1922. His victories at eight and nine were probably unprecedented and many would say that Exterminator was the greatest of them all — including Man O’ War. By the time he had retired, this courageous and gritty campaigner had amassed thousands of fans and even today, all these decades later, there are many of us who still adore him.

EXTERMINATOR and his best buddy, PEANUTS, lead horses to the post at Pimlico for the Exterminator Handicap.

EXTERMINATOR and his best buddy, PEANUTS, lead horses to the post at Pimlico for the Exterminator Handicap. Date unknown. Photo and copyright, THE CHICAGO TRIBUNE.

I am one of those who loves Exterminator. C.C. Cook’s beautiful shot of him hangs above my bed, where his great heart dusts my dreams.

Images of Exterminator tend to be restricted to a few of the greatest equine photographers of the day, making it natural to be intrigued by this new photo I had just acquired by a photographer whose name meant nothing to me.

“Who was Bob Dorman?” I wondered — and what was his connection to Exterminator?

The search was on.

ROBERT PAINE DORMAN. Passport photo.

ROBERT PAINE DORMAN. Passport photo.

As it turns out, Robert “Bob” Paine Dorman was not only a very fine photographer, but he was a “Battle Photographer Extraordinaire,” according to Benjamin David “Stookie” Allen, a cartoonist best-known for his nationally syndicated series, “Mugsey.” Allen also created the cartoon series “Men of Daring” and “Women of Daring” for Argosy magazine and it is within its pages, on January 19, 1935, that the cartoonist portrayed the career of Robert Paine (spelled “Payne” in the issue) Dorman.

Born in Cleveland, Ohio in 1885, Dorman’s obituary describes him as “a news photographer, 73,[who] had a varied career, covering the Mexican Revolution led by Pancho Villa, the Dempsey-Gibbons fight in 1923 and the first round the world flight of a U.S. Air Corps squadron in 1924.” As it turns out, this is a rather tame description of Dorman’s career.

According to “Skookie” Allen, in 1911 at twenty-six years of age, Dorman “…armed with a camera” set out for Mexico and what he imagined as the excitement of the Mexican Revolution. There, he joined the army of Francisco I. Madero as a Private. He earned no salary in this role, and so became a self-dubbed “unofficial” war correspondent and “sidelines” photographer. One assumes “sidelines” means exactly what it says: accompanying the Mexican revolutionaries into battle and trying not to get yourself killed in the process. But, maybe not…..because Dorman took part in at least two battles (Casa Grande and El Valle) and a number of minor skirmishes with “gun and camera in-hand,” according to Skookie Allen. Dorman may have known and partnered with another American photographer, Otis A. Aultman, who was also there recording the revolution.

Robert Dorman photo from The Mexican Revolution. Published in "The Wind That Swept Mexico" by Anita Brenner. Copyright The Estate of Robert Dorman.

Robert P. Dorman photo, taken during the Mexican Revolution. Published in “The Wind That Swept Mexico” by Anita Brenner. Copyright The Estate of Robert Paine Dorman.

 

Robert Paine Dorman photo taken during the Mexican Revolution. Copyright The Estate of Robert Paine Dorman.

Another Dorman photo taken during the Mexican Revolution. Also published in Anita Brenner’s book, “The Wind That Swept Mexico.” Copyright The Estate of Robert Paine Dorman.

 

Allen continues, “Because of his expert battle photographs, his first-hand reports to American papers, his fighting ability and his sage military advice to Madero, the Federals placed a large reward on his head. He taught Madero the trick of curling up rails …thus hampering the movement of Federal troops.”

By 1915, Dorman had risen to Colonel in Pancho Villa’s forces. He was, reputedly, one of “the few gringos that Villa ever trusted.” Once again, Dorman took gun and camera into combat, fighting in the battles of Tierra Blanca, Ojinaga, Monterey, Torreon, Leon and Zacarecas. While serving with Villa, “Don Roberto” (as he became known) photographed and reported scores of executions. One of these was carried out by “El Carnicero” (“The Butcher”) purely for Dorman’s benefit, since the executioner so respected El Roberto’s skills as a fighter he wanted to demonstrate his own ability to obliterate the enemy.

Fierri (The Butcher) in black with Pancho Villa. Possibly taken by Dorman, but source unknown.

Fierri (El Carnicero:The Butcher) in black with Pancho Villa. Possibly taken by Dorman, but source unknown.

By 1923 Dorman had moved on, this time to another bloody conflict in Honduras. He clearly had returned to the USA before the Honduras spate, however, since the photo of Exterminator was taken in 1922.

The story of Dorman’s coverage of the first world-flight by the U.S. Air Corps (1924) is colourful, although it doesn’t quite compare with being a Colonel in Pancho Villa’s army.

The Air Corps had landed in Labrador at the end of their mission, and Dorman, then employed by ACME Newspictures, needed to get his glass slides and negatives to New York City as fast as he could manage it if he wanted to be the first to scoop the story.

As his plane was flying over Manhattan’s East River, the photographer threw his slides and negatives overboard. Waiting in a boat on the river was another ACME photographer of merit, Frank Merta, who recovered the bag. The slides had smashed to bits on impact, but the negatives were intact. So Robert Dorman’s images went to press well-ahead of any of the legion of photo journalists who had covered the event.

One of Robert P. Dorman's shots of the first world-flight by the U.S. Air Corps.

One of Robert P. Dorman’s shots of the first world-flight by the U.S. Air Corps. Taken in Labrador, the shot shows the remaining planes coming in for a landing with dignitaries in the foreground, readying to greet them. Copyright UPI.

 

Robert Dorman also got the call to cover the Dempsey-Gibbons fight in Shelby,

Dorman also got the call to cover the Dempsey-Gibbons fight in Shelby, Montana in 1923.

 

Did Robert Dorman take these photos? Very possibly, but no photographer was named in the article.

Did Robert P. Dorman take these photos? Very possibly, but no photographer was named in the article.

 

In 1951 when Dorman retired, he had become the General Manager of ACME Newspictures. Throughout his career, he had somehow found time to marry Mary McConnell and they had two children, Dorothy and Robert G., both of whom are now deceased.

EXTERMINATOR (hi)

EXTERMINATOR meets visitors and enjoys a favourite snack. Photo and copyright, THE BALTIMORE SUN.

My research still can’t account for how Robert P. Dorman and Exterminator crossed paths in 1922, although it’s a fair bet that the former was assigned to get a picture of the Horse of the Year.

When the photographer came calling on this particular day almost a century ago, I’m guessing that the big chestnut knew he was among equals. You can see it in his eye.

EXTERMINATOR. Copyright The Estate of Bob Dorman.

EXTERMINATOR. Copyright The Estate of Bob Dorman.

 

 

BONUS FEATURE

Did you know that on April 26, 2016……there’s a new book about Exterminator?

http://www.amazon.com/Here-Comes-Exterminator-Longshot-American/dp/1250065690/ref=sr_1_1?s=books&ie=UTF8&qid=1452200865&sr=1-1&keywords=9781250065698

REFERENCES

Allen, Benjamin David “Skookie,” Men of Daring: Robert Payne Dorman, in Argosy magazine, January 15, 1935

Faber, John. Great News Photos and the Stories Behind Them. Dover Publications, 2nd Revised Edition, 1978

 

NOTE: THE VAULT is a non-profit website. (Any advertising that appears on THE VAULT is placed there by WordPress and the profit, if any, goes to WordPress.) We make every effort to honour copyright for the photographs used in our articles. It is not our policy to use the property of any photographer without his/her permission, although the task of sourcing photographs is hugely compromised by the social media, where many photographs prove impossible to trace. Please do not hesitate to contact THE VAULT regarding any copyright concerns. Thank you.

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Together,we saved over 20 horses from going to slaughter in Canada or Mexico in 2015. And every donation counted in this effort because no donation is too small. Hale, Trendy Cielo, Maya Littlebear, Felicitas Witness and 16 others, including two mares and their foals, thank you.

Please consider making a donation to a worthy cause so that we can help more rescue efforts in 2016.

Thank you.

https://www.gofundme.com/8d2cher4

 

 

 

 

 

 

 


“UGLY DUCKLINGS,” OR THOROUGHBRED CHAMPIONS IN DISGUISE

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Using history as a guide, if I was shopping for a potential champion, I’d be looking for an “ugly duckling.”

NORTHERN DANCER by Brewer, Jr.

NORTHERN DANCER by Brewer, Jr. The colt was royally bred, but so tiny that E.P. Taylor failed to sell him as a yearling. In fact, potential buyers laughed when he was paraded out with the other yearlings!

Of course, none of the thoroughbreds discussed in this article were ugly. Not literally. But metaphorically, there was something about each one of them that hearkens back to Hans Christian Andersen’s fairy tale: they seemed to be ugly ducklings but what no-one saw at the time was that they were not ducklings at all. Some weren’t good-looking enough. Others took too much time to come into their own. And still others were waiting for a special someone to come along, someone who looked into their eyes and saw who they really were.

The individuals whose stories appear here are only the proverbial “tip of the iceberg” — VAULT readers will certainly be able to name many others who fall into this category.

And it all adds up to this: If there’s any “secret” to finding yourself another Frankel or American Pharoah or Black Caviar or Treve, it has to do with looking “under the feathers.”

“UGLY DUCKLINGS” #1: TOO UGLY TO EVER BE A CHAMPION

Perhaps we can’t help it. Horses are beautiful animals and thoroughbreds can be exquisite. And no matter how often horse folk remind us that beauty and talent don’t necessarily go hand in hand, it’s all too easy to ignore when you’ve got a plain bay standing next to a magnificent chestnut…….

 

KINCSEM (filly, 1874-1887)

This lovely print of KINCSEM shows off her lustrous liver-chestnut coat, massive chest and powerful hindquarters.

This lovely print of KINCSEM shows off her lustrous liver-chestnut coat, massive chest and powerful hindquarters. But it was painted in hindsight, when the world already had learned that she was incomparable, making one doubt its absolute accuracy.

She may well have been the greatest thoroughbred of them all, winning 54 times in as many starts on two different continents. Kincsem took on all comers and was so devastatingly good that she also ran in 6 walkovers when no-one would run against her.

But at her birth, she was declared by her owner-breeder, Ernest Von Blaskovich, to be the ugliest foal that he had ever seen — and most agreed with him. When Von Blaskovich offered the majority of that year’s crop of foals to Baron Orczy, the latter purchased all but two — and one of the rejects was Kincsem.

Here is one fairly accurate description of a thoroughbred that was so brilliant she actually paused to graze before taking off after the others, only to win going away:

She was as long as a boat and as lean as a hungry leopard … she had a U-neck and mule ears and enough daylight under her sixteen hands to flood a sunset … she had a tail like a badly-used mop … she was lazy, gangly, shiftless … she was a daisy-eating, scenery-loving, sleepy-eyed and slightly pot-bellied hussy …” (Beckwith in “Step And Go Together”)

As a broodmare, Kincsem was pretty decent, although she never duplicated herself. But through one of her daughters, she comes down to us today in the bloodlines of Coolmore’s fine colt, Camelot. In her native Hungary, Kincsem is a national hero and a film based on her life (although it appears that the mare isn’t its central protagonist) is due for release in 2016.

For more on this remarkable thoroughbred:

KINCSEM: THE MYSTERY AND MAJESTY OF AN IMMORTAL

And on the film:

http://www.euronews.com/2015/10/06/multi-million-dollar-hungarian-movie-hopes-to-compete-with-hollywood/

 

IMP (filly, 1894-1909)

IMP in 1898, going to post at Hawthorne Race Track.

IMP in 1898, going to post at Hawthorne Race Track.

 

She was the 1899 HOTY and twice won the honours for Champion Handicap Mare (1899 & 1900). She had her own theme song (below): “My Coal Black Lady.” And she was inducted into the Racing Hall of Fame in 1965.

But when she came into the world, the tiny daughter of Fondling (1886) by the stallion, Wagner (1882) was looked upon poorly by her owner-breeder because she wasn’t pretty and her conformation showed not the slightest hint of promise. But her owner-breeder, D.R. Harness of Chillicothe, Ohio kept her anyway, perhaps because the fact she was bred in the purple overrode his misgivings. Her ancestry included direct descent from the Darley Arabian, Eclipse and Lexington.

Imp raced an unthinkable number of times: 171. But she won 62 times, with 35 seconds and 29 thirds and raced more against the boys than those of her own sex. She set track records from 1 3/4 to 1 1/16.

By the time she was retired, at the age of eight, she was a national figure.

For more about Imp:

MY COAL BLACK LADY

 

PHAR LAP (gelding, 1926 – 1932)

“Bobby” as he was called by those closest to him, arrived in the stable of trainer Harry Telford looking like a very, very sorry excuse for a racehorse. Which, in turn, precipitated the first crisis in Phar Lap’s biography, unbeknownst to the scrawny, dishevelled colt who had been born in New Zealand and was a son of the promising sire, Night Raid. Trainer Telford had bought Bobby for owner, David J. Davis, who rushed over excitedly to see his latest acquisition. After a moment of silence, Davis went ballistic. The compromise was that Bobby would be leased to Telford for a period of three years, the trainer covering all costs and the owner getting one third of the colt’s earnings. Assuming he could run.

How big was PHAR LAP? Have a look at these figures! Photo and copyright, Victoria Racing Museum, Australia.

How big was PHAR LAP? Have a look at these figures! Photo and copyright, Victoria Racing Museum, Australia.

The rest, as they say, is history: Bobby aka The Red Terror aka Phar Lap (meaning “lightning/bolt of lightning/lights up the sky” in the Thai language) was a champion. His great heart, together with his victories, moved Australia and New Zealand — and the racing world– to fall in love. And, in 2016, we are still in love with him:

Bobby’s risky run @ The Melbourne Cup in 1930 should have been a movie:

BRIBES, THREATS & BULLETS : PHAR LAP’S MELBOURNE CUP (1930)

 

WAR ADMIRAL ( colt, 1934-1959)

“Sons of Man O’ War ought to look different,” Mr. Riddle decided, as he looked at Brushup’s new foal. It was a bay colt with no real pizzazz to it …. and it was tiny. Riddle found it impossible to hope for much from the little fellow, who much-resembled his dam. And Brushup had been hopeless as a runner, pretty as she was. Riddle tried, in vain, to hand the colt over to his partner, Walter Jeffords Sr., but when Jeffords refused, it was decided that Brushup’s boy would stay in the Riddle stable until he showed what, if anything, he had as a runner.

War Admiral [2006 Calendar, Nov]

 

By the time he was a three year-old, Riddle had learned that even though The Admiral was the size of a pony (15.2h) he did, indeed, carry his sire’s blood.

And that blood would show in not only in War Admiral’s Triple Crown, but also in the breeding shed. As a sire, his contribution to the breed was as definitive as was the impact of sons and daughters like Busanda, Busher, Bee Mac, Searching, War Jeep and Blue Peter on the sport itself. War Admiral led the general sire list in 1945, the 2 year-old sire list in 1948 and the broodmare sire list in 1962 and again in 1964.

Although The Admiral’s sons were not influential as sires, both Busanda and Searching made a huge impact. Their descendants include the likes of Swaps, Buckpasser, Numbered Account, Iron Liege, Hoist the Flag, Gun Bow, Striking and Crafty Admiral, as well as two Triple Crown winners, Seattle Slew and Affirmed. Other descendants of note from the War Admiral line include Dr. Fager, Alysheba, Cigar and, most recently, Zenyatta.

To this day, breeders point with pride to War Admiral in the lineage of their thoroughbreds. What the name connotes is timeless, synonymous with the very essence of the thoroughbred.

For more on War Admiral:

WAR ADMIRAL: THE LITTLE HORSE WHO COULD — AND DID! (for John Shirreffs)

 

ZENYATTA (filly, 2004)

As the tale is now famously told, the yearling daughter of Street Cry did not look her best in the sales ring as a yearling, due largely to a case of ringworm. But David Ingordo could see beyond all that. And Ann Moss has recounted how she and the filly seemed to “just click” at first meeting at Keeneland, just as though Zenyatta had chosen her.

When the hammer fell, the filly had been acquired by the Mosses. But she was not their only purchase that year and shortly after their yearlings arrived at Mayberry Farm, they received a call from Jeanne Mayberry. Jeanne had this to say,”Either you bought yourselves some very slow yearlings or else that Street Cry filly is very, very good. Because when they’re out together running, she leaves them all behind as though they aren’t even moving.”

Prophetic words.

But fast as Zenny was, it took time and patience to “get her right,” as the Mosses’ Racing Manager, Dottie Ingordo Sherriffs, has said. But when trainer, John Sherriffs, did get her right, the result was the birth of an American racing legend:

Retired with a record of 19 wins and 1 second place in 20 starts, Zenyatta’s fans have not diminished in the slightest. At this writing, Zenyatta is the only filly/mare to have ever won two different Breeders’ Cup races and the only filly/mare to ever have won the BC Classic.

 

“UGLY DUCKLINGS” #2: STANDING IN THE SHADOWS

In any institution, whether a school or a sport like horse racing, it works out a lot better if everyone develops in the same, linear way. Couple that with our love affair with speed — intelligence being linked to quickness and, in the case of thoroughbreds, ability with running fast enough to win, preferably at two — and you have the “cracks” through which genius and greatness all-too-frequently slip ……..

 

EXTERMINATOR (gelding, 1915 -1945)

 

 

EXTERMINATOR. Copyright The Estate of Bob Dorman.

EXTERMINATOR. Copyright The Estate of Bob Dorman.

The story of “Old Bones” is famous. He’s as legendary a figure in American thoroughbred racing as Man O’ War — and some say he was the best of them all. High praise for a big, coarse gelding who was bought as a rabbity for a flashy colt named Sun Briar, the hope of  Willis Sharpe Kilmer for the 1918 Kentucky Derby.

The man who first saw under the surface of the lanky chestnut with the deep, dark eyes was trainer Henry McDaniel. It was he who studied Bones and Sun Briar as they worked, noting the intelligence of the former at dealing with his moody running mate. And when Sun Briar couldn’t run in the Derby — and after considerable lobbying by McDaniel and Colonel Matt Winn, the President of Churchill Downs — Kilmer agreed to let the ugliest of his horses run instead. And so it was that Exterminator stepped on to a muddy track and transformed, in three minutes, from an ugly duckling to a Swan King.

To read more about Exterminator: https://thevaulthorseracing.wordpress.com/2016/01/07/a-collectors-mystery-exterminator-and-bob-dorman/

 

DISCOVERY (colt, 1931- 1958)

 

Discovery, a brilliant runner and outstanding broodmare sire, won Horse of the Year in 1935 over Omaha. Discovery appears 4X5X4 in Ruffian's pedigree.

DISCOVERY on the track. Photo and copyright, The Chicago Tribune.

The son of Display had a brilliant, dazzling chestnut coat and lots of chrome. Born at Walter J. Salmon’s Mereworth Farm and owned by Adolphe Pons, the colt was impressively bred and ran head-first into the accompanying expectations. Predictably, he disappointed, winning only 2 of 13 starts as a two year-old.

At three he appeared again, looking fit enough. However, among the 3 year-olds that year was a colt named Cavalcade, who had already beaten Discovery the year before. In the Derby, Discovery chased Cavalcade home; in the Preakness, he finished third to High Quest and Cavalcade.

But Discovery was just getting going. He went on that same year to win the Brooklyn and Whitney Handicaps, and then set a world record time for 1 3/16 miles in the Rhode Island Handicap.

But his finest years were at four and five. In 1935, the colt won 11 of 19 starts, carrying an average of 131 lbs., gaining him the nickname “The Iron Horse.” Retrospectively named 1935 Horse of the Year (over Triple Crown winner, Omaha) and throughout 1936, Discovery’s winning ways continued. Of his Whitney win, the New York Times wrote that the chestnut ran “…the most decisive victory to be scored in a big American stake in many years.”

DISCOVERY was named Horse of the Year for 1935. Photo and copyright, The Chicago Tribune.

DISCOVERY was named Horse of the Year for 1935. Photo and copyright, The Chicago Tribune.

As a sire, it was Discovery’s daughters who gave him purchase on immortality, producing the great Native Dancer, Bold Ruler and Bed O’ Roses.

 

SEABISCUIT (colt, 1933-1947)

Rejected outright as a colt foal because of his size and conformation, the little son of Hard Tack languished as a runner until he hooked up with trainer Tom Smith, who could see right through the disguise. In Smith’s hands, “The Biscuit” blossomed into a horse with fire in his blood. It was the Depression Era: a good time for a hero to come along. Especially one who had once been “not good enough,” through no fault of his own. He battled back from defeat. He battled back from injury. And he taught America how to look a setback straight in the eye — and vanquish it.

Enjoy this rare footage of The Biscuit at work and play:

 

RED RUM (gelding, 1965- 1995)

 

 

RED RUM at work on the beach. Photo and copyright, The Baltimore Sun

RED RUM at work on the sands of Southport, England. Photo and copyright, The Baltimore Sun

 

“Beloved”  is probably the first response when someone speaks his name. Or “Immortal.” Something like that.

In its long, distinguished history the National Hunt has known many great horses, but none who rose to the standard of Red Rum. He was, quite simply, the greatest steeplechaser who ever lived.

By the time Donald “Ginger” McCain got his hands on the bay gelding, he had won a few one-mile races over the flat before being passed from one training yard to another. The horse who had descended from the great St. Simon, and whose name originated from the last three letters of his dam (Mared) and sire (Quorum) was never going to amount to much, running in cheap races with modest purses.

GINGER McCAIN WITH RED RUM PICTURED AT HIS STABLES BEHIND SECOND HAND CAR SHOWROOM. SOUTHPORT 1975. pic by George Selwyn,119 Torriano Ave,London NW5 2RX.T:+44 (0)207 267 6929 M: 07967 030722 email: george@georgeselwyn.co.uk Vat no:3308110 05

Ginger McCain with RED RUM, pictured at his stables behind his used car dealership in Southport, 1975. Photo and copyright, George Selwyn.

The first thing that McCain set out to do was to rehabilitate the gelding, who suffered from the incurable disease, pedal osteitis, a disease of the pedal bone. (This was discovered after the trainer paid a goodly sum for “Rummy” on behalf of owner, Noel le Mare.) The “cure” was swimming and long works on the beaches of Southport. And it worked miracles. Red Rum blossomed into a tough, rugged individual. (It should be noted that Ginger adored Rummy and the horse was never put at-risk in any of his races, unlike the situation when he was running on the flat.)

The result was not one, but three, wins in the Aintree Grand National, arguably the greatest test of any horse’s courage and stamina in the world. His first win came at a time when the Grand National was flirting with extinction. It needed a hero and it got one, in the form of a thoroughbred once-destined to run on the flat until he could run no more, and a used car salesman who “also” trained National Hunt horses — and saw something quite different in his Champion’s eye:

 

JOHN HENRY (gelding, 1975-2007)

“For the first two years of his life, John Henry had been peddled like a cheap wristwatch.” (Steve Haskin, in John Henry in the Thoroughbred Legends series)

JOHN HENRY at work.

JOHN HENRY at work.

To say he was “difficult” doesn’t even come close: for what ever reason, John had a nasty disposition, despite his workmanlike performances on the track. It would take trainers (and there were many) like Phil Amato and Ron McNally to work their way around temperament issues to gain the gelding’s trust before the John Henry we now know and admire emerged.

In his 3 year-old season, there were glimmers of ability. But from 1980 to his final win, at the ripe old age of nine, John Henry turned out to be the stuff of greatness. And not only was it his “arrival” as a turf star: John’s rags-to-riches story captivated fans who even today, almost nine years after his death, still revere his memory. Indeed, for many, John Henry is one of a pantheon of superstars, right up there with Exterminator, Man O’ War, Secretariat, Ruffian and American Pharoah.

By the time he was retired to the Kentucky Horse Park in Lexington, John had twice won the Eclipse Award for Horse of the Year (1981, 1984), with 39 wins in 83 starts and earnings of over six million dollars USD. His 1981 election as Horse of the Year was unanimous and at the time, unprecedented for a nominee to receive all votes cast. In addition, John was inducted into the American Horse Racing Hall of Fame in 1990.

 

ISTABRAQ (gelding, 1992)

Unlike John Henry (above), whose bloodlines were blue collar, Istabraq came from a royal line: a son of Sadler’s Wells (Northern Dancer) whose dam, Betty’s Secret, was a daughter of Secretariat. Owned by E.P. Taylor, the Canadian thoroughbred breeder and owner of Northern Dancer, Betty’s Secret was sent to Ireland in 1987 to be bred to some of Northern Dancer’s British sons. Taylor died two years later and the mare, in foal to Sadler’s Wells was purchased by Hamdan Al Maktoum.

The foal she was carrying was Istabraq.

ISTABRAQ as a foal with his dam, Betty's Secret (Secretariat).

ISTABRAQ as a foal with his dam, Betty’s Secret (Secretariat).

The colt foal seemed to understand from the very beginning that he was “someone special.” And indeed he was destined to be — but it took time.

The colt’s name was Sindhi for “brocade” but the weave of him proved inferior on the flat, where he managed only 2 wins. His jockey, the great Willie Carson, described the youngster as a “slow learner” who “…also lacked speed and was not at home on fast ground…I came to the conclusion that the reason he was struggling was because he had no speed. In fact, he was one-paced…”

As a three year-old, he developed foot problems. He was, in fact, flat-footed, making shoeing him a problem. When Istabraq refused to quicken in his last race as a three year-old, despite Carson’s aggressive ride, Sheikh Hamdan let trainer John Gosden know that it was enough: Istabraq was to be sold.

John Durkan started his career as a jockey.

John Durkan started his career as a jockey before becoming an assistant trainer to the great John Gosden.

When John Durkan, Gosden’s assistant trainer, heard that Istabraq would be listed in the 1995 Tattersall’s sale he resolved to acquire him. He saw possibilities for Istabraq, but not on the flat — as a hurdler. Having informed Gosden that he would be leaving to go out on his own, Durkan began searching for a possible buyer for Istabraq and found one in J. P. McManus, a wealthy Irishman who had made a fortune as a gambler. Following the sale at Tattersall’s, McManus shipped Istabraq back to Ireland with the understanding that the colt would be trained by Durkan. In his young trainer, Istabraq had found someone who believed in him.

“He is no soft flat horse. He is the sort who does not get going until he’s in a battle. He has more guts than class and that’s what you need, ” Durkan told McManus, “He will win next year’s Sun Alliance Hurdle.” Prophetic words.

"No soft

“He is no soft flat horse…” Durkan counselled J. P. McManus. And you see it here, in the power as ISTABRAQ launches, even though he’s a good distance from the hurdle.

But the young Durkan would soon be beset with tragedy, although not before watching his beloved gelding take ten hurdle races in a row from 1996-1997. Durkan was battling cancer and was shipped to Sloane Kettering Hospital in New York City; Aidan O’Brien took over training duties. By 1998, John was dying and moved home to Ireland, succumbing on the night of January 21, 1998.

Charlie Swan wore a black armband in John’s memory on the day of Istabraq’s first start in 1998, the AIG Europe Champion Hurdle. The gelding, who was now 6 years old, was a national hero and thousands turned out to watch him begin his 6 year-old season in grand style at Leopardstown:

And then this gallant thoroughbred just went on and on and on, beginning with a win two months later at Cheltenham in what would be the first of three wins in the Champion Hurdle:

Retired in 2002, Istabraq is now in the fourteenth year of a happy retirement at his owner, J.P. McManus’ Martinstown Stud. There, the horse who was voted in 2009 the favourite of the last 25 years by the Irish people, hangs out with his BFF, Risk of Thunder, and continues to greet fans who visit from all over the world:

For more about Istabraq, one of Secretariat’s greatest descendants: https://thevaulthorseracing.wordpress.com/2011/02/23/secretariats-heart-the-story-of-istabraq/

 

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Together,we saved over 20 horses from going to slaughter in Canada or Mexico in 2015. And every donation counted in this effort because no donation is too small. Hale, Trendy Cielo, Maya Littlebear, Felicitas Witness and 16 others, including two mares and their foals, thank you.

Please consider making a donation to a worthy cause so that we can help more rescue efforts in 2016.

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THE VERY FIRST “FANTASY STABLE”

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Wouldn’t it be interesting to find out who our great trainers of today would pick, if they were asked the same question?

 

James "Sunny Jim" Fitzsimmons. The most prestigious American thoroughbred trainer of them all. Photo and copyright, THE BALTIMORE SUN.

James “Sunny Jim” Fitzsimmons. The most prestigious American thoroughbred trainer of them all. Photo and copyright, THE BALTIMORE SUN.

 

James aka “Sunny Jim” Fitzsimmons (also known as “Mr Fitz”) sits right at the top of distinguished American thoroughbred trainers. He began his career as a stable boy, working his way up to jockey. When his weight put an end to riding, Sunny Jim began to train thoroughbreds, saddling his first winner, Agnes D., on August 7, 1900 at Brighton Beach. As time moved on, his star shone brighter than any: two Triple Crown winners in Gallant Fox and son, Omaha, together with a slew of great colts and fillies, including Hard Tack, Granville, Faireno, Seabiscuit (before Charles Howard owned him), Fighting Fox (Gallant Fox’s full brother), Vagrancy, Johnstown, Bold Ruler, Nashua and Misty Morn. Sunny Jim’s horses won both the Jockey Gold Cup and Wood Memorial seven times; the Kentucky Derby three times; the Preakness four times; and the Belmont six times. His long association with William Woodward’s Belair Stud and the Phipps’ Wheatley Stables meant that some very fine horses came under his care and management. He was U.S. Champion trainer by earnings five times from 1930 until 1955. A beloved figure in the world of thoroughbred racing, Sunny Jim was noted for his gentleness and warmth, although he brooked no nonsense from any who worked for him. And he knew thoroughbreds inside-out.

Sunny Jim’s last great thoroughbred was Nashua, and the exploits of the colt in the 1950’s thrust both he and his trainer back into the spotlight. In 1957, word was out about another potential star in the 82 year-old Fitzsimmons’ stable: a son of Nasrullah named Bold Ruler.

NASHUA with Sunny Jim, who adored his less-than straightforward charge. Photo and copyright, THE CHICAGO TRIBUNE.

NASHUA with Sunny Jim, who adored his less-than straightforward champion. Photo and copyright, THE CHICAGO TRIBUNE.

 

BOLD RULER, with Eddie Arcaro up, defeats GENERAL DUKE in the 1957 Flamingo Stakes.

BOLD RULER, with Eddie Arcaro up, defeats GENERAL DUKE in the 1957 Flamingo Stakes. Photo and copyright, THE BALTIMORE SUN.

 

On February 23, 1957, journalist Frank Ortell, writing for the New York World Telegram, published this feature article. He had asked the great trainer which thoroughbreds he would place in his own fantasy stable or, which thoroughbreds were the greatest of all time. Here, as it was published, is Sunny Jim’s reply. (Photographs added by THE VAULT.)

Standouts In All Divisions: Exterminator and Man 0′ War Among His “All-Time Choices”

Frank Ortell, Staff Reporter

Miami, Feb. 23 (1957): Sunny Jim Fitzsimmons, who got his first racetrack job the day Grover Cleveland was inaugurated, looks back on his 82 years with undoubtedly the richest over lit capacity for thoroughbred appraisal of any living man.

Sunny Jim, still one of the top conditioners of America who even now is preparing Bold Ruler here at Hialeah for next Saturday’s Flamingo, today gives this newspaper’s readers the benefit of his Panoramic background in a unique venture. He’s picking the finest horses he has known in each division, in short a “dream stable.’

It is typical of the breadth of Jim’s vision that, of the 19 fillies’ and colts he has singled out, no more than three were trained by him-Nashua, Gallant Fox and Misty Morn.

 

Weight-Carrying ‘Essential’

Jim, stoop·shouldered but erectly forthright in opinion, started off with his top vote among the handicap racers.

“Exterminator is my best there,” he reported. “A handicap horse must carry weight at a variety of distances and he must be as strong at two miles as at six furlongs. That was Exterminator: He ran as often as called on — I think he

started 100 times –and track conditions meant little to him.”

C.C. Cook's great shot of EXTERMINATOR, whom he once described as "the beautiful and the glorious." Copyright KEENELAND-COOK.

“EXTERMINATOR is my best there.” Copyright KEENELAND-COOK.

Jim recalled that Exterminator, a gelding, had been purchased by Willis Sharpe Kilmer for $15,000 from J. C. Milam mainly as a work horse for the speedy Sun Briar. When Sun Briar couldn’t go in the 1918 Kentucky Derby, Exterminator

won under Willie Frapp, later named as Upset’s jockey in Man 0′. War’s only defeat.

Fitz’ supporting choices in the same division were Kingston, from the 1880s, and Roseben. At the turn of the century the handicappers just couldn’t find enough weight to stop Roseben in the shorter races.

ROSEBEN aka The Big Train.

ROSEBEN aka The Big Train joined EXTERMINATOR and KINGSTON as Sunny Jim’s top Handicap Horses.

For fillies in the handicap category, he nominated Beldame, leased by August Belmont to Newton Bennington (Belmont preferred not to race her himself) and the more recent Gallorette. “I’d like to add Lady Amelia,” he continued. “George Odom, a great trainer and a great jockey in his time, tells me that Lady Amelia could pack 130 pounds and run away from them. She did it at Gravesend. She also beat Roseben at Hot Springs.”

BELDAME was one of Sunny Jim's Handicap Fillies.

BELDAME was one of Sunny Jim’s Handicap Fillies.

Fitz’ Dream Stable

This is the “dream stable” selected by Sunny Jim Fitzsimmons from all the horses in his ken.

TWO YEAR-OLD COLTS: Colin, Sysonby, Citation

TWO YEAR-OLD FILLIES: Top Flight, Regret

THREE YEAR-OLD COLTS: Man O War, Nashua, Count Fleet, Gallant Fox

THREE YEAR-OLD FILLIES: Artful, Twilight Tear, Misty Morn

HANDICAP HORSES: Exterminator, Kingston, Roseben

HANDICAP FILLIES: Beldame, Imp, Gallorette, Lady Amelia

 

Count Fleet for Speed

It is Jim’s opinion — and many others — that Man O’ War was the best three year-old of all time. “After him,” he said, ”I’d like to have Nashua and Count Fleet. Nashua was as sound as one could ask and and was willing to run any time.

Count Fleet had plenty of speed.”  Here he asked for inclusion of a fourth three-year·old. ‘” I want to save a stall for Gallant Fox,” he said. “He was the best three-year-old I had until Nashua came along.”

The Great One, Man O' War, shown working over the Saratoga track.

Man O’ War was “…the best three year-old of all time.”

 

COUNT FLEET (shown here with owners the Hertzes).

COUNT FLEET (shown here with owners the Hertzes) “…had plenty of speed.”

 

William Woodward leads in his Triple Crown winner. The Fox got a little fractious in the winner's circle even though his owner managed to hang onto him until Mr. Fitz arrived to take charge. Photo and copyright, The Baltimore Sun.

“I want to save a stall for Gallant Fox.” Photo and copyright, The Baltimore Sun.

 

For his three year-old fillies, our expert chose Artful, Twilight Tear and Misty Morn. Artful, remembered by all old-timers was owned by W. C. Whitney and trained by John Rodgers. Strangely, she was no success as a broodmare. Her

“best” was a mediocrity named Sam Slick, who was five before he won at Bowie.

"Artful was the fastest horse I ever saw."

“ARTFUL was one of the speediest horses I ever saw.”

 

MISTY MORN, a daughter of Princequillo, was in the Fitz stable at the same period as Nashua. She was an exceptional filly. As a broodmare, she was the dam of BOLD LAD and SUCCESSOR, both sired by BOLD RULER.

MISTY MORN, a daughter of Princequillo, was an exceptional filly trained by Sunny Jim. As a broodmare, she was the dam of Bold Lad and Successor, both sired by Bold Ruler, and both two year-old champions in their respective years.

 

“Artful was one of the speediest horses I ever saw,” he recalled. “Twilight Tear was like a machine …. Misty Morn came strongest in the fall, because she could come up to a distance better than most.”

 

TWILIGHT TEAR "...was a machine." She is shown here winning the Acorn. Photo and copyright, THE CHICAGO TRIBUNE.

TWILIGHT TEAR “…was like a machine.” She is shown here winning the Acorn. Photo and copyright, THE CHICAGO TRIBUNE.

 

For his prize two-year colts, Fitz  picked  Sysonby and Colin, two fabled names out of the past. Both were owned by James R. Keene, one of the turf’s most noted patrons. It was his recollection, fortified by the records, that Sysonby lost

only once in 15 starts and that Colin never lost in 15. In a small purse era, Sysonby earned $184,438, Colin $181,610. Sysonby died of blood poisoning.. His skeleton may be seen in New York’s Museum of Natural History. Colin suf-

fered from chronic unsoundness and, when shipped to England, broke down in a workout. He never was raced there . ”Jim Rowe used to tell me, ‘the proudest thing in my life was that I trained Colin’,” Jim pointed out. For his modern two

year-old colt he added Citation. “One of the best young horses of all time,” he summed up Citation.

SYSONBY

SYSONBY figures as one of Sunny Jim’s prize two year-olds, together with COLIN and CITATION. The latter he described as “…One of the best young horses of all time.”

The two year-old fillies: “I’d take two from the same stable, Top Flight and Regret (C. V. Whitney). They could run with anything that was sent against them and were game enough to run as many times in a year as a trainer would want.”

 

TOP FLIGHT, shown here with her Man O' War foal, joins

TOP FLIGHT, shown here with her Man O’ War foal.

 

REGRET

REGRET, who, with Top Flight, “…could run with anything that was sent against them.” Photo and copyright, THE BALTIMORE SUN

 

 

BONUS FEATURES

1)“Welcome to Fitzsimmonsville” — a delightful and historical site devoted to Sunny Jim Fitzsimmons.

http://www.fitzbook.com

2) Swaps & Nashua (video): 

3)  Bold Ruler runs in the Trenton Handicap for top honours (video):

4) Gallant Fox — rare footage (video) 

5) Twilight Tear wins the Arlington Classic (video)

http://www.gettyimages.ca/detail/video/the-arlington-classic-is-run-at-washington-park-race-news-footage/504412273

 

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